C. D. Innes – författare
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2 produkter
2 produkter
Häftad, Engelska, 1977
673 kr
Skickas inom 7-10 vardagar
This 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth, Kipphardt and Weiss. Professor Innes sketches the background of Dadaism and Expressionism from which Piscator came, and points out the differences between Piscator and the other experimenters of his time. He also gives a vivid description of Piscator's technical innovations, the modern means of communication such as film, the illumination of the stage from below and 'the treadmill', a flat moving band along which the characters walked. These turned drama into a multi-media event. Professor Innes uses Piscator's career as a focus to describe theatrical developments in the twentieth century and to discuss the role of the author, the director, and the actor in drama, the purpose of the theatre, and the involvement of the audience.
Häftad, Engelska, 1979
516 kr
Skickas inom 7-10 vardagar
In this impressively wide-ranging study of all drama written in German in the period 1945-1977, Christopher Innes' aims are to identify the concerns and perceptions of dramatists working in a specific and unique social context and period and to analyse the major theatrical forms they developed or adapted to express their experience, to trace the writers' literary antecedents, their 'tradition' and to explore the critical issues raised by each stylistic innovation. Professor Innes has organized his discussion around the main forms of theatre - epic, documentary, absurdist and more traditional forms. Redefining these conceptual labels as he progresses, he analyses, in a critical and informed way, the work on the page and the stage of all the major playwrights. This study, which is complemented by photographs of key productions and accompanied by translations for all quotations, will be of particular interest to teachers and students of drama and German, as well as to a wider theatre-going public.