Cecily Mackworth – författare
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3 produkter
3 produkter
English Interludes (Revival)
Mallarmé, Verlaine, Paul Valéry, Valery Larbaud in England, 1860–1912
Inbunden, Engelska, 2025
1 170 kr
Skickas inom 10-15 vardagar
London during the mid- and late-Victorian period was a place of refuge from the tensions of France. In this book, originally published in 1974, Cecily Mackworth writes about four outstanding French poets who came to England at that time. Mallarmé, Verlaine, Paul Valéry and Valery Larbaud each discovered England at a period when great changes were taking place in Anglo-French relations and especially between the intellectuals of the two countries. Each was marked indelibly in his life and work by an early contact with England. The book sheds important light on the effect of these visits on their life and work. It looks at their visits against the background of the French colony in London, and in relation to the changing intellectual attitudes between France and England.
136 kr
Skickas inom 5-8 vardagar
Laura Gethryn spends the first 7 years of her life in Monmouthshire where her father's family have been landowners for centuries. Her horsey mother idolizes the absent soldier and his return a broken man, emasculated by the Great War, leaves them destined to remain the disappointed parents of a single girl child. Welsh speaking, working-class and intellectual, he, his talented daughter, Mair, and disaffected son, Idris, open Laura's eyes to a surprising new world.
160 kr
Skickas inom 5-8 vardagar
Lucy's Nose is a richly layered narrative that blends historical fiction, life writing, psychoanalysis and socio-political history to explore the intersections of memory, the imagination, and identity. At its heart is a detective-like quest to uncover the story of Freud's elusive patient 'Lucy R.', a 30-year-old Scottish governess in Vienna who sought Freud's help in the early 1890s for olfactory hallucinations. As the contemporary author-narrator visits Vienna in the 1980s to search for traces of the woman who inspired Freud's case study, she reflects on Lucy's resistance to Freud's sexual theories and begins imaginatively to reconstruct her voice and life. Set against the symbolic backdrop of a historic Viennese train station, the text becomes both a meditation on time and a neo-Victorian experiment in autofiction, merging personal memory with cultural history and blurring the lines between fact, fiction, and self-creation.