Catherine Walworth – författare
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2 produkter
2 produkter
Del 23 - Refiguring Modernism
Soviet Salvage
Imperial Debris, Revolutionary Reuse, and Russian Constructivism
Inbunden, Engelska, 2017
1 354 kr
Skickas inom 5-8 vardagar
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers.An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Inbunden, Engelska, 2025
664 kr
Skickas inom 3-6 vardagar
Born just nine years apart in Ukraine and Siberia, respectively, Louise Nevelson and Esphyr Slobodkina were both children of Jewish families who fled Russian governmental repression and conflict. Both made early marriages of convenience or convention that were short-lived. Both went to New York in the 1920s, struggling to become artists amid the Great Depression. Both overcame the accepted modes of making, moving between art forms in expansive, category-defying ways. The parallels are poignant, including their similarly fearless devotion to abstract art in an era that had yet to fully embrace it. Architects of Being pays homage to these two women who were direct and dauntless. Fittingly, this book draws its title from Nevelson’s insight that “there’s something very important about character: character is structure. Character is the architecture of the being.” The connection between inner self and outward manifestation—both one’s art and one’s self-fashioning—is at the heart of Architects of Being. This richly illustrated and expertly researched exhibition catalog celebrates Nevelson’s and Slobodkina’s artistic journeys and architectural affinities, expanding our understanding of how these pioneering figures dissolved boundaries between art forms in ways that prefigured what we see throughout the art world today.