Cathryn Kemp – författare

WINNER OF THE BIG RED READ PRIZE FOR NON-FICTION IN 2013.Cathryn Kemp was a successful travel journalist who was struck down by a life-threatening illness, pancreatitis. After four years of operations and mis-diagnoses she left hospital with a repeat prescription for fentanyl, a painkiller 100 times stronger than heroin. Within two years she was taking more than ten times the NHS maximum, all on prescription. Her family struggled to understand; her boyfriend left her, she hit rock bottom. Discovering she had only six months to live if she didn't give up the drugs she sold everything she owned and checked into rehab. In the addiction treatment centre she was told that she was unlikely to recover from 'the highest level of opiate-abuse in the clinic's history'. To everyone's amazement, she proved them wrong.This is an extraordinarily poignant, vivid and honest memoir. Based on the twenty-four diaries that the author kept during this period, we travel with Cathryn through her hospital agony, descend with her into the hell of addiction and cheer her as she pulls herself out and upwards. It is a love story, a horror story, a survival story, and one that shows only too clearly the very real dangers of the over-prescription of painkillers and tranquillisers.There is also a resource section for sufferers and their loved ones.

'A brave, heartfelt and extraordinary book' Corinne Sweet, author of Overcoming Addiction, psychologist and broadcaster What if the drugs that were meant to cure you slowly started to kill you?After falling dangerously ill with acute-on-chronic pancreatitis, Cathryn Kemp left hospital with a repeat prescription for fentanyl, a painkiller 100 times stronger than heroin.Within two years she was taking almost ten times the NHS maximum daily dose - all on prescription - and her life began to spiral out of control. Cathryn discovered she had just three months to live, unless she gave up the drug she clung to so desperately.After selling everything she owned and checking into rehab, Cathryn was told by the doctors that recovery was highly unlikely. Yet to everyone's amazement, she proved them wrong.Coming Clean is a poignant, vivid and honest memoir of a woman's struggle with, and subsequent victory over, her demons. It is a love story, a horror story, a survival story, and one that shows the very real dangers of the over-prescription of painkillers.

'We ain't got no drink, Pa.' I trembled as I spoke. Then somewhere inside me I found the anger, the courage to answer him back.'We don't have no grog cos you drank it all!'I knew he was going for me tonight, so I reckoned I might as well go down fighting after all.Growing up in the slums of 1920s and 30s Bermondsey, Hilda Kemp's childhood was one of chaos and fear. Every day was battleground, a fight to survive and a fight to be safe. For Hilda knew what it was to grow up in desperate poverty: to have to scratch around for a penny to buy bread; to feel the seeping cold of a foggy docklands night with only a thin blanket to cover her; to share her filthy mattress with her brothers and sisters, fighting for space while huddling to keep warm. She knew what it was to feel hunger - not the impatient growl of a tummy that has missed a meal; proper hunger, the type that aches in your soul as much as your belly. The eldest of five children, Hilda was the daughter of a hard drinker and hard hitter as well. A casual dockworker by day, a bare-knuckle fighter by night and a lousy drunk to boot, her pa honed his fists down the Old Kent Road and Blackfriars, and it was Hilda or her ma who bore the brunt of them at home. This is the powerful and moving memoir of Hilda's childhood growing up in dark, filthy, crime-ridden Bermondsey; a place where you knew your neighbours, where you kept your eyes down and your ears shut as defence against the gangs at war in the streets. It's a time when days were spent running wild down the docklands, jumping onto barges and stealing coal, racing through the dank back-streets of east London like water rats, dodging the milk cart or the rag-and-bone man.And out of this bleak landscape emerges a brave, resilient young girl whose life is a testament to the power of love and good humour. Moving, dazzling and sombre by turns, once opened this brilliant, seductive book will not let you rest.

'A brilliant memoir of a strong woman' ⭐⭐⭐⭐⭐ Amazon reader review'A must-read that will break your heart but also make you laugh' ⭐⭐⭐⭐⭐ Amazon reader review'Oi, Hilda, the sign outside says you're frying today but I ain't seeing nothing done in ere!'The voice cut through my daydream. Already there was a queue of hungry customers on the cobbled street of London's East End.In 1950s and 60s Bermondsey, the fish-and-chip shop was at the centre of the community. And at the heart of the chippy itself was 'Hooray' Hilda Kemp, a spirited matriarch who dispensed fish suppers and an abundance of sympathy to a now-vanished world of East Enders.For Hilda knew all to well what it was like to feel real, aching hunger. Growing up in the slums of 1920s south-east London, the daughter of a violent alcoholic who drank away his wages rather than put food on the table, she could spot when a customer was in need and would sneak them an extra big portion of chips, on the house.As Hilda works in the chippy six days a week, she hears all the gossip from the close-knit community. There are rumours that the gang wars are hotting up: the Richardsons and Krays are playing out their fights. And the industrial strike is carrying on for a painfully long time for the mothers with many mouths to feed. At home, Hilda's children are latchkey kids, letting themselves in from school and eating whatever is in the larder until she gets in from her long day at work. With a cast of colourful characters - dirty ragamuffins, struggling housewives, rough-diamond gang members - Hilda's story is one of grit, romance, nostalgia and British endurance. Told to her granddaughter Cathryn, this memoir is the uplifting sequel to 'WE AIN'T GOT NO DRINK, PA' and a testament to a woman who lived life to the full, enjoyed laughter and loved fiercely - even though her heart was broken many times over.'A lovely, nostalgic portrait of a strong woman in a vanished world' Prima

