Christopher Ocker – författare

Biblical Poetics before Humanism and Reformation is a study of the interpretation of the Bible in the late Middle Ages. Scholastic theologians developed a distinct attitude toward textual meaning in the thirteenth and fourteenth centuries which departed significantly from earlier trends. Their attitude tended to erode the distinction, emphasized by the scholars of St Victor in the twelfth century, between literal and spiritual senses of scripture. Christopher Ocker argues that interpreters developed a biblical poetics very similar to that cultivated and promoted by Protestants in the sixteenth century, which was reinforced by the adaptation of humanist rhetoric to Bible reading after Lorenzo Valla. The book is a comparative study, drawing from a variety of unpublished commentaries as well as more familiar works by Nicholas of Lyra, John Wyclif, Jean Gerson, Denys the Carthusian, Wendelin Steinbach, Desiderius Erasmus, Philip Melanchthon, and John Calvin.

Biblical Poetics before Humanism and Reformation is a study of the interpretation of the Bible in the late Middle Ages. Scholastic theologians developed a distinct attitude toward textual meaning in the thirteenth and fourteenth centuries which departed significantly from earlier trends. Their attitude tended to erode the distinction, emphasized by the scholars of St Victor in the twelfth century, between literal and spiritual senses of scripture. Christopher Ocker argues that interpreters developed a biblical poetics very similar to that cultivated and promoted by Protestants in the sixteenth century, which was reinforced by the adaptation of humanist rhetoric to Bible reading after Lorenzo Valla. The book is a comparative study, drawing from a variety of unpublished commentaries as well as more familiar works by Nicholas of Lyra, John Wyclif, Jean Gerson, Denys the Carthusian, Wendelin Steinbach, Desiderius Erasmus, Philip Melanchthon, and John Calvin.

Three basic forces dominated sixteenth-century religious life. Two polarized groups, Protestant and Catholic reformers, were shaped by theological debates, over the nature of the church, salvation, prayer, and other issues. These debates articulated critical, group-defining oppositions. Bystanders to the Catholic-Protestant competition were a third force. Their reactions to reformers were violent, opportunistic, hesitant, ambiguous, or serendipitous, much the way social historians have described common people in the Reformation for the last fifty years. But in an ecology of three forces, hesitations and compromises were natural, not just among ordinary people, but also, if more subtly, among reformers and theologians. In this volume, Christopher Ocker offers a constructive and nuanced alternative to the received understanding of the Reformation. Combining the methods of intellectual, cultural, and social history, his book demonstrates how the Reformation became a hybrid movement produced by a binary of Catholic and Protestant self-definitions, by bystanders to religious debate, and by the hesitations and compromises made by all three groups during the religious controversy.

Martin Luther - monk, priest, intellectual, or revolutionary - has been a controversial figure since the sixteenth century. Most studies of Luther stress his personality, his ideas, and his ambitions as a church reformer. In this book, Christopher Ocker brings a new perspective to this topic, arguing that the different ways people thought about Luther mattered far more than who he really was. Providing an accessible, highly contextual, and non-partisan introduction, Ocker says that religious conflict itself served as the engine of religious change. He shows that the Luther affair had a complex political anatomy which extended far beyond the borders of Germany, making the debate an international one from the very start. His study links the Reformation to pluralism within western religion and to the coexistence of religions and secularism in today's world. Luther, Conflict, and Christendom includes a detailed chronological chart.

This collection of essays offers a series of rigorously focused art-historical, historical, and philosophical studies that examine ways in which materiality has posed and still poses a religious and cultural problem.

This collection of essays offers a series of rigorously focused art-historical, historical, and philosophical studies that examine ways in which materiality has posed and still poses a religious and cultural problem.