Cora Kaplan – författare

The concept of gender continues to be a central issue in literary and cultural studies, with a significance that crosses disciplinary boundaries and provokes lively debate. In this fully revised and updated second edition, David Glover and Cora Kaplan offer a lucid and illuminating introduction to ’gender’ and its implications, including: an overview of the critical language and concepts surrounding gender from their historical inception to contemporary debates discussions of the major theorists in the field updated and extended coverage of lesbian and queer theory a new glossary of terms essential to an understanding of the debate on gender in contemporary theory. With its impressive breadth and depth of coverage, this volume offers not only a comprehensive history of this complex term, but also indicates its ongoing presence in literary and cultural theory and the new directions it is taking.

The concept of gender continues to be a central issue in literary and cultural studies, with a significance that crosses disciplinary boundaries and provokes lively debate. In this fully revised and updated second edition, David Glover and Cora Kaplan offer a lucid and illuminating introduction to ’gender’ and its implications, including: an overview of the critical language and concepts surrounding gender from their historical inception to contemporary debates discussions of the major theorists in the field updated and extended coverage of lesbian and queer theory a new glossary of terms essential to an understanding of the debate on gender in contemporary theory. With its impressive breadth and depth of coverage, this volume offers not only a comprehensive history of this complex term, but also indicates its ongoing presence in literary and cultural theory and the new directions it is taking.

The essays in Transitions, Environments, Translations explore the varied meanings of feminism in different political, cultural, and historical contexts. They respond to the claim that feminism is Western in origin and universalist in theory, and to the assumption that feminist goals are self-evident and the same in all contexts. Rather than assume that there is a blueprint by which to measure the strength or success of feminism in different parts of the world, these essays consider feminism to be a site of local, national and international conflict. They ask: What is at stake in various political efforts by women in different parts of the world? What meanings have women given to their efforts? What has been their relationship to feminism--as a concept and as an international movement? What happens when feminist ideas are translated from one language, one political context, to another?

The essays in Transitions, Environments, Translations explore the varied meanings of feminism in different political, cultural, and historical contexts. They respond to the claim that feminism is Western in origin and universalist in theory, and to the assumption that feminist goals are self-evident and the same in all contexts. Rather than assume that there is a blueprint by which to measure the strength or success of feminism in different parts of the world, these essays consider feminism to be a site of local, national and international conflict. They ask: What is at stake in various political efforts by women in different parts of the world? What meanings have women given to their efforts? What has been their relationship to feminism--as a concept and as an international movement? What happens when feminist ideas are translated from one language, one political context, to another?

"This fine collection of essays represents an important contribution to the rediscovery of Baldwin's stature as essayist, novelist, black prophetic political voice, and witness to the Civil Rights era. The title provides an excellent thematic focus. He understood both the necessity, and the impossibility, of being a black 'American' writer. He took these issues 'Beyond'---Paris, Istanbul, various parts of Africa---but this formative experience only returned him to the unresolved dilemmas. He was a fine novelist and a major prophetic political voice. He produced some of the most important essays of the twentieth century and addressed in depth the complexities of the black political movement. His relative invisibility almost lost us one of the most significant voices of his generation. This welcome 'revival' retrieves it. Close call." ---Stuart Hall, Professor Emeritus, Open University This interdisciplinary collection by leading writers in their fields brings together a discussion of the many facets of James Baldwin, both as a writer and as the prophetic conscience of a nation. The core of the volume addresses the shifting, complex relations between Baldwin as an American—“as American as any Texas GI” as he once wryly put it—and his life as an itinerant cosmopolitan. His ambivalent imaginings of America were always mediated by his conception of a world “beyond” America: a world he knew both from his travels and from his voracious reading. He was a man whose instincts were, at every turn, nurtured by America; but who at the same time developed a ferocious critique of American exceptionalism. In seeking to understand how, as an American, he could learn to live with difference—breaking the power of fundamentalisms of all stripes—he opened an urgent, timely debate that is still ours. His America was an idea fired by desire and grief in equal measure. As the authors assembled here argue, to read him now allows us to imagine new possibilities for the future.With contributions by Kevin Birmingham, Douglas Field, Kevin Gaines, Briallen Hopper, Quentin Miller, Vaughn Rasberry, Robert Reid-Pharr, George Shulman, Hortense Spillers, Colm Tóibín, Eleanor W. Traylor, Cheryl A. Wall, and Magdalena Zaborowska.

