Christopher D'Addario – författare

The political and religious upheavals of the seventeenth century caused an unprecedented number of people to emigrate, voluntarily or not, from England. Among these exiles were some of the most important authors in the Anglo-American canon. In this 2007 book, Christopher D'Addario explores how early modern authors thought and wrote about the experience of exile in relation both to their lost homeland and to the new communities they created for themselves abroad. He analyses the writings of first-generation New England Puritans, the Royalists in France during the English Civil War, and the 'interior exiles' of John Milton and John Dryden. D'Addario explores the nature of artistic creation from the religious and political margins of early modern England, and in doing so, provides detailed insight into the psychological and material pressures of displacement and a much overdue study of the importance of exile to the development of early modern literature.

Tracing the demonstrative aesthetic shift in literary writings of fashionable London during the late 1590s, this book argues that the new forms which emerged during this period were intimately linked, arising out of a particular set of geographic, intellectual, and social circumstances that existed in these urban environs. In providing a cohesive view of these disparate generic interventions, Christopher D'Addario breaks new ground in significant ways. By paying attention to the relationship between environment and individual imagination, he provides a fresh and detailed sense of the spaces and social worlds in which the writings of prominent authors, including Thomas Nashe and John Donne, were produced and experienced. In arguing that the rise of the metaphysical aesthetic occurred across a number of urban genres throughout the 1590s, not just in lyric, but also earlier in Nashe's prose, as well as in the verse satire, he rewrites English Renaissance literary history itself.

Tracing the demonstrative aesthetic shift in literary writings of fashionable London during the late 1590s, this book argues that the new forms which emerged during this period were intimately linked, arising out of a particular set of geographic, intellectual, and social circumstances that existed in these urban environs. In providing a cohesive view of these disparate generic interventions, Christopher D''Addario breaks new ground in significant ways. By paying attention to the relationship between environment and individual imagination, he provides a fresh and detailed sense of the spaces and social worlds in which the writings of prominent authors, including Thomas Nashe and John Donne, were produced and experienced. In arguing that the rise of the metaphysical aesthetic occurred across a number of urban genres throughout the 1590s, not just in lyric, but also earlier in Nashe''s prose, as well as in the verse satire, he rewrites English Renaissance literary history itself.

Tracing the demonstrative aesthetic shift in literary writings of fashionable London during the late 1590s, this book argues that the new forms which emerged during this period were intimately linked, arising out of a particular set of geographic, intellectual, and social circumstances that existed in these urban environs. In providing a cohesive view of these disparate generic interventions, Christopher D''Addario breaks new ground in significant ways. By paying attention to the relationship between environment and individual imagination, he provides a fresh and detailed sense of the spaces and social worlds in which the writings of prominent authors, including Thomas Nashe and John Donne, were produced and experienced. In arguing that the rise of the metaphysical aesthetic occurred across a number of urban genres throughout the 1590s, not just in lyric, but also earlier in Nashe''s prose, as well as in the verse satire, he rewrites English Renaissance literary history itself.

The political and religious upheavals of the seventeenth century caused an unprecedented number of people to emigrate, voluntarily or not, from England. Among these exiles were some of the most important authors in the Anglo-American canon. In this 2007 book, Christopher D'Addario explores how early modern authors thought and wrote about the experience of exile in relation both to their lost homeland and to the new communities they created for themselves abroad. He analyses the writings of first-generation New England Puritans, the Royalists in France during the English Civil War, and the 'interior exiles' of John Milton and John Dryden. D'Addario explores the nature of artistic creation from the religious and political margins of early modern England, and in doing so, provides detailed insight into the psychological and material pressures of displacement and a much overdue study of the importance of exile to the development of early modern literature.