Catherine Fletcher – författare

The Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise.'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' Simon Sebag MontefioreWe know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visit Florence to see Michelangelo's David, but hear nothing of the massacre that forced the republic's surrender. In fact, many of the Renaissance's most celebrated artists and thinkers emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century.The Beauty and the Terror is an enrapturing narrative which includes the forgotten women writers, Jewish merchants, mercenaries, prostitutes, farmers and citizens who lived the Renaissance every day. Brimming with life, it takes us closer than ever before to the reality of this astonishing era, and its meaning for today.'Terrifying and fascinating' Sunday Times'Enlightening...exactly the alternative history you might wish for' Daily Telegraph

‘An eye-opening book, an intricate and fascinating story’ Hilary Mantel1527. Henry, desperate to marry Anne Boleyn and ensure the Tudor line asks Pope Clement VII to grant him a divorce. Enter Gregorio Casali, an Italian diplomat hired to represent Henry’s interests in the Vatican. Through six years of persuasion, threats and bribery Casali lives by his wits, playing off one powerful patron against another, negotiating with ambassadors from Spain, France and beyond, each crowding the Vatican to press their interests in the Tudor break up. Before it is done, Henry will decide to divorce not just Catherine, but the Church itself. Set against the backdrop of war-torn Renaissance Italy, The Divorce of Henry VIII combines a gripping family saga with a highly charged political battle between the Tudors and the Vatican to reveal the extraordinary true story behind history’s most infamous divorce. (Originally published with the title Our Man in Rome)

‘A spectacular, elegant, brilliant portrait of skulduggery, murder and sex in Renaissance Florence’ Simon Sebag Montefiore, Evening Standard, Books of the Year 1531 – after years of brutal war and political intrigue, the bastard son of a Medici Duke and a ‘half-negro’ maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by the Pope and his future father-in-law the Holy Roman Emperor, the nineteen-year-old Alessandro faces down bloody family rivalry and the scheming hostility of Italy’s oligarchs to reassert the Medicis’ faltering grip on the turbulent city-state. Six years later, as he awaits an adulterous liaison, he will be murdered by his cousin in another man’s bed.‘Nothing in sixteenth-century history is more astonishing’ Hilary Mantel

A groundbreaking account of how firearms changed Europe and the worldIn Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution, historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory.Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their use—even as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans’ overseas conquests created a new and more positive image for a weapon once considered the devil’s work. Debates over the regulation of firearms five centuries ago—which included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militia—in many ways anticipate discussions about gun control today. Fletcher’s groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires.

A groundbreaking account of how firearms changed Europe and the worldIn Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution, historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory.Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their useeven as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans' overseas conquests created a new and more positive image for a weapon once considered the devil's work. Debates over the regulation of firearms five centuries agowhich included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militiain many ways anticipate discussions about gun control today. Fletcher's groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires.

A groundbreaking account of how firearms changed Europe and the worldIn Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution, historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory.Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their useeven as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans' overseas conquests created a new and more positive image for a weapon once considered the devil's work. Debates over the regulation of firearms five centuries agowhich included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militiain many ways anticipate discussions about gun control today. Fletcher's groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires.

Diplomacy in Renaissance Rome is an investigation of Renaissance diplomacy in practice. Presenting the first book-length study of this subject for sixty years, Catherine Fletcher substantially enhances our understanding of the envoy's role during this pivotal period for the development of diplomacy. Uniting rich but hitherto unexploited archival sources with recent insights from social and cultural history, Fletcher argues for the centrality of the papal court - and the city of Rome - in the formation of the modern European diplomatic system. The book addresses topics such as the political context from the return of the popes to Rome, the 1454 Peace of Lodi and after 1494 the Italian Wars; the assimilation of ambassadors into the ceremonial world; the prescriptive literature; trends in the personnel of diplomacy; an exploration of travel and communication practices; the city of Rome as a space for diplomacy; and the world of gift-giving.