Harriet Martineau responds to the strong revival of interest in her life and writing, exploring Martineau’s controversial views through her innovative use of popular cultural forms—journalism, travel writing, didactic fiction, novels, translation, autobiography and history. This is the first collection of essays to revisit and reassess Martineau’s leading place in Victorian culture and in the development of nineteenth-century liberalism. Distinguished contributors—including Isobel Armstrong, Lauren Goodlad, Catherine Hall, Deborah Logan and Linda Peterson—offer critical analyses of her trailblazing career as a professional ‘woman of letters’.The essays collected here move from personal to global concerns in Martineau’s oeuvre. The opening essays centre on her bold self-fashioning as a writer, while the second section focuses on the domestic complexities of laissez-faire liberalism in her economic and social vision. Finally, the volume analyses her provocative writings on race, Empire and history – from Atlantic slavery to the Indian Mutiny – demonstrating the international breadth and impact of a remarkable career.

The concept of gender continues to be a central issue in literary and cultural studies, with a significance that crosses disciplinary boundaries and provokes lively debate. In this fully revised and updated second edition, David Glover and Cora Kaplan offer a lucid and illuminating introduction to ’gender’ and its implications, including: an overview of the critical language and concepts surrounding gender from their historical inception to contemporary debates discussions of the major theorists in the field updated and extended coverage of lesbian and queer theory a new glossary of terms essential to an understanding of the debate on gender in contemporary theory. With its impressive breadth and depth of coverage, this volume offers not only a comprehensive history of this complex term, but also indicates its ongoing presence in literary and cultural theory and the new directions it is taking.

The concept of gender continues to be a central issue in literary and cultural studies, with a significance that crosses disciplinary boundaries and provokes lively debate. In this fully revised and updated second edition, David Glover and Cora Kaplan offer a lucid and illuminating introduction to ’gender’ and its implications, including: an overview of the critical language and concepts surrounding gender from their historical inception to contemporary debates discussions of the major theorists in the field updated and extended coverage of lesbian and queer theory a new glossary of terms essential to an understanding of the debate on gender in contemporary theory. With its impressive breadth and depth of coverage, this volume offers not only a comprehensive history of this complex term, but also indicates its ongoing presence in literary and cultural theory and the new directions it is taking.

The essays brought together in this book span the last quarter century of Cora Kaplan’s imaginative thinking and writing about the interrelated questions of gender, race, class and empire. They include work on feminism’s cultural politics, women’s writing on race and empire in Britain in the long nineteenth century, the reimagining of gender in modern crime writing and popular film, and the political/personal work of memoir. Linked by an historical approach to literary and cultural works, all these pieces pay keen attention to the busy crossroads of wider political, social and cultural traffic at the time of a work’s first appearance. These essays chart the changing agendas in contemporary literary studies with particular reference to the shifting profile of modern feminism, postcolonial history and theory, and the increasingly rapid circulation of narrative tropes across a variety of new and traditional media sites and settings.

The essays brought together in this book span the last quarter century of Cora Kaplan’s imaginative thinking and writing about the interrelated questions of gender, race, class and empire. They include work on feminism’s cultural politics, women’s writing on race and empire in Britain in the long nineteenth century, the reimagining of gender in modern crime writing and popular film, and the political/personal work of memoir. Linked by an historical approach to literary and cultural works, all these pieces pay keen attention to the busy crossroads of wider political, social and cultural traffic at the time of a work’s first appearance. These essays chart the changing agendas in contemporary literary studies with particular reference to the shifting profile of modern feminism, postcolonial history and theory, and the increasingly rapid circulation of narrative tropes across a variety of new and traditional media sites and settings.

The essays brought together in this book span the last quarter century of Cora Kaplan’s imaginative thinking and writing about the interrelated questions of gender, race, class and empire. They include work on feminism’s cultural politics, women’s writing on race and empire in Britain in the long nineteenth century, the reimagining of gender in modern crime writing and popular film, and the political/personal work of memoir. Linked by an historical approach to literary and cultural works, all these pieces pay keen attention to the busy crossroads of wider political, social and cultural traffic at the time of a work’s first appearance. These essays chart the changing agendas in contemporary literary studies with particular reference to the shifting profile of modern feminism, postcolonial history and theory, and the increasingly rapid circulation of narrative tropes across a variety of new and traditional media sites and settings.