Databases have revolutionized nearly every aspect of our lives. Information of all sorts is being collected on a massive scale, from Google to Facebook and well beyond. But as the amount of information in databases explodes, we are forced to reassess our ideas about what knowledge is, how it is produced, to whom it belongs, and who can be credited for producing it. Every scientist working today draws on databases to produce scientific knowledge. Databases have become more common than microscopes, voltmeters, and test tubes, and the increasing amount of data has led to major changes in research practices and profound reflections on the proper professional roles of data producers, collectors, curators, and analysts. Collecting Experiments traces the development and use of data collections, especially in the experimental life sciences, from the early twentieth century to the present. It shows that the current revolution is best understood as the coming together of two older ways of knowing--collecting and experimenting, the museum and the laboratory. Ultimately, Bruno J. Strasser argues that by serving as knowledge repositories, as well as indispensable tools for producing new knowledge, these databases function as digital museums for the twenty-first century.

Databases have revolutionized nearly every aspect of our lives. Information of all sorts is being collected on a massive scale, from Google to Facebook and well beyond. But as the amount of information in databases explodes, we are forced to reassess our ideas about what knowledge is, how it is produced, to whom it belongs, and who can be credited for producing it.   Every scientist working today draws on databases to produce scientific knowledge. Databases have become more common than microscopes, voltmeters, and test tubes, and the increasing amount of data has led to major changes in research practices and profound reflections on the proper professional roles of data producers, collectors, curators, and analysts.   Collecting Experiments traces the development and use of data collections, especially in the experimental life sciences, from the early twentieth century to the present. It shows that the current revolution is best understood as the coming together of two older ways of knowing—collecting and experimenting, the museum and the laboratory. Ultimately, Bruno J. Strasser argues that by serving as knowledge repositories, as well as indispensable tools for producing new knowledge, these databases function as digital museums for the twenty-first century.

A history of masks protecting against bad air—in cities, factories, hospitals, and war trenches—exploring how our identities and beliefs shape the decision to wear a mask“[An] engrossing, finely illustrated account of a subject hitherto surprisingly under-researched.”—Nature, Best Books of 2025 For centuries, humans have sought to protect themselves from harmful air, whether from smoke, dust, vapors, or germs. This book offers the first history of respiratory masks—ranging from simple pieces of cloth to elaborate gas masks—and explores why they have sparked both hope and fear. Bruno J. Strasser and Thomas Schlich captivate readers with stories of individuals—from renowned doctors and political leaders to forgotten inventors and anonymous factory workers—who passionately debated the value of masks. In Renaissance Italy and Meiji Japan, in Victorian Britain and Cold War America, the way societies have engaged with face coverings reveals their deepest cultural and political fractures. The Mask challenges us to reconsider how we care for one another and the kind of environment we aspire to inhabit.

Databases have revolutionized nearly every aspect of our lives. Information of all sorts is being collected on a massive scale, from Google to Facebook and well beyond. But as the amount of information in databases explodes, we are forced to reassess our ideas about what knowledge is, how it is produced, to whom it belongs, and who can be credited for producing it. Every scientist working today draws on databases to produce scientific knowledge. Databases have become more common than microscopes, voltmeters, and test tubes, and the increasing amount of data has led to major changes in research practices and profound reflections on the proper professional roles of data producers, collectors, curators, and analysts. Collecting Experiments traces the development and use of data collections, especially in the experimental life sciences, from the early twentieth century to the present. It shows that the current revolution is best understood as the coming together of two older ways of knowing--collecting and experimenting, the museum and the laboratory. Ultimately, Bruno J. Strasser argues that by serving as knowledge repositories, as well as indispensable tools for producing new knowledge, these databases function as digital museums for the twenty-first century.

Databases have revolutionized nearly every aspect of our lives. Information of all sorts is being collected on a massive scale, from Google to Facebook and well beyond. But as the amount of information in databases explodes, we are forced to reassess our ideas about what knowledge is, how it is produced, to whom it belongs, and who can be credited for producing it.   Every scientist working today draws on databases to produce scientific knowledge. Databases have become more common than microscopes, voltmeters, and test tubes, and the increasing amount of data has led to major changes in research practices and profound reflections on the proper professional roles of data producers, collectors, curators, and analysts.   Collecting Experiments traces the development and use of data collections, especially in the experimental life sciences, from the early twentieth century to the present. It shows that the current revolution is best understood as the coming together of two older ways of knowing—collecting and experimenting, the museum and the laboratory. Ultimately, Bruno J. Strasser argues that by serving as knowledge repositories, as well as indispensable tools for producing new knowledge, these databases function as digital museums for the twenty-first century.

A history of masks protecting against bad air—in cities, factories, hospitals, and war trenches—exploring how our identities and beliefs shape the decision to wear a mask“[An] engrossing, finely illustrated account of a subject hitherto surprisingly under-researched.”—Nature, Best Books of 2025 For centuries, humans have sought to protect themselves from harmful air, whether from smoke, dust, vapors, or germs. This book offers the first history of respiratory masks—ranging from simple pieces of cloth to elaborate gas masks—and explores why they have sparked both hope and fear. Bruno J. Strasser and Thomas Schlich captivate readers with stories of individuals—from renowned doctors and political leaders to forgotten inventors and anonymous factory workers—who passionately debated the value of masks. In Renaissance Italy and Meiji Japan, in Victorian Britain and Cold War America, the way societies have engaged with face coverings reveals their deepest cultural and political fractures. The Mask challenges us to reconsider how we care for one another and the kind of environment we aspire to inhabit.