Bonnie J. Morris – författare

With sharp wit and keen insight, Bonnie J. Morris opens new perspectives on the gender and generation gaps on campus, exploring the negative stereotypes that keep many students from taking women's studies courses. Since 1993, the George Washington University women's history professor has traveled the globe with her one-woman play, "Revenge of the Women's Studies Professor," engaging audiences from New Zealand to New York in a frank conversation about the backlash against feminism and women's studies. This book presents scenes from the original play along with reflections on changing views of gender and sexuality in American society, politics, and popular culture. The result is part memoir, part history of our times, and part critique of higher education.

Oprah's book club has declared The Feminist Revolution a must-read for Women's History Month.The Feminist Revolution offers an overview of women's struggle for equal rights in the late twentieth century. Beginning with the auspicious founding of the National Organization for Women in 1966, at a time when women across the world were mobilizing individually and collectively in the fight to assert their independence and establish their rights in society, the book traces a path through political campaigns, protests, the formation of women's publishing houses and groundbreaking magazines, and other events that shaped women's history. It examines women's determination to free themselves from definition by male culture, wanting not only to 'take back the night' but also to reclaim their bodies, their minds, and their cultural identity. It demonstrates as well that the feminist revolution was enacted by women from all backgrounds, of every color, and of all ages and that it took place in the home, in workplaces, and on the streets of every major town and city. This sweeping overview of the key decades in the feminist revolution also brings together for the first time many of these women's own unpublished stories, which together offer tribute to the daring, humor, and creative spirit of its participants.

Offers a rare look at the world of Hasidic women activists in the years since World War II, and how they have challenged the rise of American feminism.Lubavitcher Women in America offers a rare look at the world of Hasidic women activists since World War II. The revival of ultra-Orthodox Judaism in the second half of the twentieth century has baffled many assimilated American Jews, especially those Jewish feminists hostile to Orthodox interpretations of women's roles. This text gives voice to the lives of those Hasidic women who served the late Lubavitcher Rebbe as educators and outreach activists, and examines their often successful efforts to recruit other Jewish women to the Lubavitcher community in Crown Heights, Brooklyn.Central to this book is how Lubavitcher women have "talked back" to American feminist thought. Arguing that American feminism cannot liberate Jewish women-that a specifically Jewish spirituality is more appropriate and fulfilling-Lubavitcher women have helped to swell the ranks of their Rebbe's followers by aggressively promoting the appeal of traditional, structured Jewish observance. The book thus offers a unique look at female anti-feminist religious rhetoric, articulately presented by Jewish "fundamentalists."

Investigates the rise and fall of US American lesbian cultural institutions since the 1970s.A 2018 Over the Rainbow Selection presented by the Gay, Lesbian, Bisexual, and Transgendered Round Table (GLBTRT) of the American Library Association LGBT Americans now enjoy the right to marry-but what will we remember about the vibrant cultural spaces that lesbian activists created in the 1970s, 80s, and 90s? Most are vanishing from the calendar-and from recent memory. The Disappearing L explores the rise and fall of the hugely popular women-only concerts, festivals, bookstores, and support spaces built by and for lesbians in the era of woman-identified activism. Through the stories unfolding in these chapters, anyone unfamiliar with the Michigan festival, Olivia Records, or the women's bookstores once dotting the urban landscape will gain a better understanding of the era in which artists and activists first dared to celebrate lesbian lives. This book offers the backstory to the culture we are losing to mainstreaming and assimilation. Through interviews with older activists, it also responds to recent attacks on lesbian feminists who are being made to feel that they've hit their cultural expiration date.

Investigates the rise and fall of US American lesbian cultural institutions since the 1970s.A 2018 Over the Rainbow Selection presented by the Gay, Lesbian, Bisexual, and Transgendered Round Table (GLBTRT) of the American Library Association LGBT Americans now enjoy the right to marry-but what will we remember about the vibrant cultural spaces that lesbian activists created in the 1970s, 80s, and 90s? Most are vanishing from the calendar-and from recent memory. The Disappearing L explores the rise and fall of the hugely popular women-only concerts, festivals, bookstores, and support spaces built by and for lesbians in the era of woman-identified activism. Through the stories unfolding in these chapters, anyone unfamiliar with the Michigan festival, Olivia Records, or the women's bookstores once dotting the urban landscape will gain a better understanding of the era in which artists and activists first dared to celebrate lesbian lives. This book offers the backstory to the culture we are losing to mainstreaming and assimilation. Through interviews with older activists, it also responds to recent attacks on lesbian feminists who are being made to feel that they've hit their cultural expiration date.

What do Susan Sarandon, Barbara Hershey, Meryl Streep, Bette Midler, and Cher have in common?All have portrayed lesbian characters on the silver screen. Although cinema and television in the last three decades of the twentieth century have been a wasteland for women in general and lesbians in particular looking for strong images of themselves, Bonnie Morris gives readers a front row seat on a life growing up and coming out at the movies. Morris writes, This is a collection of movie stories-by which I mean recollections of events, images, turning points generated by specific moviegoing experiences, and specific movies and the book is built around the catalyst of going to a movie as a chunk of formative girl identity. Girl Reel is a raucous, rollicking, sometimes acerbic look at the powerful influence the entertainment industry has on our community, family, and social lives.A must-have for all film buffs, Girl Reel is a book about our relationship to popular culture-how media images both preview and rerun our own lives. By surveying images of women and lesbians in television and film over the seventies, eighties, and nineties, and chronicling the move of lesbian and gay issues from the margins to the mainstream, Morris offers her own images of strong women, for a new generation of readers / viewers.Bonnie J. Morris is a professor of women's studies at George Washington University and Georgetown University. Born to Hollywood parents-her father was an extra in The Day the Earth Stood Still; her mother was an assistant to the movie star Greer Garson- Morris is the author of Eden Built by Eves (Alyson 1999) and two books on Jewish women's history, and she is a contributor to more than fifty books and journals.