Cecilia Morgan – författare
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By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women.Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.
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Commemorating Canada is a concise narrative overview of the development of history and commemoration in Canada, designed for use in courses on public history, historical memory, heritage preservation, and related areas.
Examining why, when, where, and for whom historical narratives have been important, Cecilia Morgan describes the growth of historical pageantry, popular history, textbooks, historical societies, museums, and monuments through the nineteenth and twentieth centuries. Showing how Canadians have clashed over conflicting interpretations of history and how they have come together to create shared histories, she demonstrates the importance of history in shaping Canadian identity. Though public history in both French and English Canada was written predominantly by white, middle-class men, Morgan also discusses the activism and agency of women, immigrants, and Indigenous peoples. The book concludes with a brief examination of present-day debates over Canada’s history and Canadians’ continuing interest in their pasts.
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Gendered images and symbols were of central importance the public debate about loyalty, a political conflict, and religious participation in early Ontario. Drawing on a wide range of international scholarship in feminist theory, women''s and gender history, and cultural studies, Cecilia Morgan analyses political and religious languages in the Upper Canadian press, both secular and religious, and other material published in the colony from the 1790s to the 1850s. She examines constructs and concepts of gender in a wide number of areas: narratives of the War of 1812, political struggles over responsible government in the 1820s and 1830s, evangelical religious discourses throughout these decades, and related discussions of manners and moral behaviour. She also considers the relations between religion and politics in the 1840s, pointing to the continuous struggles of Upper Canadians to define and fix the meanings of public and private and their use of masculinity and femininity to signify these realms. She suggests as well that scholars of gender and colonial history need to consider a more nuanced way of understanding social formation in the colony through an examination of the representation of voluntary organizations. The book also examines relations of gender, class, and race as they affected the cultural development of the middle class.
Morgan concludes that while seemingly hegemonic definitions of gender relations emerged over this period -- with men and masculinity identified with politics and loyalty to the colonial state and imperial connection, and women and femininity linked to the home -- the meanings of gender and gendered imagery differed according to their contexts. Colonial society''s attempts to make sharp delineations between the public and the private were rarely successful and were marked by numerous tensions and contradictions.