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6 produkter

Kategorier

6 produkter

Contra-Diction

AvBrett Josef Grubisic

Häftad, Engelska, 1998

199 kr

Skickas inom 5-8 vardagar

Age Of Cities

AvBrett Josef Grubisic,Brett Josef Grubisic

Häftad, Engelska, 2007

187 kr

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Age of Cities

AvBrett Josef Grubisic

E-bok

Engelska, 2006

157 kr

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Equal parts bildungsroman and purported literary artifact, The Age of Cities is -really about the age of innocence. A manuscript is discovered inside a hollowed-out home economics textbook: it is the story of a young man from a small town who comes to the big city at the height of the Cold War. His accidental discovery of a gay -subculture—culminating in a feverish, dreamlike initiation—pushes him irrevocably toward crisis. The Age of Cities is about discovery, loss, and the contemporary “closet” where stories lie hidden from view.

American Hunks

The Muscular Male Body in Popular Culture, 1860-1970

AvBrett Josef Grubisic,David L. Chapman

E-bok

Engelska, 2009

281 kr

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The "American hunk" is a cultural icon: the image of the chiseled, well-built male body has been promoted and exploited for commercial use for over 125 years, whether in movies, magazines, advertisements, or on consumer products, not only in America but throughout the world.

American Hunks is a fascinating collection of images (many in full color) depicting the muscular American male as documented in popular culture from 1860 to 1970. The book, divided into specific historic eras, includes such personalities as bodybuilder Charles Atlas; pioneer weightlifter Eugene Sandow; movie stars like Steve "Hercules" Reeves and Johnny "Tarzan" Weismuller; and publications such as the 1920s-era magazine Physical Culture and the 1950s-era comic book Mr. Muscles. It also touches on the use of masculine, homoerotic imagery to sell political and military might (including American recruitment posters and Nazi propaganda from the 1936 Olympics), and how companies have used buff, near-naked men to sell products from laundry detergent to sacks of flour since the 1920s. The introduction by David L. Chapman offers insightful information on individual images, while the essay by Brett Josef Grubisic places the work in its proper historical context.

David L. Chapman has written many books on male photography and bodybuilding, including Comin'' at Ya!: The Homoerotic 3-D Photographs of Denny Denfield.

Brett Josef Grubisic is author of the novel The Age of Cities and editor of Contra/Diction: New Queer Fiction.

National Plots

Historical Fiction and Changing Ideas of Canada

AvAndrea Cabajsky,Brett Josef Grubisic

Häftad, Engelska, 2010

563 kr

Skickas inom 10-15 vardagar

Fiction that reconsiders, challenges, reshapes, and/or upholds national narratives of history has long been an integral aspect of Canadian literature. Works by writers of historical fiction (from early practitioners such as John Richardson to contemporary figures such as Alice Munro and George Elliott Clarke) propose new views and understandings of Canadian history and individual relationships to it. Critical evaluation of these works sheds light on the complexity of these depictions. The contributors in National Plots: Historical Fiction and Changing Ideas of Canada critically examine texts with subject matter ranging from George Vancouver's west coast explorations to the eradication of the Beothuk in Newfoundland. Reflecting diverse methodologies and theoretical approaches, the essays seek to explicate depictions of ""the historical"" in individual texts and to explore larger questions relating to historical fiction as a genre with complex and divergent political motivations and goals. Although the topics of the essays vary widely, as a whole the collection raises (and answers) questions about the significance of the roles historical fiction has played within Canadian culture for nearly two centuries.

Blast, Corrupt, Dismantle, Erase

Contemporary North American Dystopian Literature

AvBrett Josef Grubisic,Gisèle M. Baxterm. fl.

Häftad, Engelska, 2014

674 kr

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What do literary dystopias reflect about the times? In Blast, Corrupt, Dismantle, Erase, contributors address this amorphous but pervasive genre, using diverse critical methodologies to examine how North America is conveyed or portrayed in a perceived age of crisis, accelerated uncertainty, and political volatility. Drawing from contemporary novels such as Cormac McCarthy's The Road, Neil Gaiman's American Gods, and the work of Margaret Atwood and William Gibson (to name a few), this book examines dystopian literature produced by North American authors between the signing of NAFTA (1994) and the tenth anniversary of 9/11 (2011). As the texts illustrate, awareness of and deep concern about perceived vulnerabilities - ends of water, oil, food, capitalism, empires, stable climates, ways of life, non-human species, and entire human civilizations - have become central to public discourseover the same period. By asking questions such as ""What are the distinctive qualities of post-NAFTA North American dystopian literature?"" and ""What does this literature reflect about the tensions and contradictions of the inchoate continental community of North America?"" Blast, Corrupt, Dismantle, Erase serves to resituate dystopian writing within a particular geo-social setting and introduce a productive means to understand both North American dystopian writing and its relevant engagements with a restricted, mapped reality.

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