Catharine MacLeod – författare

In the late sixteenth and early seventeenth centuries there was one art form in which English artists excelled above all their continental European counterparts: the painting of miniatures. This fascinating book explores the genre with special reference to two of its most accomplished practitioners, Nicholas Hilliard and Isaac Oliver, whose astounding skill brought them international fame and admiration. Four centuries ago, England was famous primarily for its literary culture – the dram a of Shakespeare and Ben Jonson and the works of the great lyrical and metaphysical poets. When it came to the production of visual art, the country was seen as something of a backwater. However, there was one art form for which English artists of this period were renowned: portrait miniature painting, or as it was known at the time, limning. Growing from roots in manuscript illumination, it was brought to astonishing heights of skill by two artists in particular: Nicholas Hilliard (1547–1619) and Isaac Oliver (c .1565–1617).In addition to exhibiting the exquisite technique of the artists, portrait miniatures express in a unique way many of the most distinctive and fascinating aspects of court life in this period: ostentatious secrecy, games of courtly love, arcane symbolism, a love of intricacy and decoration. Bedecked in elaborate lace, encrusted in jewellery and sprinkled with flowers, court ladies smile enigmatically at the viewer; their male counterparts rest on grassy banks or lean against trees, sighing over thwarted love, or more modestly express their hopes in Latin epigrams inscribed around their heads. Often set in richly enamelled and jewelled gold lockets, or beautifully turned ivory or ebony boxes, such miniatures could be concealed or revealed, exchanged or kept, as part of elaborate processes of friendship, love, patronage and diplomacy at the courts of Elizabeth I and James I /VI. This richly illustrated book, like the exhibition it accompanies, explores what the portrait miniature reveals about identity, society and visual culture in Elizabethan and Jacobean England.

Writers Revealed tells the stories of the best-loved writers in English literature, investigating their enduring appeal from the sixteenth century to today through the collections of the National Portrait Gallery and the British Library. Intimate handwritten manuscripts, letters and notebooks as well as rare first editions of books from the British Library are paired with the National Portrait Gallery’s outstanding collection of author portraits. From William Shakespeare to Zadie Smith, Writers Revealed features over 70 poets, novelists and academics. Each short profile – which provides insight into the writers’ inspirations, struggles, and working practices – is beautifully illustrated with a portrait and manuscript. Readers will enjoy in-depth encounters with some of the world’s most famous writers, including James Joyce, Bernardine Evaristo, Virginia Woolf, Bram Stoker, Jane Austen, Benjamin Zephaniah, and Angela Carter, and discover just what it is that makes these individuals so endlessly compelling.