Diplomacy in Renaissance Rome is an investigation of Renaissance diplomacy in practice. Presenting the first book-length study of this subject for sixty years, Catherine Fletcher substantially enhances our understanding of the envoy's role during this pivotal period for the development of diplomacy. Uniting rich but hitherto unexploited archival sources with recent insights from social and cultural history, Fletcher argues for the centrality of the papal court - and the city of Rome - in the formation of the modern European diplomatic system. The book addresses topics such as the political context from the return of the popes to Rome, the 1454 Peace of Lodi and after 1494 the Italian Wars; the assimilation of ambassadors into the ceremonial world; the prescriptive literature; trends in the personnel of diplomacy; an exploration of travel and communication practices; the city of Rome as a space for diplomacy; and the world of gift-giving.

1527. Gregorio 'The Cavalier' Casali is Henry VIII's man in Rome. An Italian freelance diplomat, he charmed his way into the English service before he was twenty. But now he faces an almighty challenge. Henry wants a divorce from Catherine of Aragon, and Casali must persuade Pope Clement VII of his master's case. Set against the backdrop of war-torn Renaissance Italy, Our Man in Rome weaves together tales from the grubby underbelly of Tudor politics with a gripping family saga to reveal the extraordinary true story behind history's most infamous divorce. Through six years of cajoling, threats and bribery, Casali lives by his wits. He manoeuvres his brothers into lucrative diplomatic postings, plays off one master against another, dodges spies, bandits and noblemen alike. But as the years pass and Henry's case drags on, his loyalties are increasingly suspected. What will be Casali's fate? Drawing on hundreds of unknown archive documents, Our Man in Rome reconstructs his tumultuous life among the great and powerful at this turning point for European history. From the besieged Castel Sant'Angelo in Rome to the splendours of Greenwich Palace, we follow his trail in the service of Henry VIII. Lavish ceremony and glamorous parties stand in contrast to the daily strains of embassy life, as Casali pawns family silver to pay the bills, fights off rapacious in-laws and defends himself in the face of Anne Boleyn's wrath. This vivid and compelling book will make us think anew about Henry, Catherine and the Tudor world.

‘An eye-opening book, an intricate and fascinating story’ Hilary Mantel1527. Henry, desperate to marry Anne Boleyn and ensure the Tudor line asks Pope Clement VII to grant him a divorce. Enter Gregorio Casali, an Italian diplomat hired to represent Henry’s interests in the Vatican. Through six years of persuasion, threats and bribery Casali lives by his wits, playing off one powerful patron against another, negotiating with ambassadors from Spain, France and beyond, each crowding the Vatican to press their interests in the Tudor break up. Before it is done, Henry will decide to divorce not just Catherine, but the Church itself. Set against the backdrop of war-torn Renaissance Italy, The Divorce of Henry VIII combines a gripping family saga with a highly charged political battle between the Tudors and the Vatican to reveal the extraordinary true story behind history’s most infamous divorce. (Originally published with the title Our Man in Rome)

‘A spectacular, elegant, brilliant portrait of skulduggery, murder and sex in Renaissance Florence’ Simon Sebag Montefiore, Evening Standard, Books of the Year 1531 – after years of brutal war and political intrigue, the bastard son of a Medici Duke and a ‘half-negro’ maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by the Pope and his future father-in-law the Holy Roman Emperor, the nineteen-year-old Alessandro faces down bloody family rivalry and the scheming hostility of Italy’s oligarchs to reassert the Medicis’ faltering grip on the turbulent city-state. Six years later, as he awaits an adulterous liaison, he will be murdered by his cousin in another man’s bed.‘Nothing in sixteenth-century history is more astonishing’ Hilary Mantel

The Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise.'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' Simon Sebag MontefioreWe know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visit Florence to see Michelangelo's David, but hear nothing of the massacre that forced the republic's surrender. In fact, many of the Renaissance's most celebrated artists and thinkers emerged not during the celebrated 'rebirth' of the fifteenth century but amidst the death and destruction of the sixteenth century.The Beauty and the Terror is an enrapturing narrative which includes the forgotten women writers, Jewish merchants, mercenaries, prostitutes, farmers and citizens who lived the Renaissance every day. Brimming with life, it takes us closer than ever before to the reality of this astonishing era, and its meaning for today.'Terrifying and fascinating' Sunday Times'Enlightening...exactly the alternative history you might wish for' Daily Telegraph

