Caroline Vout - Böcker
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10 produkter
10 produkter
242 kr
Skickas inom 7-10 vardagar
The Greeks and Romans were not shy about sex. Drinking cups, oil-lamps and walls were decorated with scenes of seduction and sexual intercourse which make the modern viewer blush; models of penises were worn around the neck or hung from doorways. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? Were they about sex or love? And what and how do we learn from them? Sex on Show answers these questions by embracing ancient attitudes to religion, politics, sex and gender to examine how the ancient saw themselves and their world. Covering the sixth century BC to the fourth century AD, as well as some Neoclassical art from the eighteenth and nineteenth centuries, Sex on Show uses detailed visual analysis to bring new insights to Greek and Roman culture and to the meaning of erotic imagery, past and present. This is not simply a book about sexual practice or social history. It is a visual history – about what it meant and still means to stare sex in the face.
577 kr
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The relationships between Roman emperors and their objects of desire, male and female, are well attested. The salacious nature of this evidence means that it is often omitted from mainstream historical inquiry. Yet that is to underestimate the importance of 'gossip' and the act of thinking about an emperor's private life. In this book Dr Vout takes the reader from Rome, and Martial's and Statius' poems about Domitian's favourite eunuch, to Antioch and dialogues in praise of Lucius Verus' mistress, to the widespread visual commemoration and cult of Hadrian's young male lover, Antinous. She explores not the relationships themselves but rather the implications of their description. Such description provides a template with which to examine the relationship between emperor and subject, gods and mortals, East and West, centre and periphery. It thus contributes to the fields of imperial representation, court society and the imperial cult.
1 282 kr
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The relationships between Roman emperors and their objects of desire, male and female, are well attested. The salacious nature of this evidence means that it is often omitted from mainstream historical inquiry. Yet that is to underestimate the importance of 'gossip' and the act of thinking about an emperor's private life. In this book Dr Vout takes the reader from Rome, and Martial's and Statius' poems about Domitian's favourite eunuch, to Antioch and dialogues in praise of Lucius Verus' mistress, to the widespread visual commemoration and cult of Hadrian's young male lover, Antinous. She explores not the relationships themselves but rather the implications of their description. Such description provides a template with which to examine the relationship between emperor and subject, gods and mortals, East and West, centre and periphery. It thus contributes to the fields of imperial representation, court society and the imperial cult.
419 kr
Skickas inom 7-10 vardagar
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future.What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum.A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
753 kr
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Rome is 'the city of seven hills'. This book examines the need for the 'seven hills' cliché, its origins, development, impact and borrowing. It explores how the cliché relates to Rome's real volcanic terrain and how it is fundamental to how we define this. Its chronological remit is capacious: Varro, Virgil and Claudian at one end, on, through the work of Renaissance antiquarians, to embrace frescoes and nineteenth-century engravings. These artists and authors celebrated the hills and the views from these hills, in an attempt to capture Rome holistically. By studying their efforts, this book confronts the problems of encapsulating Rome and 'cityness' more broadly and indeed the artificiality of any representation, whether a painting, poem or map. In this sense, it is not a history of the city at any one moment in time, but a history of how the city has been, and has to be, perceived.
1 371 kr
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This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus and Statius, and covers the re-working of epic matter in tragedy, opera, film, late antique speeches of praise, story-boarding, sculpture and wall-painting. The chapters use a variety of methods to address the relationship between narrative and visuality, exploring how and why epic has inspired artists, authors and directors, and offering fresh visual interpretations of epic texts. Themes and issues discussed include: intermediality, ekphrasis and panegyric, illusion and deception, imagery and deferral, alienation and involvement, the multiplicity of possible visual responses to texts, three-dimensionality, miniaturisation, epic as cultural capital, and the specificity of genres, both literary and visual.
