Clay Sanskrit Library – författare

Finally, the ancient gems of classical Sanskrit literature are available to a wide audience. This literature combines great beauty, enormous variety, and more than 3,000 years of continuous history and development. The Clay Sanskrit Library makes everything easier for any reader: the Sanskrit text, written in familiar Roman letters, faces a fresh English translation, and the convenient pocket size is both elegant and practical. This exciting collection includes many volumes from the two beloved Indian epics, the Ramayana and the Maha*bharata, in addition to other classics of Sanskrit literature. Each book is published in a jacketed hardcover edition, in a compact 4.5" x 6.5" format, designed to bring the literature of India to the general public, scholars, and students. For many interested readers, access to this vast treasure store has been hindered by an unfamiliar language and a difficult script. The new Clay Sanskrit Library makes everything easier: the Sanskrit text, written in familiar Roman letters, faces the English translation, and the convenient pocket size is both elegant and practical.Twenty-eight leading scholars from eight countries cooperated to produce fresh new translations that combine readability and accuracy. The first twelve titles appeared in February 2005, and by 2009 the library was completed with 56 published volumes. The selection includes drama, poetry and novels, together with the famous epics. The Library is now also available as a 56-volume complete set, as well as in six thematic mini-sets, grouped for readers interested in specific areas of the world of classical Sanskrit literature. The mini sets, available at discounts, are as follows: 1. Epic: Mahabharata (15 volumes); 2. Epic: Ramayana (5 volumes); 3. Religion (10 volumes); 4. Poetry (9 volumes); 5. Plays (8 volumes); and 6. Story Collections, Tales, Narratives, and Fables (9 volumes). Introduction to the Clay Sanskrit Library By John Clay The great national epics of India, the Maha*bharata and the Ramayana, reached their definitive form around the beginning of the common era. By their authority and comprehensive character they dominated Hindu literature for several centuries, as familiar episodes and themes were reworked. But Buddhism and Jainism developed their own literary traditions.From early in the common era, a vast creative literature of novels, short stories, plays and poetry began to develop. Some took their subject matter from the national epics or the Buddhist scriptures, but many other sources also provided inspiration. This new literary culture was vibrant and vivid. The dramatists wrote plays about palaces full of dancing girls, and gardens where peacocks screeched at the approach of the monsoon and elephants trumpeted in the stables, eager for combat or mating. Courtiers intrigued for influence and promotion. Merchants set off on their voyages with sadness at separation, and returned with joy and vast profits. The six seasons spun by at breakneck speed. Lovers kept their trysts in the cane groves down by the river. Holy men preached that worldly pleasures were worthless, and often were exposed as hypocrites. This second flowering of a classical Sanskrit literature lasted for more than a millenium. We shall bring to a worldwide audience the entire text of the two national epics, and fifty or more titles from the heyday. We hope that readers will find much to enjoy.

Epic: Maha·bhárata The Maha·bhárata tells the tale of the epic battle between the Pándavas and the Káuravas for the thrown. It begins with the famous game of dice between the Pándavas and the Káuravas, which sets the scene for the war that will lie at the center of the Maha·bhárata epic. But even after the war is ostensibly over when the heroic but flawed king of the Káuravas is dishonor­ably defeated in battle by his arch enemy, the extended family is still wracked in conflict leaving survivors, victors and vanquished struggling to comprehend their loss. Perhaps the most enigmatic philosophical text from ancient India, the final book in the set, "The Book of Liberation" is presented as the teachings of Bhishma as he lies dying on the bat­tlefield in the aftermath of war.Included in this set:Maha·bhárata Book II: The Great HallTranslated by Paul Wilmot.588 pages / 978-0-8147-9406-7Maha·bhárata Book III: The ForestVolume 4Translated by William Johnson.374 pages / 978-0-8147-4278-5Maha·bhárata Book IV: VirátaTranslated by Kathleen Garbutt.516 pages / 978-0-8147-3183-3Maha·bhárata Book V: Preparations for WarVolume 1Translated by Kathleen Garbutt. Foreword by Gurcharan Das.720 pages / 978-0-8147-3191-8Maha·bhárata Book V: Preparations for WarVolume 2Translated by Kathleen Garbutt.760 pages / 978-0-8147-3202-1Maha·bhárata Book VI: BhishmaTranslated by Alex Cherniak. Foreword by Ranajit Guha.Volume 1 (Including the "Bhagavad Gita" in Context)615 pages / 978-0-8147-1696-0Maha·bhárata Book VI: BhishmaVolume 2Translated by Alex Cherniak.550 pages / 978-0-8147-1705-9Maha·bhárata Book VII: DronaVolume 1Translated by Vaughan Pilikian.473 pages / 978-0-8147-6723-8Maha·bhárata Book VII: DronaVolume 2Translated by Vaughan Pilikian.470 pages / 978-0-8147-6776-4Maha·bhárata Book VIII: KarnaVolume 1Translated by Adam Bowles604 pages / 978-0-8147-9981-9Maha·bhárata Book VIII: KarnaVolume 2Translated by Adam Bowles.684 pages / 978-0-8147-9995-6Maha·bhárata Book IX: ShalyaVolume 1Translated by Justin Meiland.371 pages / 978-0-8147-5706-2Maha·bhárata Book IX: ShalyaVolume 2Translated by Justin Meiland.470 pages / 978-0-8147-5737-6Maha·bhárata Books X & XI: "Dead of the Night" and "The Women"Translated by Kate Crosby.350 pages / 978-0-8147-1727-1Maha·bhárata Book XII: Peace (Part 2: The Book of Liberation)Volume 3Translated by Alex Wynne.540 pages / 978-0-8147-9453-1

This set of plays provides an array of Sanskrit drama and satire, with plots that vary from the "strikingly Shakespearian" (as H. H. Wilson described it ) "Little Clay Cart" to a dramatization of and amendment to the "Ramáyana" in "Rama's Last Act." In addition to its scope of genre, the set covers a large period of time (the "Three Satires" by Bhállata, Ksheméndra, and Nila·kan alone were written over a period of nearly a thousand years) and also includes several works traditionally given less modern attention, such as "Málavika and Agni·mitra" by Kali·dasa, in order to provide a multifaceted view of Sankskrit theater. Included in this set:"The Lady of the Jewel Necklace" & "The Lady who Shows her Love"By Harsha. Translated by Wendy Doniger.514 pages / 978-0-8147-1996-1Little Clay CartBy Shúdraka. Translated by Diwakar Acharya. Foreword by Partha Chatterjee.640 pages / 978-0-8147-0729-6Málavika and Agni·mitraKali·dasa. Translated by Dániel Balogh and Eszter Somogyi.350 pages / 978-0-8147-8702-1 Rákshasa's RingBy Vishákha·datta. Translated by Michael Coulson385 pages / 978-0-8147-1661-8Rama Beyond PriceBy Murári. Edited and translated by Judit Törzsök.638 pages / 978-0-8147-8295-8Rama's Last ActBy Bhava·bhuti. Translated by Sheldon Pollock. Foreword by Girish Karnad.458 pages / 978-0-8147-6733-7The Recognition of Shakúntala (Kashmir Recension)By Kali·dasa. Edited and translated by Somadeva Vasudeva.419 pages / 978-0-8147-8815-8Three SatiresBy Bhállata, Ksheméndra, and Nila·kantha. Edited and translated by Somadeva Vasudeva.403 pages / 978-0-8147-8814-1