Brimming with life and drama, this is a magnificent journey into two thousand years of history, from the acclaimed historian of Europe'Epic and witty' Observer 'Erudite, entertaining' Helena Attlee'Charming' Wall Street Journal'Delightful and authoritative' Judith Herrin'Compelling...enjoyable' Financial Times'All roads lead to Rome.' It's a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire, stitching together our histories and continuing to inspire our imaginations.Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. As channels of trade and travel, and routes for conquest and creativity, Catherine Fletcher shows how the roads forever transformed the cultures, and intertwined the fates, of a vast panoply of people across Europe and beyond.Reflecting on his own walk on the Appian Way, Charles Dickens observed that here is ‘a history in every stone that strews the ground.’ Based on outstanding original research, and brimming with life and drama, this is the first book to explore two thousand years of history through one of the greatest imperial networks ever built.

Brimming with life and drama, this is a magnificent journey into two thousand years of history, from the acclaimed historian of Europe'Epic and witty' Observer 'Erudite, entertaining' Helena Attlee'Charming' Wall Street Journal'Delightful and authoritative' Judith Herrin'Compelling...enjoyable' Financial Times'All roads lead to Rome.' It's a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire, stitching together our histories and continuing to inspire our imaginations.Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. As channels of trade and travel, and routes for conquest and creativity, Catherine Fletcher shows how the roads forever transformed the cultures, and intertwined the fates, of a vast panoply of people across Europe and beyond.Reflecting on his own walk on the Appian Way, Charles Dickens observed that here is ‘a history in every stone that strews the ground.’ Based on outstanding original research, and brimming with life and drama, this is the first book to explore two thousand years of history through one of the greatest imperial networks ever built.

Brought to you by Penguin.Brimming with life and drama, this is the first book to explore two thousand years of European history through one of the most important imperial networks ever built'All roads lead to Rome.' It's a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire and continue to grip our modern imaginations as a physical manifestation of Rome's 'extraordinary greatness'.Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. As channels of trade and travel, and routes for conquest and creativity, Catherine Fletcher shows how the roads forever transformed the cultures, and intertwined the fates, of a vast panoply of people across Europe and beyond.The Roads to Rome is a magnificent journey into a past that remains intimately connected to our present. Travelling from Scotland to Cadiz to Istanbul and back to Rome, we meander and march through a series of nations and empires that have risen and fallen. Along the way, we encounter spies and bandits, scheming innkeepers, a Byzantine noblewoman on the run, young aristocrats on their Grand Tour, a conquering Napoleon, Keats and the Shelleys, the abolitionist Frederick Douglass, and even Mussolini on his motorbike.Reflecting on his own walk on the Appian Way, Charles Dickens observed that here is 'a history in every stone that strews the ground.' Based on outstanding original research, this is the first book to tell the full story of life on the roads that lead to Rome.(c)2024 Catherine Fletcher (P)2024 Penguin Audio

Inspired by original research and filled with color and drama, this is an exploration of two thousand years of history as seen through one the greatest imperial networks ever built."All roads lead to Rome” is a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire—and these ancient roads continue to grip our modern imaginations as a physical manifestation of Rome’s extraordinary greatness. Over the two thousand years since they were first built, these roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. As channels of trade and travel—and routes for conquest and creativity—Catherine Fletcher reveals how these roads forever transformed the cultures, and intertwined the fates, of a vast panoply of people across Europe and beyond. The Roads to Rome is a magnificent journey into a past that remains intimately connected to our present. Traveling from Scotland to Cádiz to Istanbul and back to Rome, the reader meanders through a series of nations and empires that have risen and fallen. Along the way, we encounter spies, bandits, scheming innkeepers, a Byzantine noblewoman on the run, young aristocrats on their Grand Tour, a conquering Napoleon, John Keats, the Shelleys, the abolitionist Frederick Douglass, and even Mussolini on his motorbike. Reflecting on his own walk on the Appian Way, Charles Dickens observed that here is "a history in every stone that strews the ground.” Based on vibrant original research, this is the first narrative history to tell the full story of life on the roads that lead to Rome.

Dive into the extraordinary history, beauty and diversity of Europe in this beautifully illustrated, fact‑filled encyclopedia! Journey through five key historical periods – Ancient, Medieval, Early Modern, Industrial and Twentieth Century – and explore: Detailed illustrated maps showing how geography, borders and countries have shifted across the centuries. Action‑packed timelines charting empires, dynasties, revolts, rulers and cultural milestones. Traditions and cultures that have been celebrated across the continent, past and present Stunning natural landscapes, from fjords, forests and glaciers to dramatic volcanic islands. Remarkable wildlife, including bison, lynxes, carrier pigeons and eagles. Spectacular sights to marvel at, such as Knossos Palace, the Guggenheim Museum, the Eiffel Tower and the Škocjan Caves. The changemakers and superstars who shaped history – and continue to do so –from Julius Caesar and Joan of Arc to Anne Frank and Greta Thunberg. Written by Professor Catherine Fletcher and illustrated by Helena Bonastre, Extraordinary Europe combines expert knowledge with rich, atmospheric illustrations to create a thought‑provoking and inspiring read for the whole family. Immerse yourself in history like never before with this go‑to illustrated guide to Europe’s weird and wonderful continent.

Brimming with life and drama, this is the first book to explore two thousand years of European history through one the greatest imperial networks ever built'A delightful, novel and authoritative history from the ground up' JUDITH HERRIN'Epic and witty ... Fletcher is a thoroughly enjoyable narrator because she peppers her learned prose with wry humour' TOBIAS JONES, Observer'Fletcher is a rare thing: an academic who writes beautifully and accessibly about big subjects ... utterly riveting, filled with golden nuggets' CHARLIE CONNELLY, New European'All roads lead to Rome.' It's a medieval proverb, but it's also true: today's European roads still follow the networks of the ancient empire, as Rome’s extraordinary legacy continues to grip our imaginations.Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and dictators, but also by tourists and writers, refugees and artists. As channels of trade and travel, and routes for conquest and creativity, Catherine Fletcher shows how the roads forever transformed the cultures, and intertwined the fates, of a vast panoply of people across Europe and beyond.Reflecting on his own walk on the Appian Way, Charles Dickens observed that here is ‘a history in every stone that strews the ground.’ Based on outstanding original research, and brimming with life and drama, this is the first book to explore two thousand years of history through one of the greatest imperial networks ever built.

The discourse of political counsel in early modern Europe depended on the participation of men, as both counsellors and counselled. Women were often thought too irrational or imprudent to give or receive political advice—but they did in unprecedented numbers, as this volume shows. These essays trace the relationship between queenship and counsel through over three hundred years of history. Case studies span Europe, from Sweden and Poland-Lithuania via the Habsburg territories to England and France, and feature queens regnant, consort and regent, including Elizabeth I of England, Catherine Jagiellon of Sweden, Catherine de’ Medici and Anna of Denmark. They draw on a variety of innovative sources to recover evidence of queenly counsel, from treatises and letters to poetry, masques and architecture. For scholars of history, politics and literature in early modern Europe, this book enriches our understanding of royal women as political actors.

The discourse of political counsel in early modern Europe depended on the participation of men, as both counsellors and counselled. Women were often thought too irrational or imprudent to give or receive political advice—but they did in unprecedented numbers, as this volume shows. These essays trace the relationship between queenship and counsel through over three hundred years of history. Case studies span Europe, from Sweden and Poland-Lithuania via the Habsburg territories to England and France, and feature queens regnant, consort and regent, including Elizabeth I of England, Catherine Jagiellon of Sweden, Catherine de’ Medici and Anna of Denmark. They draw on a variety of innovative sources to recover evidence of queenly counsel, from treatises and letters to poetry, masques and architecture. For scholars of history, politics and literature in early modern Europe, this book enriches our understanding of royal women as political actors.