Redefines media history through Chicano film and television.One of the most influential figures in ethnic media studies takes direct aim at how Chicano filmmaking has been represented in the history of media in the United States. Shot in America tackles seemingly intractable dilemmas involving the political and market functions of film and TV to provide a definitive response to the debates over cultural and racial identity that have embroiled media and cultural studies over the past two decades. Noriega offers a compelling and detailed description of an enormous body of work by Chicano media makers against the backdrop of Chicano social movements, politics, and activism over a forty-year period-an extraordinary exposition of the civil rights movement, media reform activities, and public affairs programming that constitutes the prehistory of independent and minority cinemas.Noriega reveals the ways in which Chicano and other minority protests both emerged within and were regulated by the very institutions that excluded them. Shot in America is a study with broad implications for our understanding of cultural politics and the entertainment industries.

Rewrites Latin American film from the perspective of nationhood.In the current "global" moment, the study of Latin American cinema has become insistently national-a phenomenon fully explored in this collection of essays by some of the most interesting and innovative scholars of media and Latin American culture working today.The contributors to Visible Nations consider different national film and video histories in Latin America since the silent period. From the perspectives of feminism, psychoanalysis, new historicism, and reception theory, among others, they consider the styles through which-and the ends toward which-the nation has been represented, desired, and contested in films, film industries, and alternative video work in Mexico, Chile, Venezuela, Brazil, Colombia, and Cuba. The result is nothing less than a rewriting of Latin American film history.Contributors: Patricia Aufderheide, American U; Charles RamÍrez Berg, U of Texas at Austin; Gilberto Moises Blasini; Julianne Burton-Carvajal, U of California, Santa Cruz; Seth Fein, Georgia State U; Claire F. Fox, Stanford U; Brian Goldfarb, U of Rochester; Ilene S. Goldman; Monica Hulsbus; Ana M. LÓpez, Tulane U; Kathleen Newman, U of Iowa; Laura Podalsky, Bowling Green State U; Harmony H. Wu.

Silver Medal Recipient, Education II (Commentary/Education), 2022 Independent Publisher Book AwardsThis collection of essays, drawn from Aztlán: A Journal of Chicano Studies, focuses on the personal experiences of Chicanx and Latinx scholars, writers, and artists. Each essay is a reflection on the process of self-naming—the role of “I”—in the authors’ work and research. Autobiography without Apology expands the earlier CSRC Press publication I Am Aztlán with the inclusion of ten essays that bring the collection up to date. The new title acknowledges Aztlán’s growing scope as it embraces Latinx, LGBT, and Indigenous studies as well as Chicanx studies.

Redefines media history through Chicano film and television.One of the most influential figures in ethnic media studies takes direct aim at how Chicano filmmaking has been represented in the history of media in the United States. Shot in America tackles seemingly intractable dilemmas involving the political and market functions of film and TV to provide a definitive response to the debates over cultural and racial identity that have embroiled media and cultural studies over the past two decades. Noriega offers a compelling and detailed description of an enormous body of work by Chicano media makers against the backdrop of Chicano social movements, politics, and activism over a forty-year period-an extraordinary exposition of the civil rights movement, media reform activities, and public affairs programming that constitutes the prehistory of independent and minority cinemas.Noriega reveals the ways in which Chicano and other minority protests both emerged within and were regulated by the very institutions that excluded them. Shot in America is a study with broad implications for our understanding of cultural politics and the entertainment industries.

Rewrites Latin American film from the perspective of nationhood.In the current "global" moment, the study of Latin American cinema has become insistently national-a phenomenon fully explored in this collection of essays by some of the most interesting and innovative scholars of media and Latin American culture working today.The contributors to Visible Nations consider different national film and video histories in Latin America since the silent period. From the perspectives of feminism, psychoanalysis, new historicism, and reception theory, among others, they consider the styles through which-and the ends toward which-the nation has been represented, desired, and contested in films, film industries, and alternative video work in Mexico, Chile, Venezuela, Brazil, Colombia, and Cuba. The result is nothing less than a rewriting of Latin American film history.Contributors: Patricia Aufderheide, American U; Charles RamÍrez Berg, U of Texas at Austin; Gilberto Moises Blasini; Julianne Burton-Carvajal, U of California, Santa Cruz; Seth Fein, Georgia State U; Claire F. Fox, Stanford U; Brian Goldfarb, U of Rochester; Ilene S. Goldman; Monica Hulsbus; Ana M. LÓpez, Tulane U; Kathleen Newman, U of Iowa; Laura Podalsky, Bowling Green State U; Harmony H. Wu.

Silver Medal Recipient, Education II (Commentary/Education), 2022 Independent Publisher Book AwardsThis collection of essays, drawn from Aztlán: A Journal of Chicano Studies, focuses on the personal experiences of Chicanx and Latinx scholars, writers, and artists. Each essay is a reflection on the process of self-naming—the role of “I”—in the authors’ work and research. Autobiography without Apology expands the earlier CSRC Press publication I Am Aztlán with the inclusion of ten essays that bring the collection up to date. The new title acknowledges Aztlán’s growing scope as it embraces Latinx, LGBT, and Indigenous studies as well as Chicanx studies.