Carol Barash – författare

Tell your story and connect with the college of your dreams for admission and financial aid

"If everyone wrote essays like this, admissions officers would have to take every student''s essay seriously."--Steve LeMenager, founder of Edvice Princeton and former director of admission at Princeton University

"With patience, contagious confidence, and plenty of real-life examples, Carol illuminates a process that can help anyone discover and articulate those stories that will help them stand out in their own way, and in their own words."--Shelley Krause, college counselor, Rutgers Preparatory School, and curator of the College Lists Wiki

"Because the college essay offers applicants their lone opportunity to demonstrate what truly matters to them, and to share the qualities that make them unique, the stakes could not be any higher. With meticulous detail, Barash delivers a foolproof plan for helping college applicants strike essay gold."--Chad Troutwine, cofounder and CEO of Veritas Prep

To write out loud is to write and speak in a way that makes people pay attention. Write Out Loud teaches the Story To College program--with its proven storytelling-based approach, the Moments Method. This program has helped more than 8,000 students from high schools in the United States and around the world create effective, authentic application essays to win admission and financial aid at their top college choices. Write Out Loud enables anyone to masterfully integrate past experiences and future ambitions into successful application essays and interviews. The guided exercises help college essay writers get past the stress and confusion of writing about themselves.

Write Out Loud reveals how to find unique topics for compelling essays, shows how to make the transition from a spoken story to a written essay, and provides examples of successful essays. The book also walks students through the Common Application, the online college application form used by more than 500 colleges and universities in the US and abroad.

Inside, students will find:

The 12 tools of the Moments MethodSpecific guidance for completing the Common ApplicationCharts and checklists to organize essays and supplementsInsight from admissions officers on what characterizes a successful college application essay

With Write Out Loud, students build confidence to show their best selves in writing and to gain admission into the college or university they desire.

This is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Carol Barash's book shows that, between Katherine Philips (1632-64) and Anne Finch, Countess of Winchilsea (1661-1720), an English women's poetic tradition developed as part of the larger political shifts in these years, and particularly in women writers' fascination with the figure of the female monarch. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch.Based on extensive archival research in England and the United States, English Women's Poetry, 1649-1714 argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars. Women enter print culture - as poets and as women - by situating their writing in defence of embattled monarchy. Women poets are especially fascinated with the figure of the female monarch (both real and mythic). Their sense of poetic legitimacy derives from the communities they generate around figures of female authority, particularly James II's second wife, Mary of Modena, and later Queen Anne.

This is the first study to reconstruct the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Carol Barash's book shows that, between Katherine Philips (1632-1664) and Anne finch, Countess of Winchilsea (1661-1720), and English women's poetic tradition developed as part of the larger political shifts in these years and particularly in women's fascination with the figure of the female monarch. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch.

Many would find it difficult to name a woman writer in England before Jane Austen, even though women were writing as early as the time of Chaucer. It was during the seventeenth century, however, that women writers ceased to be viewed as odd or remarkable and became accepted as regular and often respected members of the literary world. The enormous commercial and artistic success of Aphra Behn's plays on the London stage of the 1670s and '80s marked the end of the time where only men were literary luminaries. Major Women Writers of Seventeenth-Century England brings together in one volume a rich assortment of writing by the women Behn influenced, as well as those who preceded her. Collected are works by Aphra Behn, Elizabeth Cary, Margaret Cavendish, Anne Finch, Aemelia Lanyer, Katherine Philips, Ester Sowernam, Rachel Speght, and Mary Wroth. The texts included are newly edited and rely on the best manuscripts and editions of the time. They are accompanied by clear introductions, helpful explanatory notes, and a range of illustrations from the period. Major Women Writers not only brings together the most significant women writers but also clearly shows the connections that exist between those who wrote without recognition in the earlier portions of this period and those who went on to celebrity status and sometimes financial success.

Many would find it difficult to name a woman writer in England before Jane Austen, even though women were writing as early as the time of Chaucer. It was during the seventeenth century, however, that women writers ceased to be viewed as odd or remarkable and became accepted as regular and often respected members of the literary world. The enormous commercial and artistic success of Aphra Behn's plays on the London stage of the 1670s and '80s marked the end of the time where only men were literary luminaries. Major Women Writers of Seventeenth-Century England brings together in one volume a rich assortment of writing by the women Behn influenced, as well as those who preceded her. Collected are works by Aphra Behn, Elizabeth Cary, Margaret Cavendish, Anne Finch, Aemelia Lanyer, Katherine Philips, Ester Sowernam, Rachel Speght, and Mary Wroth. The texts included are newly edited and rely on the best manuscripts and editions of the time. They are accompanied by clear introductions, helpful explanatory notes, and a range of illustrations from the period. Major Women Writers not only brings together the most significant women writers but also clearly shows the connections that exist between those who wrote without recognition in the earlier portions of this period and those who went on to celebrity status and sometimes financial success.

Not until the eighteenth century was the image of the tender, full-time mother invented. This image retains its power today. Inventing Maternity demonstrates that, despite its association with an increasingly standardized set of values, motherhood remained contested terrain. Drawing on feminist, cultural, and postcolonial theory, Inventing Maternity surveys a wide range of sources--medical texts, political tracts, religious doctrine, poems, novels, slave narratives, conduct books, and cookbooks. The first half of the volume, covering the mid-seventeenth to the late eighteenth centuries, considers central debates about fetal development, pregnancy, breastfeeding, and childbearing. The second half, covering the late eighteenth to the mid-nineteenth centuries, charts a historical shift to the regulation of reproduction as maternity is increasingly associated with infanticide, population control, poverty, and colonial, national, and racial instability. In her introduction, Greenfield provides a historical overview of early modern interpretations of maternity. She concludes with a consideration of their impact on current debates about reproductive rights and technologies, child custody, and the cycles of poverty.