Clare Bielby – författare

Since the first ‘wave’ of modern terrorism, those labelled as terrorists have been publishing accounts of their lives in diverse contexts. How are we to understand this apparent will to write and publish autobiographical accounts of oneself, one’s life, and political views on the part of these individuals? What can close analysis of these often controversial, popular texts illuminate? Focussing on the case study of West German leftist armed groups active in the 1970s, Terrorism and the Self is the first monograph to explore post-terrorist autobiography as literary genre. It makes the case that post-terrorist autobiography must be taken seriously as both cultural phenomenon and crucial source of knowledge as we seek to extend understandings of militant violence and those who engage in it. It proposes an interdisciplinary feminist approach for making sense of this material, while providing in-depth, gendered analysis of the West German case study. The book will appeal to a variety of disciplines and research fields including terrorism studies, perpetrator studies, women’s and gender studies, narrative and cultural criminology, violence studies, history, literary and autobiographical studies and cultural studies.

Studies representations of women and death by women to see whether and how they differ from patriarchal versions.In Western culture, women are often linked with death, perhaps because they are traditionally constructed as an unknowable "other." The first two Women and Death volumes investigate ideas about death and the feminine as represented in German culture since 1500, focusing, respectively, on the representation of women as victims and killers and the idea of the woman warrior, and confirming that women who kill or die violent or untimely deaths exercisefascination even as they pose a threat. The traditions of representation traced in the first two volumes, however, are largely patriarchal. What happens when it is women who produce the representations? Do they debunk or reject the dominant discourses of sexual fascination around women and death? Do they replace them with more sober or "realistic" representations, with new forms, modes, and language? Or do women writers and artists, inescapably bound up in patriarchal tradition, reproduce its paradigms? This third volume in the series investigates these questions in ten essays written by an international group of expert scholars. It will be of interest to scholars and students of German literature and culture, gender studies, and film studies. Contributors: Judith Aikin, Barbara Becker-Cantarino, Jill Bepler, Stephanie Bird, Abigail Dunn, Stephanie Hilger, Elisabeth Krimmer, Aine McMurtry, Simon Richter, Helen Watanabe-O'Kelly. Clare Bielby is Lecturer in German at the University of Hull. Anna Richards is Lecturer in German at Birkbeck College, University of London.

Explores the significance of postwar German representations of violence in other places and times.Germany's twentieth-century history has made imagining and representing violence in German culture challenging, meaning that it can be difficult to locate and explore critically the significance of violence in and for the postwar German states. This volume approaches that challenge through critical analysis of "violence elsewhere," that is, constructions of violence in distant, imagined, or temporally distinct times and places. Such representations have offered a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged meanings and functions of violence in German culture.The essays in this volume explore selected, emblematic works from East, West, and, later, unified Germany, which imagine violence in, for example, Latin America, Vietnam, Cambodia, the USA, and the Middle East, as well as in the respective "other" German state and in the German past. Drawing on fields including cultural, literary, film, visual, and gender studies, it introduces multidisciplinary theoretical approaches to the topic of violence elsewhere that may be transferable beyond German studies too. As such, the volume allows us to reflect more broadly on relationships between violence, culture, community, and the creation of identities, and to look beyond binary notions of "here" and "elsewhere," "self" and "other." It thus expands our understanding of what German culture is and could be.Edited by Clare Bielby and Mererid Puw Davies. Contributors: Seán Allan, Martin Brady, Evelien Geerts, Katharina Karcher, J.J. Long, Ernest Schonfield, and Katherine Stone.Chapter 8, "Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" is available as Open Access under the Creative Commons license CC BY-NC-ND. The open access version of this publication was funded by the European Research Council.This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Examines ideas of violence in German culture after 9/11 through the lens of "violence elsewhere" - exploring works and discourses about violence in distant locations or times.Following the Nazi era, the Holocaust, and the Second World War, in postwar Germany thinking or speaking about that extreme violence seemed distinctively difficult - even perhaps, at times, impossible. Yet we can learn about understandings of violence in this period in novel ways by exploring images and constructions in German culture of faraway violence, as shown in the recent volume Violence Elsewhere 1: Imagining Distant Violence in Germany, 1945-2001.As of September 11, 2001, violence came to appear transnationally, spectacularly mobile in new ways. Consequently, Violence Elsewhere 2 explores ideas about "violence elsewhere" in German-language culture since 2001. Here, "elsewhere" can mean not only distant places; it may also be violence perceived as foreign, or in the past. Simultaneously, this work suggests that the idea of 9/11 as a watershed in thinking about violence is more complex than meets the eye.Here, nine essays consider classic literary forms like poetry and prose fiction, from the short story to the intergenerational German family novel to Black feminist speculative fiction. Contributors examine, too, philosophy, performance and multimedia art, political and other forms of public discourse, and film. Topics include, amongst others, the "war on terror," slow environmental violence, the Armenian genocide, portrayals of refugees and migrants, legacies of colonial violence, space travel, and the persistent resonance of the German past.Contributors: Sofía Forchieri, Susanne C. Knittel, Marie Kolkenbrock, Priscilla Layne, Joanne Leal, Francesca Lewis, Frauke Matthes, Lizzie Stewart, Nicola Thomas, and Kathrin Wunderlich.This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

