Candida Moss – författare

‘Monumental and eye-opening’ Reza Aslan'A revelation […and…] an intellectual triumph' Irish Independent'[A] massive achievement' Spectator‘Refreshingly readable' Guardian The untold story of how enslaved people created, gave meaning to, and spread the word of the New Testament, shaping the very foundations of Christianity. For he past two thousand years, Christian tradition, scholarship, and pop culture has credited the authorship of the New Testament to a select group of men: Matthew, Mark, Luke, John and Paul. But the truth is that these individuals did not write alone. In some meaningful ways they did not write at all.Hidden behind these named and sainted individuals are a cluster of enslaved coauthors and collaborators, almost all of whom go uncredited. They were responsible for producing the earliest manuscripts of the New Testament. They took dictation, sometimes editorialising in the process, and polished and refined the final manuscripts. When the Christian message began to move independently from the first apostles it was enslaved missionaries who undertook the dangerous journeys across the Mediterranean and along dusty Roman roads to move Christianity from Jerusalem and the Levant to Rome, Spain, North Africa and Egypt. Finally, when these texts were read aloud to new audiences of curious potential converts, it was educated and trained enslaved workers who performed them – deciding whether a statement was sincere or sarcastic; a throwaway remark or something central to be emphasised. Their influence in the spread of Christianity and making of the Bible was enormous, yet their role has been almost entirely overlooked until now.Filled with profound revelations for reading and understanding the gospels themselves, God’s Ghostwriters is a groundbreaking and rigorously researched book about how enslaved people shaped the Bible, and with it all of Christianity. It’s also an intimate portrait of lives not often considered by history, and a reckoning with the motives and methods of the early Christians as they spread their message across the ancient world.

‘Monumental and eye-opening’ Reza Aslan'A revelation […and…] an intellectual triumph' Irish Independent'[A] massive achievement' Spectator‘Refreshingly readable' GuardianFor the past two thousand years, Christian tradition, scholarship, and pop culture has credited the authorship of the New Testament to a select group of men: Matthew, Mark, Luke, John and Paul. But the truth is that these individuals did not write alone. In some meaningful ways they did not write at all.Hidden behind these named and sainted individuals are a cluster of enslaved coauthors and collaborators, almost all of whom go uncredited. They were responsible for producing the earliest manuscripts of the New Testament. They took dictation, sometimes editorialising in the process, and polished and refined the final manuscripts. When the Christian message began to move independently from the first apostles it was enslaved missionaries who undertook the dangerous journeys across the Mediterranean and along dusty Roman roads to move Christianity from Jerusalem and the Levant to Rome, Spain, North Africa and Egypt. Finally, when these texts were read aloud to new audiences of curious potential converts, it was educated and trained enslaved workers who performed them – deciding whether a statement was sincere or sarcastic; a throwaway remark or something central to be emphasised. Their influence in the spread of Christianity and making of the Bible was enormous, yet their role has been almost entirely overlooked until now.Filled with profound revelations for reading and understanding the gospels themselves, God’s Ghostwriters is a groundbreaking and rigorously researched book about how enslaved people shaped the Bible, and with it all of Christianity. It’s also an intimate portrait of lives not often considered by history, and a reckoning with the motives and methods of the early Christians as they spread their message across the ancient world.

‘Monumental and eye-opening’ Reza Aslan''A revelation […and…] an intellectual triumph'' Irish Independent''[A] massive achievement'' Spectator‘Refreshingly readable'' GuardianFor the past two thousand years, Christian tradition, scholarship, and pop culture has credited the authorship of the New Testament to a select group of men: Matthew, Mark, Luke, John and Paul. But the truth is that these individuals did not write alone. In some meaningful ways they did not write at all.Hidden behind these named and sainted individuals are a cluster of enslaved coauthors and collaborators, almost all of whom go uncredited. They were responsible for producing the earliest manuscripts of the New Testament. They took dictation, sometimes editorialising in the process, and polished and refined the final manuscripts. When the Christian message began to move independently from the first apostles it was enslaved missionaries who undertook the dangerous journeys across the Mediterranean and along dusty Roman roads to move Christianity from Jerusalem and the Levant to Rome, Spain, North Africa and Egypt. Finally, when these texts were read aloud to new audiences of curious potential converts, it was educated and trained enslaved workers who performed them – deciding whether a statement was sincere or sarcastic; a throwaway remark or something central to be emphasised. Their influence in the spread of Christianity and making of the Bible was enormous, yet their role has been almost entirely overlooked until now.Filled with profound revelations for reading and understanding the gospels themselves, God’s Ghostwriters is a groundbreaking and rigorously researched book about how enslaved people shaped the Bible, and with it all of Christianity. It’s also an intimate portrait of lives not often considered by history, and a reckoning with the motives and methods of the early Christians as they spread their message across the ancient world.

