Cameron Awkward-Rich – författare

In The Terrible We Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.Duke University Press Scholars of Color First Book Award recipient

Originating in Craigslist personals to indicate a trans person seeking another trans person, the term “t4t” has come to describe not only circuits of desire and attraction but also practices of trans solidarity and mutual aid. Contributors to this issue investigate the multiple meanings associated with t4t, considering both its potential and its shortcomings. They explore forms of Black trans kinship, consider the possibilities and limits of trans crowdfunding, theorize transmasculine pornography as a site of identity formation, and critique t4t spaces that allow for abuse or exploitation. Because t4t names a type of separatism, it carries risks such as identity policing, the prioritization of one aspect of identity over others, and difficulty engaging in strategic coalition. And yet, in a world that remains hostile to trans forms of life, t4t also circulates as a promising practice of love, repair, and healing.Contributors. Cassius Adair, Aren Aizura, Cameron Awkward-Rich, Chris Barcelos, Cynthia CitlallÍn Delgado HuitrÓn, Lauren Fournier, Vox Jo Hsu, Christopher Joseph Lee, Amira Lundy-Harris, Hil Malatino, Amy Marvin, Isaac Preiss, Amir Rabiyah, Nicholas Reich

In The Terrible We Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.Duke University Press Scholars of Color First Book Award recipient

In The Terrible We Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.Duke University Press Scholars of Color First Book Award recipient