This two-volume set explores what postwar German representations and imaginings of violence in other places and times tell us about Germany.Germany's 20th-century history has made imagining and representing violence in German culture especially challenging: it has made certain constructions of violence unspeakable, even unthinkable. As a result, new ways of thinking about violence in postwar and contemporary German culture are needed. One such approach is critical analysis of "violence elsewhere," that is, representations in literature, art, and film of violence in distant, imagined, or temporally distinct times and places. Such representations have offered Germans a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged or deeply encoded meanings and functions of violence in German culture.This two-volume set explores what representations of "violence elsewhere" in a variety of works and genres tell us about Germany. Volume 1, covering the immediate postwar period, 1945-2001, considers works that arose in East, West, and reunified Germany and that imagine violence in foreign lands as well as in the respective "other" German state and in the German past. Volume 2 carries the inquiry forward to the post-9/11 world of the new Federal Republic. The volumes also introduce theoretical perspectives that are transferable beyond German Studies, allowing us to reflect more broadly on relationships between violence, culture, community, and the creation of identities.Contributors for Volume 1: Seán Allan, Martin Brady, Evelien Geerts, Katharina Karcher, J.J. Long, Ernest Schonfield, and Katherine Stone.Contributors for Volume 2: Sofía Forchieri, Susanne C. Knittel, Marie Kolkenbrock, Priscilla Layne, Joanne Leal, Francesca Lewis, Frauke Matthes, Lizzie Stewart, Nicola Thomas, and Kathrin Wunderlich.Chapter 8 of Volume 1, "Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" is available as Open Access under the Creative Commons license CC BY-NC-ND. The open access version of this publication was funded by the European Research Council.This book is available as Open Access under the Creative Commons license CC BY-NC-ND

Explores the significance of postwar German representations of violence in other places and times.Germany's twentieth-century history has made imagining and representing violence in German culture challenging, meaning that it can be difficult to locate and explore critically the significance of violence in and for the postwar German states. This volume approaches that challenge through critical analysis of "violence elsewhere," that is, constructions of violence in distant, imagined, or temporally distinct times and places. Such representations have offered a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged meanings and functions of violence in German culture.The essays in this volume explore selected, emblematic works from East, West, and, later, unified Germany, which imagine violence in, for example, Latin America, Vietnam, Cambodia, the USA, and the Middle East, as well as in the respective "other" German state and in the German past. Drawing on fields including cultural, literary, film, visual, and gender studies, it introduces multidisciplinary theoretical approaches to the topic of violence elsewhere that may be transferable beyond German studies too. As such, the volume allows us to reflect more broadly on relationships between violence, culture, community, and the creation of identities, and to look beyond binary notions of "here" and "elsewhere," "self" and "other." It thus expands our understanding of what German culture is and could be.

Examines ideas of violence in German culture after 9/11 through the lens of "violence elsewhere" - exploring works and discourses about violence in distant locations or times.Following the Nazi era, the Holocaust, and the Second World War, in postwar Germany thinking or speaking about that extreme violence seemed distinctively difficult - even perhaps, at times, impossible. Yet we can learn about understandings of violence in this period in novel ways by exploring images and constructions in German culture of faraway violence, as shown in the recent volume Violence Elsewhere 1: Imagining Distant Violence in Germany, 1945-2001.As of September 11, 2001, violence came to appear transnationally, spectacularly mobile in new ways. Consequently, Violence Elsewhere 2 explores ideas about "violence elsewhere" in German-language culture since 2001. Here, "elsewhere" can mean not only distant places; it may also be violence perceived as foreign, or in the past. Simultaneously, this work suggests that the idea of 9/11 as a watershed in thinking about violence is more complex than meets the eye.Here, nine essays consider classic literary forms like poetry and prose fiction, from the short story to the intergenerational German family novel to Black feminist speculative fiction. Contributors examine, too, philosophy, performance and multimedia art, political and other forms of public discourse, and film. Topics include, amongst others, the "war on terror," slow environmental violence, the Armenian genocide, portrayals of refugees and migrants, legacies of colonial violence, space travel, and the persistent resonance of the German past.

This volume explores violent perpetration in diverse forms from an interdisciplinary and transnational perspective. From National Socialist perpetration in the museum, through post-terrorist life writing to embodied performances of perpetration in cosplay, the collection draws upon a series of historical and geographical case studies, seen through the lens of a variety of texts, with a particular focus on the locus of the museum as a technology of sense making. In addition to its authored chapters, the volume includes three contributed interviews which offer a practice-led perspective on the topic.Through its wide-ranging approach to violence, the volume draws attention to the contested and gendered nature of what is constructed as ‘perpetration’. With a focus on perpetrator subjectivity or the ‘perpetrator self’, it proposes that we approach perpetration as a form of ‘doing’; and a ‘doing’ that is bound up with the ‘doing’ of one’s gendered identity more broadly. The work will be of great interest to students and scholars working on violence and perpetration in the fields of History, Literary Studies, Area Studies, Women’s and Gender Studies, Museum Studies, Cultural Studies, International Relations and Political Science.

This volume explores violent perpetration in diverse forms from an interdisciplinary and transnational perspective. From National Socialist perpetration in the museum, through post-terrorist life writing to embodied performances of perpetration in cosplay, the collection draws upon a series of historical and geographical case studies, seen through the lens of a variety of texts, with a particular focus on the locus of the museum as a technology of sense making. In addition to its authored chapters, the volume includes three contributed interviews which offer a practice-led perspective on the topic.Through its wide-ranging approach to violence, the volume draws attention to the contested and gendered nature of what is constructed as ‘perpetration’. With a focus on perpetrator subjectivity or the ‘perpetrator self’, it proposes that we approach perpetration as a form of ‘doing’; and a ‘doing’ that is bound up with the ‘doing’ of one’s gendered identity more broadly. The workwill be of great interest to students and scholars working on violence and perpetration in the fields of History, Literary Studies, Area Studies, Women’s and Gender Studies, Museum Studies, Cultural Studies, International Relations and Political Science.