Christopher Harvie – författare

`This is an excellent survey of the British political novel.' - Contemporary Review

`This is an excellent survey of the British political novel.' - Contemporary Review

First published as part of the best-selling The Oxford Illustrated History of Britain, Christopher Harvie and Colin Matthew's Very Short Introduction to Nineteenth-Century Britain is a sharp but subtle account of remarkable economic and social change and an even more remarkable political stability. Britain in 1789 was overwhelmingly rural, agrarian, multilingual, and almost half Celtic. By 1914, when it faced its greatest test since the defeat of Napoleon, it was largely urban and English. Christopher Harvie and Colin Matthew show the forces behind Britain's rise to its imperial zenith, and the continuing tensions within the nations and classes of the 'union state'.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Christopher Harvie offers a new portrait of society and identity in high industrial Britain by focusing on the sea as connector, not barrier. Atlantic and 'inland sea' together, Harvie argues, created a 'floating commonwealth' of port cities and their hinterlands whose interaction, both with one another and with nationalist and imperial politics, created an intense political and cultural synergy.At a technical level, this produced the freight steamer and the efficient types of railways which opened up the developing world, as well as the institutions of international finance and communications in the age of 'telegrams and anger'. And ultimately, the resources of the Atlantic cities, their shipyards and works, enabled Britain to win withstand the test of the First World War. Meanwhile, as Harvie shows, the continuous attempt to make sense of an ever-changing material reality also stimulated the discourses on which social criticism and literary modernism were based, from Carlyle to James Joyce - although the ultimate outcome, of slump and emigration, would leave enduring problems in the years to come.

Christopher Harvie, one of Scotland's leading historians and political writers, takes a long view of Scotland: its land, people, and culture. Scotland: A History sweeps from the earliest settlements to the new Parliament of 1999 and beyond. It describes the unique multi-ethnic kingdom which emerged from the Dark Ages, the small, proud nation manoeuvring among the great powers of medieval Europe, and the radical reformation which forced a compromise with its mighty southern neighbour. Harvie follows Scotland's tense partnership with England for over 400 years, through dual monarchy and union, enlightenment and empire, industrialization and de-industrialization. First published over a decade ago, this new edition has been extended - at both ends - to include recent discoveries about Scotland's early pre-historic settlements, through to a new final chapter covering the history, politics, and economics of the country under the Holyrood Parliament - and the background to the controversy over the Independence Referendum of 2014.

John Buchan wrote The Thirty-Nine Steps while he was seriously ill at the beginning of the First World War. In it he introduces his most famous hero, Richard Hannay, who, despite claiming to be an `ordinary fellow', is caught up in the dramatic race against a plot to devastate the British war effort. Hannay is hunted across the Scottish moors by police and spy-ring alike, and must outwit his intelligent and pitiless enemy in the corridors of Whitehall and, finally, at the site of the mysterious thirty-nine steps.The best-known of Buchan's thrillers, The Thirty-Nine Steps has been continuously in print since first publication and has been filmed three times, most notably by Alfred Hitchcock in 1935. In this, the only critical edition, Christopher Harvie's introduction interweaves the writing of the tale with the equally fascinating story of how John Buchan, publisher and lawyer, came in from the cold and, via The Thirty-Nine Steps, ended the war as spy-master and propaganda chief. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Christopher Harvie offers a new portrait of society and identity in high industrial Britain by focusing on the sea as connector, not barrier. Atlantic and 'inland sea' together, Harvie argues, created a 'floating commonwealth' of port cities and their hinterlands whose interaction, both with one another and with nationalist and imperial politics, created an intense political and cultural synergy. At a technical level, this produced the freight steamer and the efficient types of railways which opened up the developing world, as well as the institutions of international finance and communications in the age of 'telegrams and anger'. And ultimately, the resources of the Atlantic cities, their shipyards and works, enabled Britain to win withstand the test of the First World War. Meanwhile, as Harvie shows, the continuous attempt to make sense of an ever-changing material reality also stimulated the discourses on which social criticism and literary modernism were based, from Carlyle to James Joyce - although the ultimate outcome, of slump and emigration, would leave enduring problems in the years to come.

In the 1970s and 1980s there was a steady transfer of power in mainland Europe to new, powerful regional authorities and these, in their turn, started to build up a new form of intra-European co-operation. With the acceleration of European integration, the rise of the multinational firm and new media and transport technologies, the traditional defence-based nation-states are under threat.In this challenging study, Christopher Harvie alters the ways in which we have traditionally surveyed the European past by setting the positive and negative aspects of the present European situation in their historical context. He reappraises the actors of `national' politics, the persistence of types of civic and internationalist discourse and finally looks at the transactions which have created `bourgeois regionalism', and its implications for the future of Europe. Harvie argues that we are only beginning to realise the shift in consciousness, as well as in politics and administration, that an integrated Europe will involve.

Scotland and Nationalism provides an authoritative survey of Scottish social and political history from 1707 to the present day. Focusing on political nationalism in Scotland, Christopher Harvie examines why this nationalism remained apparently in abeyance for two and a half centuries, and why it became so relevant in the second half of the twentieth century.This fourth edition brings the story and historiography of Scottish society and politics up-to-date. Additions also include a brand new biographical index of key personalities, along with a glossary of nationalist groups.

Scotland and Nationalism provides an authoritative survey of Scottish social and political history from 1707 to the present day. Focusing on political nationalism in Scotland, Christopher Harvie examines why this nationalism remained apparently in abeyance for two and a half centuries, and why it became so relevant in the second half of the twentieth century.This fourth edition brings the story and historiography of Scottish society and politics up-to-date. Additions also include a brand new biographical index of key personalities, along with a glossary of nationalist groups.

A colourful and stimulating history of modern Scotland This introductory history takes Scotland through two world wars and subsequent social exhaustion, through the re-energising adjustments loosely referred to as ‘the sixties’ to a final endgame of Union versus Independence. The novel structure of Harvie’s history mirrors that of a grand engineering project, or a structure as complex as the Forth Railway Bridge: ‘three periods of change rendered as towers, and two great cantilevered arches of life-in-common, over which day-to-day life proceeds’. Key Features:A final narrative of ‘Union versus Independence’Thematically rebuilt chapters: Economy/Society/Politics/CultureThe ‘60s’ reinterpretedFrom the APF (JW to ammend)‘When No Gods and Precious Few Heroes first appeared in 1981 Paul Addison, in the English Historical Review, called Christopher Harvie’s book ‘a masterly synthesis of the most important political, economic social and cultural developments in Scotland’s recent past, written too with great wit and style.’ Updated in 1987, after two further editions in 1996 and 2000 comes this near- total refashioning. ‘Starting and finishing in melodrama’, its much-travelled author, after living with politics and media in Europe, assesses the new parliamentary state against thirty-five turbulent, vertiginous years. Narrative and episodes shift from squaddies in Iraq camps to working mothers reclaiming civic life from failing religion and big crime. Traceable all-too -often to an untended past, the demand for ‘love patience and power to absolve those tormented’ might at last – through most unusual politics – be getting to it