Clarrie Wallis – författare

'The story of British activism through photographs'GUARDIAN 'Powerful … will move you to action' ELLE A most anticipated book of 2025 in Guardian, Independent and Elle Resistance presents a century of activism, from the radical suffrage movement in 1903 through key moments including the Battle of Cable Street, the Black People’s Day of Action, Greenham Common Women's Peace Camp and the Miners’ Strike; onto protests against environmental destruction, struggles for LGBTQ+ and disability rights; culminating with the largest protest in Britain’s history: the march against the War in Iraq in 2003.A wealth of photographs – from covert surveillance images to era-defining press reportage – are interwoven with firsthand accounts from those who witnessed these major historical moments and expert analysis of where these stories lead us today. Featuring contributions from groundbreaking voices such as Gary Younge, Paul Gilroy and Baroness Chakrabarti, alongside powerful images from renowned photographers including Vanley Burke, Edith Tudor-Hart, Tish Murtha and Paul Trevor.Resistance uncovers the often-overlooked stories of individuals who have been instrumental in forming modern Britain and is a testament to the empowering impact of collective action today.'A moving paean to the activists and image-makers' WALLPAPER'Speaks loudly to the present moment as much as to critical turning points in history' DAZED

Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey, celebrating her achievements while also examining her current practice.Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject-matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core.Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language, so providing an important contribution to our understanding and appreciation of a significant and increasingly celebrated figure in contemporary British art.

Patrick Caulfield was a student at the Royal College of Art between 1960-63 alongside David Hockney and Allen Jones. His subject matter draws more from the masters of modern art such as Braque and Gris than from the consumer culture that preoccupied his fellow students. His work is characterised by a reductive, streamlined use of line and the depiction of banal, everyday objects saturated in colour. Caulfield consistently used screenprint for his graphic work following his introduction to the medium by Richard Hamilton and Chris Prater in 1964. The deceptive simplicity of his images, perfectly matched by the aesthetic capacities of the process, is clear throughout the various phases of his printmaking career. During his lifetime the Serpentine Gallery, the Hayward Gallery and the Tate Gallery in London all held major retrospectives of his paintings. More recently his prints were the subject of a survey at Tate Liverpool. Caulfield died in 2005 having made an indelible contribution to British painting and printmaking.