JAM BUTTIES AND A PAN OF SCOUSE is a gritty yet heart-warming memoir set against the backdrop of Liverpool's tightknit working-class docklands community. The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

'immersive and heartrending . . . I was completely captivated by this vital work of witch literature' ANYA BERGMAN🔥 From the award-winning author of A Poisoner's Tale comes a dark, feminist retelling of the most famous witch trial in 17th-century Iceland, perfect for fans of The Witches of Vardo and The Mercies 🔥Westfjords, Iceland. 1655Þuríður Jónsdóttir has grown up praying to the old gods and watching her father and brother practise rune magic.But now, a witch-hunting craze is sweeping across the land of ice and fire, fuelled by the Protestant Reformation. Unlike elsewhere in Europe, those condemned as witches here are not women, but men of learning. And when Þuríður’s father and brother are accused of witchcraft and condemned to burn at the stake, she is helpless to save them.As Lutheran Pastor Jón Magnússon's accusing gaze turns to Þuríður herself, the first woman to be called ‘witch’, he will find that she is no ordinary woman.She is prepared to fight back. But at what cost?And in an age of fear and persecution, whose side will the community take? Who will fight for justice?Set against a backdrop of sweeping religious and social change, They Can’t Burn Us All is a feminist retelling of Iceland’s notorious Kirkjuból witch trials.

'A gut-wrenching, empowering and gripping feminist read' -5-STAR Reader Review**WINNER OF THE HWA DEBUT CROWN AWARD 2025**A dark and powerful feminist retelling of the best serial killer you've never heard of. Inspired by the true story of Giulia Tofana.'Gorgeous. . . brimming with rich detail and intrigue.’ C. J. COOKE'Not for the faint-hearted' SCOTSMAN'Fully satisfying . . . savoured every chapter' -5-STAR Reader Review--------------Rome, 1656In Rome’s shadowy backstreets lies an apothecary’s shop – a place for women to take their heartbreaks and troubles. Herbs for childbirth. Tarot readings to tell their fortunes. An undetectable poison that can kill in four drops.Alongside her circle of female poisoners, Giulia Tofana dispenses her deadly potion to free the downtrodden women of the city from their abusive husbands. A path she’s determined to follow after a harrowing childhood in Palermo.But even in a time of plague, it does not go unnoticed when the men begin to fall like flies.With the Holy Office of the Inquisition on her tail, Giulia is in more danger than ever. . How far will she go for the women who need her help?MURDERER OR SAVIOUR? YOU DECIDE.A POISONER'S TALE explores the realities of what it is like to be a woman who rebels against society and takes the reader on a tense, challenging but spellbinding journey.--------------'An incredible debut that I simply could not put down' -5-STAR Reader Review‘Devastating. A beautifully intense read.’ ISABELLE SCHULER'This book will stay with me for a very long time' -5-STAR Reader Review'Moving and unforgettable.' STELA BRINZEANU'Superbly written . . . a real page turner that I didn't want to end' -5-STAR Reader Review‘Perfect example of quality historical fiction.’ LAURA CARLIN'Incredibly compelling.' GRIMDARK MAGAZINE'Kemp is an astonishingly talented storyteller, and her characters will linger long after you’ve finished reading.' NAOMI KELSEY

From the award-winning author of A Poisoner's Tale comes a dark, feminist retelling of the most famous witch trial in 17th-century Iceland, perfect for fans of The Witches of Vardo and The Mercies. Condemned, but not silenced. This is a story of a witch who fights back.Westfjords, Iceland. 1655Þuríður Jónsdóttir has grown up praying to the old gods and watching her father and brother practise rune magic.But now, a witch-hunting craze is sweeping across the land of ice and fire, fuelled by the Protestant Reformation. Unlike elsewhere in Europe, those condemned as witches here are not women, but men of learning. And when Þuríður’s father and brother are accused of witchcraft and condemned to burn at the stake, she is helpless to save them.As Lutheran Pastor Jón Magnússon's accusing gaze turns to Þuríður herself, the first woman to be called ‘witch’, he will find that she is no ordinary woman.She is prepared to fight back. But at what cost?And in an age of fear and persecution, whose side will the community take? Who will fight for justice?Set against a backdrop of sweeping religious and social change, They Can’t Burn Us All is a feminist retelling of Iceland’s notorious Kirkjuból witch trials.