346 kr
Skickas inom 7-10 vardagar
Rome is 'the city of seven hills'. This book examines the need for the 'seven hills' cliché, its origins, development, impact and borrowing. It explores how the cliché relates to Rome's real volcanic terrain and how it is fundamental to how we define this. Its chronological remit is capacious: Varro, Virgil and Claudian at one end, on, through the work of Renaissance antiquarians, to embrace frescoes and nineteenth-century engravings. These artists and authors celebrated the hills and the views from these hills, in an attempt to capture Rome holistically. By studying their efforts, this book confronts the problems of encapsulating Rome and 'cityness' more broadly and indeed the artificiality of any representation, whether a painting, poem or map. In this sense, it is not a history of the city at any one moment in time, but a history of how the city has been, and has to be, perceived.
493 kr
Skickas inom 7-10 vardagar
This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus and Statius, and covers the re-working of epic matter in tragedy, opera, film, late antique speeches of praise, story-boarding, sculpture and wall-painting. The chapters use a variety of methods to address the relationship between narrative and visuality, exploring how and why epic has inspired artists, authors and directors, and offering fresh visual interpretations of epic texts. Themes and issues discussed include: intermediality, ekphrasis and panegyric, illusion and deception, imagery and deferral, alienation and involvement, the multiplicity of possible visual responses to texts, three-dimensionality, miniaturisation, epic as cultural capital, and the specificity of genres, both literary and visual.
Exposed
The Greek and Roman Body - Shortlisted for the Anglo-Hellenic Runciman Award
Häftad, Engelska, 2024
197 kr
Tillfälligt slut
WINNER OF THE LONDON HELLENIC PRIZESHORTLISTED FOR THE ANGLO-HELLENIC RUNICMAN AWARD A SUNDAY TIMES AND SPECTATOR BOOK OF THE YEAR'A gloriously intimate tour of the body in antiquity' Gavin Francis'A triumph ... an extraordinary book that stopped me in my tracks' Peter FrankopanThe Greek and Roman body is often seen as flawless - cast from life in buff bronze and white marble, to sit upon a pedestal. But this, of course, is a lie.Here, classicist Caroline Vout reaches beyond texts and galleries to expose Greek and Roman bodies for what they truly were: anxious, ailing, imperfect, diverse, and responsible for a legacy as lasting as their statues. Taking us on a gruesome, thrilling journey, she taps into the questions that those in the Greek and Roman worlds asked about their bodies - where do we come from? What makes us different from gods and animals? What happens to our bodies, and the forces that govern them, when we die?You've seen the paintings, read the philosophers and heard the myths - now here's the classical body in all its flesh and blood glory.
352 kr
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Sheds new light on the Paris Olympics of 1924, often considered the first international games. From their origins in ancient Greece to their modern transformation into a visually powerful event on the world stage, the Olympics have retained their unique place in sport and culture. The summer of 2024 will see the Olympics return to Paris after a century; the 1924 Olympics, arguably the first truly international games, were the first to transmit live radio broadcasts and the first to have an Olympic village. Published to coincide with the Paris Olympics of 2024, Paris 1924 accompanies a major exhibition at the Fitzwilliam Museum. This book explores the Olympic games from a visual perspective, investigating the tensions between their classical beginnings and their representation in 1924 and across the modern era. How were the 1924 Olympics shaped by the visual culture of the period? And how, in turn, were the arts shaped by them? From plaster casts of fifth-century BCE athletic statues to Hollywood cinema, and from classic portraits of the protagonists to more abstract art, Paris 1924 brings together painting, sculpture, film, photography, posters, letters, medals, and other memorabilia to tell a story of sporting endeavor that equally mirrored and shaped its times. Issues of gender, race, and class, as well as an exploration of celebrity and spectatorship, show that the debate around sport was as complex and momentous in the past as it is today. The book includes essays by specialists from the fields of classics, art history, French history, sports history, and medicine, each of whom will focus on key themes in the exhibition and key protagonists in the Olympic story. The subject matter will appeal to fans of both art and sports and tap into the enthusiasm for all things Olympic in 2024.