Bonnie Yochelson – författare
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3 produkter
3 produkter
Häftad, Engelska, 2014
187 kr
Skickas inom 5-8 vardagar
Before publishing his pioneering book How the Other Half Lives - a photojournalistic investigation into the poverty of New York's tenement houses - Jacob Riis (1849-1914) spent his first years in the United States as an immigrant and itinerant laborer, barely surviving on his carpentry skills until he landed a job as a muckraking reporter. These early experiences provided Riis with an empathy for the lives of immigrants that would shine through in his iconic photos. With Rediscovering Jacob Riis, Bonnie Yochelson and Daniel Czitrom place Jacob Riis' images in historical context. In the first half of their book, Czitrom explores Riis' reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today.In the second half of the book, Yochelson describes Riis' photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change. As staggering inequality continues to be a hot political topic, this book, illustrated with nearly seventy of Riis' photographs, will serve as a stunning reminder of what has changed, and what has not.
Inbunden, Engelska, 2015
437 kr
Skickas inom 5-8 vardagar
The definitive study of the images made by a pioneer journalist and photographer who passionately advocated for America’s urban poorDanish-born Jacob A. Riis (1849–1914) found success in America as a reporter for the New York Tribune, first documenting crime and later turning his eye to housing reform. As tenement living conditions became unbearable in the wake of massive immigration, Riis and his camera captured some of the earliest, most powerful images of American urban poverty. This important publication is the first comprehensive study and complete catalogue of Riis’s world-famous images, and places him at the forefront of early-20th-century social reform photography. It is the culmination of more than two decades of research on Riis, assembling materials from five repositories (the Riis Collection at the Museum of the City of New York, the Library of Congress, the New-York Historical Society, the New York Public Library, and the Museum of South West Jutland, Denmark) as well as previously unpublished photographs and notes. In this handsome volume, Bonnie Yochelson proposes a novel thesis—that Riis was a radical publicist who utilized photographs to enhance his arguments, but had no great skill or ambition as a photographer. She also provides important context for understanding how Riis’s work would be viewed in turn-of-the-century New York, whether presented in lantern slide lectures or newspapers. Published in association with the Museum of the City of New YorkExhibition Schedule:Museum of the City of New York(10/07/15–03/20/16)Library of Congress, Washington D.C.(April–September 2016)
Inbunden, Engelska, 2025
422 kr
Skickas inom 3-6 vardagar
Explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much moreAlice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called "the larky life" of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, "smoking" cigarettes, and feigning drunkenness. As she later remarked, she was "too good to get married." Austen embraced the rebellious spirit of the "New Woman," a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, "Street Types of New York." Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality.