Colin Bramwell - Böcker
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4 produkter
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A Times Literary Supplement Book of the Year 2025Shortlisted for the Scots Book O' the Year Award 2025Longlisted for the Highland Book Prize 2025Fower Pessoas is the most original work of translation that you will read this year: a bold reimagining of Fernando Pessoa’s poetry by an exciting next-generation Scottish poet. Following his subject’s unique approach to composition, Colin Bramwell puts all four of Pessoa’s heteronyms into a present-day Scots-language vernacular, and so creates aparochial Pessoa for our own times.Bramwell’s adaptation matches his subject’s restless lyricism. It is rare to see a translator go toe-to-toe with their subject in this way. The resulting entanglement makes for some astonishing, full-throated poetry.Readers will be delighted by this witty, emotive and artful reinterpretation of an indispensable European poet. Fower Pessoasnot only celebrates Pessoa’s extraordinary range of modes and moods, but also marks the arrival of an outstanding new talent in Scottish poetry.
198 kr
Skickas inom 7-10 vardagar
Poems from a boisterously out and open queer voice from Taiwan. Ko-hua Chen’s Decapitated Poetry was the first explicitly queer book of poems published in Taiwan and remains a foundational work in Taiwanese poetry. Decades after it first appeared in 1995, this collection retains the capacity to shock, appall, and jolt readers into recognizing homosexuality as its own specific category of being. Behind Chen’s depictions of the disjunctive realities of queer erotic life, a formidable and uncompromising poetic intelligence can be seen at play. Alongside the erotic, satirical offerings from Decapitated Poetry, this volume includes selections from Chen’s remarkable sci-fi sequences that offer further transcorporeal meditations on forbidden queer love. Excoriating, heretical, tender, and always alive to the transgressive potential of language, this exhilarating volume from Seagull’s Pride List is the perfect introduction to one of Taiwanese poetry’s most daring voices.
219 kr
Skickas inom 5-8 vardagar
Aonghas MacNeacail (1942-2022) was a major Scottish writer from Skye. He composed poetry, songs, journalism, scripts, librettos and translations. Among Gaelic-speakers he was known as Aonghas Dubh - Black Angus. Among his many accolades, he won the 1997 Stakis prize for Scottish Writer of the Year, and also received the Saltire Society's Premiere Award for contribution to the arts in 2005. His New & Selected Poems, 'Laughing at the Clock / Deanamh Gaire Ris A' Chloc', was published by Polygon in 2012.Aonghas grew up in a croft in Uig, on Skye. His first encounter with the English language was at school: while Aonghas spoke Gaelic at home, English was his language of education, and the first language that he wrote poetry in. While studying at Glasgow he became part of Philip Hobsbaum's famous Glasgow Group of creative writers, alongside Tom Leonard, Liz Lochhead, James Kelman and Alasdair Gray. He became involved with the Poetry Society while working as a housing officer in London: he later became the writer in residence at Sabhal Mor Ostaig, the Gaelic college on Skye, and this reinvigorated his desire to write in Gaelic also. Latterly Aonghas became famous as a Gaelic-language writer, though in fact he composed work in all three native languages of Scotland. He was a founding member of the Scottish Poetry Library.'beyond' is a posthumous collection of his English-language poems, edited by his widow, Gerda Stevenson with Colin Bramwell.
287 kr
Kommande
In Celtic folklore a fetch is a shadowy doppelganger that appears from the Otherworld, portending the beholder’s fate. Your fetch ‘fetches’ you to the afterlife, willingly or otherwise. Bramwell’s poetry uses the fetch as a model to explore a number of overlapping binaries - between the reader and the poem, most of all. Fetch also meditates on the differences between music and speech, the sacred and the profane, the written and the real, humanity and nature, Scots and English. Incorporating multitudes of modes, forms, registers and subjects, Bramwell converses with the Anglo-Celtic lyric tradition in our own time and in his own distinctively amiable fashion. In other words, this poet takes poetry seriously - but not too seriously.Fetch is an astonishingly musical tour-de-force from one of Britain’s most exciting new poets, in which reverence and irreverence, religion and faithlessness, the living and the dead, nearly rhyme.