‘Monumental and eye-opening’ Reza Aslan'A revelation […and…] an intellectual triumph' Irish Independent'[A] massive achievement' Spectator‘Refreshingly readable' GuardianFor the past two thousand years, Christian tradition, scholarship, and pop culture has credited the authorship of the New Testament to a select group of men: Matthew, Mark, Luke, John and Paul. But the truth is that these individuals did not write alone. In some meaningful ways they did not write at all.Hidden behind these named and sainted individuals are a cluster of enslaved coauthors and collaborators, almost all of whom go uncredited. They were responsible for producing the earliest manuscripts of the New Testament. They took dictation, sometimes editorialising in the process, and polished and refined the final manuscripts. When the Christian message began to move independently from the first apostles it was enslaved missionaries who undertook the dangerous journeys across the Mediterranean and along dusty Roman roads to move Christianity from Jerusalem and the Levant to Rome, Spain, North Africa and Egypt. Finally, when these texts were read aloud to new audiences of curious potential converts, it was educated and trained enslaved workers who performed them – deciding whether a statement was sincere or sarcastic; a throwaway remark or something central to be emphasised. Their influence in the spread of Christianity and making of the Bible was enormous, yet their role has been almost entirely overlooked until now.Filled with profound revelations for reading and understanding the gospels themselves, God’s Ghostwriters is a groundbreaking and rigorously researched book about how enslaved people shaped the Bible, and with it all of Christianity. It’s also an intimate portrait of lives not often considered by history, and a reckoning with the motives and methods of the early Christians as they spread their message across the ancient world.

An expert on early Christianity reveals how the early church invented stories of Christian martyrs—and how this persecution myth persists today.According to church tradition and popular belief, early Christians were systematically persecuted by a brutal Roman Empire intent on their destruction. As the story goes, vast numbers of believers were thrown to the lions, tortured, or burned alive because they refused to renounce Christ. But as Candida Moss reveals in The Myth of Persecution, the "Age of Martyrs" is a fiction.There was no sustained 300-year-long effort by the Romans to persecute Christians. Instead, these stories were pious exaggerations; highly stylized rewritings of Jewish, Greek, and Roman noble death traditions; and even forgeries designed to marginalize heretics, inspire the faithful, and fund churches.The traditional story of persecution is still invoked by church leaders, politicians, and media pundits who insist that Christians were—and always will be—persecuted by a hostile, secular world. While violence against Christians does occur in select parts of the world today, the rhetoric of persecution is both misleading and rooted in an inaccurate history of the early church. By shedding light on the historical record, Moss urges modern Christians to abandon the conspiratorial assumption that the world is out to get them.

The martyrs in early Christian texts are consistently portrayed as Christ figures. Their words, actions, and deaths are modeled on the person and work of Jesus. As such they provide us with insights into the interpretation and use of scripture in geographically diverse locations and a variety of social settings in a period for which there are lamentably few sources. Moss begins by tracing out the theme of imitating Jesus through suffering in the literature of the Jesus movement and early church and its application in martyrdom literature. She demonstrates the importance of imitating the sufferings of Christ as a practice and ethos in the Jesus movement. She then proceeds to the interpretations of the martyr's death and afterlife. Moss argues against the dominant theory that the martyr's death was viewed as a sacrifice, finding that in their post-mortem existence martyrs continue to be assimilated to Christ, closely resembling the exalted Christ as intercessors, judges, enthroned monarchs and banqueters. The characterization of the martyr as "another Christ" ultimately conflicted with emerging theological commitments to Christ's uniqueness and the egalitarian nature of post-mortem existence for his followers. But for a brief period, Moss finds, the martyr's imitation was viewed as a way in which he or she shared in the status of the exalted Christ.