Charles Glass – författare

A powerful and insightful narrative of a journey – once violently interrupted and here resumed – through one of the most compelling regions on earth.From Aqaba to Jerusalem and on into Palestine, veteran commentator on the Middle East, Charles Glass writes a thoughtful, inquisitive and dispassionate book on the politics and peoples of the region. He has traversed the Jordanian desert to the Iraqi border with Bedouin guides, explored modern Israel and revisited the scene of his captivity, confronting the men who kidnapped him.Written with elegance, flair and a wonderfully acute eye for the idiosyncrasies of the places through which he passes, this is a travel book full of enemies and friends both old and new: Arabs and Jews, soldiers and shopkeepers, Syrians and Israelis, the cowed and the vengeful, affording us an unprecedented and intimate portrait of these bruised and troubled lands.

An elegantly written and highly informative account of a group of Americans living in Paris when the city fell to the Nazis in June 1940.In the early hours of 14 June 1940, Nazi troops paraded through the streets of Paris, marking the beginning of the city’s four-year occupation. French troops withdrew in order to avoid a battle and the potential destruction of their capital. It wasn't long before German tanks rumbled past the Arc de Triomphe and down the Champs Elysees to the Place de la Concorde.The American community in Paris was the largest in Continental Europe, totalling approximately 30,000 before the Second World War. Although Ambassodor Bullitt advised those without vital business in the city to leave in 1939, over half of the Americans in Paris chose to stay. Many had professional and family ties to the city; the majority, though, had a peculiarly American love for the city, rooted in the bravery of the Marquis de la Fayette and the 17,000 Frenchmen who volunteered to fight for American independence in 1776.An eclectic group, they included black soldiers from the Harlem Hellfighters, who were determined not to return to the racial segregation that they faced at home, rich socialites like Peggy Guggenheim and Florence Jay Gould, as well as painters, musicians, bankers and businessmen. There were those whose lives went on as if the Germans were ephemera, those who collaborated and those, like Dr Sumner Jackson and Etta Shiber, who worked underground for the resistance movement.This is a book about adventure, intrigue, passion and deceit, and one which follows its characters into the Maquis, the concentration camps and overseas. Filled with a huge amount of new analysis on the Second World War, ‘Americans in Paris’ is a fascinating, revealing and moving read.

A poet, a gangster and an agent of the Resistance; ’Deserter’ details three astonishing lives shaped by the decision to flee during WWII.During the Second World War, the British lost 100,000 troops to desertion, and the Americans 50,000. Commonwealth forces from Canada, Australia, New Zealand, South Africa and Britain's colonial empire also left the ranks in their thousands. But, surprisingly, only one WWII deserter was executed for his crime.In ‘Deserter’, veteran reporter and historian Charles Glass gives voice to the powerful stories of three soldiers, two Americans and one Brit, who all ran from the conflict to meet with distinctly different fates. He follows each into the heat of battle, exploring the pressures that formed their decisions and the lasting impact of their choices. The result is a highly emotional and engaging study of an under-explored area of World War II history.

The Middle East as it was reported—not rewritten.This anthology brings together the best of David Hirst’s reporting on the Middle East, spanning more than half a century. Edited by Charles Glass, the collection follows Hirst’s writing from the end of empire and the Arab–Israeli conflict through the rise of US power, repeated interventions, and their aftermath. Writing from the front lines of war, diplomacy, and political upheaval, Hirst cut through official narratives to explain how power operates and why conflicts endure. Read today, these articles offer both an essential guide to the modern Middle East and a reminder of what independent political journalism can achieve.

A widely recognized expert on the unfolding crisis in Syria here melds reportage, analysis, and history in an accessible overview of events leading up to the toppling of the Assad regime and the fragile prospects for peace in its wake.How did the Syrian regime fall? Gradually, then all at once.In December 2024, the long and bloody stalemate in Syria broke down. In a transformation breathtaking for its suddenness and speed, President Bashar al-Assad, the beating heart of Arab authoritarianism, fled to Russia, his dungeons emptying as rebels overcame the Syrian army with scarcely a fight.Euphoria at the collapse of a government people never voted for was tempered by fear for the future. The victorious insurgents were supported by outside powers and had a track record of brutality comparable to Assad’s in addition to religious fanaticism. Syrians—whose fragile, cosmopolitan mosaic has been repeatedly shattered by foreign-backed sectarians—faced rule by an avowedly Islamist regime that pledged to break with its past and show tolerance to all religious communities.In this illuminating and concise survey, Charles Glass shows how Assad’s misrule, Sunni fundamentalism, and Western deceit combined to create and prolong the Syrian disaster, which since 2011 has claimed more than two hundred thousand lives and driven more than eight million people from their homes.Glass has reported extensively from the Middle East and travelled frequently in Syria for more than fifty years. Here he melds reportage, analysis, and history to provide an accessible overview of the origins and permutations defining the conflict, situating it clearly in the broader crises of the region.In this new and thoroughly revised edition of his earlier Syria Burning, Glass brings the story to the present, showing how we got here and what a post-Assad settlement might bring.

Second Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A nascent poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier’s plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle.Over their months at Craiglockhart, each encouraged the other in their work, their personal reckonings with the morality of war, and their treatment. Therapy provided Owen, Sassoon, and their wardmates with insights that allowed them to express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era’s most significant developments in both psychiatry and poetry.Soldiers Don’t Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the psyche. As he investigates the roots of what we now know as PTSD, Glass brings historical bearing to how we must consider war’s ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.

Second Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A nascent poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier’s plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle.Over their months at Craiglockhart, each encouraged the other in their work, their personal reckonings with the morality of war, and their treatment. Therapy provided Owen, Sassoon, and their wardmates with insights that allowed them to express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era’s most significant developments in both psychiatry and poetry.Soldiers Don’t Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the psyche. As he investigates the roots of what we now know as PTSD, Glass brings historical bearing to how we must consider war’s ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.