Craig J. Saper – författare
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4 produkter
4 produkter
597 kr
Skickas inom 10-15 vardagar
Artificial Mythologies was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Cultural critics teach us that myths are artificial. Cultural innovators use the artificial to make something new. In this exhilarating guide, Craig J. Saper takes us on an eye-opening tour of the process of cultural invention-willfully entertaining foolish, absurd, even fake, solutions as a way of reaching new perspectives on cultural problems. Saper deploys this method to reveal unsuspected connections among major cultural issues, such as urban decay, the dangers of television's power, family values, and conservative criticism of higher education.The model Saper uses builds on the later works of the revered French cultural critic Roland Barthes. These works, Saper argues, suggest poignant, playful, and productive ways of engaging dominant methodologies and mythologies. Artificial Mythologies shows us how, by allowing the artificial-our received ideas, common responses, and cultural mythologies-full play, we can arrive at provocative new solutions. The book demonstrates that the very conceptions of media and sociocultural issues that stymie innovation can be made to serve the cause of invention.Craig J. Saper is assistant professor in the Department of English at the University of Pennsylvania.
295 kr
Skickas inom 5-8 vardagar
Outlines an exciting new approach to this confluence of art, media, and poetry.The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems-money, logos, corporate names, stamps-to create intimate situations among the participants. In Saper’s analysis, the pleasures that these aesthetic situations afford include shared special knowledge or new language among small groups of participants. Functioning as artworks in themselves, these temporary institutional structures-networks, publications, and collective works-give rise to a gift-exchange community as an alternative economy and social system. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus’s Max Bill to Anna Freud Banana. Networked Art is an essential guide to the digital artists and networks of the emerging future.
1 311 kr
Skickas inom 7-10 vardagar
Auteur Publishers relocates authorial intention from the lone writer's vision to the publishers' arts and artisanal craft. Using the notion of auteurism, initially developed by Francois Truffaut to reframe authorship away from a script writer to a director's creative vision, this book looks at auteur-publishers working from the 1890s through to the present. These small independent book publishers acquired, designed and sometimes printed the books they published. Presses including William Morris with Way & Williams, Nancy Cunard's Hours Press, Kathleen Tankersley Young's The Modern Editions Press and Dick Higgin's Something Else Press played crucial roles in modern art and literary movements. Motivated by their idiosyncratic literary and aesthetic values, they cultivated publishing practices and, in retrospect, provide a lineage for publishers today: presses like Information As Material; Punctum Books; Siglio; Sublunary and Roving Eye Press are a few examples of the hundreds of small presses continuing the small press tradition.
1 672 kr
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Critical facsimile edition making crucial modernist texts available for the first time since 1931 Restores a rare but highly influential modernist anthology to print in a new critical facsimile editionProvides extensive scholarly commentary, analyses, and newly discovered biographical information, setting the anthology in its broader cultural contextOffers the first collection of avant-garde writing designed to be read on a ‘reading machine’ invented by the American expatriate poet Bob BrownIncludes both Craig Saper's new Introduction and a separate chapter on the Contributors and their readies. Saper is the leading scholar of Bob Brown's work as well as an important scholar of experimental writing, media, publishing, and artThis new edition of Bob Brown's groundbreaking collection of modernist writing experiments has been out of print since 1931, when Brown's Roving Eye Press originally published it. Only a few copies exist in archives today. The contributors include major modernist writers such as Gertrude Stein, William Carlos Williams, F. T. Marinetti, Eugène Jolas and Ezra Pound, key social realists like Kay Boyle and James T. Farrell and daring queer novelists and artists including Charles Henri Ford and Sidney Hunt. Providing extensive scholarly commentary, analyses and newly discovered biographical information, this book sets the anthology in its broader cultural context. This is an essential resource for those interested in print and book history, the politics and culture of the expatriate avant-garde and the reading machine's impact on reading, writing and literacy.