Susanna Elm – författare

This ground breaking study brings into dialogue for the first time the writings of Julian, the last non-Christian Roman Emperor, and his most outspoken critic, Bishop Gregory of Nazianzus, a central figure of Christianity. Susanna Elm compares these two men not to draw out the obvious contrast between the Church and the Emperor's neo-Paganism, but rather to find their common intellectual and social grounding. Her insightful analysis, supplemented by her magisterial command of sources, demonstrates the ways in which both men were part of the same dialectical whole. Elm recasts both Julian and Gregory as men entirely of their times, showing how the Roman Empire in fact provided Christianity with the ideological and social matrix without which its longevity and dynamism would have been inconceivable.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.In this book, Susanna Elm radically changes our understanding of imperial rule in the later Roman Empire. As she shows, the so-called eastern decadence of the Emperor Theodosius and his successors was in fact a calculated revolution in masculinity and the representation of imperial power. Here, the emperor's hard yet soft, mature yet youthfully gorgeous beauty was central. Because the Theodosian emperors were divine—gods one could see—so was their beauty: their manliness was the face and body of God. The emperors' gorgeousness, their sparkling regalia, how they wished their bodies to be seen by their elite subjects—who authored the texts on which Elm's analysis is based—were as important as laws, taxes, and armies. Their vir-ness strategically deployed male same-sex erotic desire to enhance the unity of the realm in times of tension, incorporate the signifying potency of child emperors, and create a flexible yet stable model of Christian sovereignty.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.In this book, Susanna Elm radically changes our understanding of imperial rule in the later Roman Empire. As she shows, the so-called eastern decadence of the Emperor Theodosius and his successors was in fact a calculated revolution in masculinity and the representation of imperial power. Here, the emperor's hard yet soft, mature yet youthfully gorgeous beauty was central. Because the Theodosian emperors were divine—gods one could see—so was their beauty: their manliness was the face and body of God. The emperors' gorgeousness, their sparkling regalia, how they wished their bodies to be seen by their elite subjects—who authored the texts on which Elm's analysis is based—were as important as laws, taxes, and armies. Their vir-ness strategically deployed male same-sex erotic desire to enhance the unity of the realm in times of tension, incorporate the signifying potency of child emperors, and create a flexible yet stable model of Christian sovereignty.

Late Antiquity (ca. 250-600 CE) was a world at war: barbarian migrations, civil wars, raids, and increasingly porous frontiers affected millions of its inhabitants. While military and political historians have long grappled with this history, scholars of late antique society and culture rarely interrogate the consequences of near constant warfare on civilian populations, fighting forces, and the built environment. War and Community in Late Antiquity responds to this oversight by assembling archeologists, art historians, social historians, and scholars of religion to examine the impact of war on communities (households, cities, religious groups, elites and non-elites) and their reactions to ongoing stressors. Topics include the violence of everyday life as backdrop to that of war; the rhetoric of warfare and its significance for Christian authors; the effects of captivity and billeting on households; communal agency and the fortification of civilian spaces; and the challenges of articulating Christian imperial power in wartime.

This collection of essays offers a series of rigorously focused art-historical, historical, and philosophical studies that examine ways in which materiality has posed and still poses a religious and cultural problem.

This collection of essays offers a series of rigorously focused art-historical, historical, and philosophical studies that examine ways in which materiality has posed and still poses a religious and cultural problem.