Carl Carmer - Böcker

This work spans 30 years and reaches from Niagara Falls to Montauk Point. It consists of folklore, character sketches, ghost stories and pieces of regional history. Special attention is given to the fate of Native Americans and the erosion of the State's natural beauty.

This work recounts Carmer's arrival in Alabama in the late 1920s, his exploration of the state, its people, customs and racial violence. The scene described is one of Baptist foot-washings, lynchings and plantation mansions.

A prolific writer of prose, poetry, and regional history, Carl Carmer first gained national attention with Stars Fell n Alabama, a book about Alabama folkways. But it is his writings about upstate New York, where he was born and lived for much of his life, that firmly established him as a folk historian and master storyteller. The Hudson, originally published in 1939, is the most popular of these writings. Best of the Rivers of America series, The Hudson is less a formal historical account of the discovery and development of the river that a personal, anecdotal view of it. Included are tales of white-sailed sloops and steamboats racing from Albany to New York; of old whalers and trader sea dogs of the Catskill shore; of showboats playing anti-rent meoldramas to incite farmers against their landlords; of great disasters and heroic deeds; of the efforts of the Hudson River School to capture "sublimity" on canvas; of the quarrelsome, rough-and-tumble life of the Dutch along the river's banks, and many more. This commemorative fiftieth anniversary edition features 16 new drawings by Hudson River artist Edward J. McLaughlin, a foreward by New York historian Louis C. Jones, and an afterword by Roger Panetta, professor of history at the College of New Rochelle.

A prolific writer of prose, poetry, and regional history, Carl Carmer first gained national attention with Stars Fell n Alabama, a book about Alabama folkways. But it is his writings about upstate New York, where he was born and lived for much of his life, that firmly established him as a folk historian and master storyteller. The Hudson, originally published in 1939, is the most popular of these writings. Best of the Rivers of America series, The Hudson is less a formal historical account of the discovery and development of the river that a personal, anecdotal view of it. Included are tales of white-sailed sloops and steamboats racing from Albany to New York; of old whalers and trader sea dogs of the Catskill shore; of showboats playing anti-rent meoldramas to incite farmers against their landlords; of great disasters and heroic deeds; of the efforts of the Hudson River School to capture "sublimity" on canvas; of the quarrelsome, rough-and-tumble life of the Dutch along the river's banks, and many more. This commemorative fiftieth anniversary edition features 16 new drawings by Hudson River artist Edward J. McLaughlin, a foreward by New York historian Louis C. Jones, and an afterword by Roger Panetta, professor of history at the College of New Rochelle.

New York State has had its share of writers who have, at some point in their careers, taken New York as their subject. The writings compiled here by Carl Carmer, a native of New York State and one of its finest folklorists, celebrate what he calls the "undefined gleanings" of this great state, spanning four centuries and six regions of its upstate region.Carmer writes in his foreword: "I have long held that "York State" is a country, that its people have specific characteristics that make it distinctive." Tavern Lamps gives us 98 British and American authors (with a biographical listing of the authorship in the back of the book) and over 150 selections celebrating the ruch culture and heritage of the state. In the collection, we read Rudyard Kipling on Buffalo's grain elevators, Edith Wharton in the Hudson River Country, Theodore Dreiser on Owego, Herman Melville on the Erie Canal, Henry James on Saratoga, Washington Irving on Knickerbocker, Samuel L. Clemens, De Witt cLinton, Edna St. Vincent Millay, and many more. This collection, complemented by 40 paintings from the collection of the New York State Historical Association gives us upstate New York from a myriad of its inhabitants and visitors, a multi-faceted portrait of an area about which Carmer hopes "the peppered reader will be convinced that there is an over-all one of a kind nonesuchness that separates upstate from the rest of the world."