Craig Morgan Teicher - Böcker

With his New Directions debut in 1938, the twenty-five-year-old Delmore Schwartz was hailed as a genius and among the most promising writers of his generation. Yet he died in relative obscurity in 1966, wracked by mental illness and substance abuse. Sadly, his literary legacy has been overshadowed by the story of his tragic life.Among poets, Schwartz was a prototype for the confessional movement made famous by his slightly younger friends Robert Lowell and John Berryman. While his stories and novellas about Jewish American experience laid the groundwork for novels by Saul Bellow (whose Humboldt’s Gift is based on Schwartz’s life) and Philip Roth.Much of Schwartz’s writing has been out of print for decades. This volume aims to restore Schwartz to his proper place in the canon of American literature and give new readers access to the breadth of his achievement. Included are selections from the in-print stories and poems, as well as excerpts from his long unavailable epic poem Genesis, a never-completed book-length work on T. S. Eliot, and unpublished poems from his archives.

"The brilliance of these poems is how they renovate not only poetry but language, without pretense, without the declaration of war, without summoning the ghost of Shakespeare in any but the most charming ways. I could live in the mind of these poems and never want to leave." --D.A. Powell "With these refreshingly human, formal, playful, and heart-wrenching poems, Teicher not only proves that form may be adapted to fit a contemporary idiom, but that he's built his own 'Life Studies' within the confessional tradition, one which pushes against his predecessors' self-aware and often selfish use of confession, successfully re-enervating the sense of a real life behind the voice." --The Rumpus One of Coldfront's Top Ten Poetry Books of 2012, To Keep Love Blurry, "open[s] a world of poems that ask obsessive questions of choice and consequence. These are poems of an interior that reimagines the past, pays tribute to predecessors, and above all, values frankness above artifice...The poems are severe in their honesty, which makes them riveting."--Coldfront To Keep Love Blurry is about the charged and troubled spaces between intimately connected people: husbands and wives, parents and children, writers and readers. These poems include sonnets, villanelles, and long poems, as well as two poetic prose pieces, tracing how a son becomes a husband and then a father. Robert Lowell is a constant figure throughout the book, which borrows its four-part structure from that poet's seminal Life Studies. Craig Morgan Teicher won the Colorado Prize for Poetry. He is poetry reviews editor for Publishers Weekly magazine and served as vice president on the board of the National Book Critics Circle.

At once an extension of and a departure from his previous explorations of family and art, Craig Morgan Teicher's The Trembling Answers delves boldly into the tangled realms of fatherhood, marriage, and poetry. Dealing with the day-to-day of family life--including the alert anxiety and remarkable beauty of caring for a child with severe cerebral palsy--these personal narratives brightly illuminate the relationship that exists between poetry and a life fiercely lived. Video Baby Monitor A watched pot never boils, so perhaps a son on a screen never dies. Like the eyes of a painting this image follows wherever we move. Surveillance is love, love is every moment the last. Barely moving picture, memory of now, sleep, be still, be safe. Night is long, life short. I cover you with my eyes. Craig Morgan Teicher: is the author of four books of poetry and fiction and the editor of Once and For All: The Best of Delmore Schwartz (2016). A prolific critic and reviewer of poetry, he has worked at Publishers Weekly for 10 years, where he is currently Director of Digital Operations. He teaches at New York University and Princeton University.

Lenore Marshall Poetry Prize-winning poet and nationally recognized literary critic Craig Morgan Teicher’s Welcome to Sonnetville, New Jersey is a poetry collection about entering middle age, raising a young family, sustaining a marriage, and taking care of a severely disabled child. Built around two sequences of sonnets, and interrupted by two sets of lyric poems, a set of prose poems, and a long poem about death, the book narrates a family’s move to the suburbs and their coming to terms with the ghosts of the past and with hard-to-hold hopes for the future.

Lenore Marshall Poetry Prize-winning poet and nationally recognized literary critic Craig Morgan Teicher’s Welcome to Sonnetville, New Jersey is a poetry collection about entering middle age, raising a young family, sustaining a marriage, and taking care of a severely disabled child. Built around two sequences of sonnets, and interrupted by two sets of lyric poems, a set of prose poems, and a long poem about death, the book narrates a family’s move to the suburbs and their coming to terms with the ghosts of the past and with hard-to-hold hopes for the future.

A baby that keeps losing its brain, a cow in a wedding gown, a woman whose chest is a radio — bizarre and whimsical figures populate this collection of dreamlike prose poems from Russell Edson (1935-2014), with a Foreword by Pulitzer Prize winner Charles Simic.A seminal voice in American prose poetry from the sixties onward, Edson’s whole career is surveyed in a single volume edited for our times, presenting a new and contemporary view of a poet of startling imagination and strangeness. Craig Morgan Teicher calls us to witness Edson’s obsessions with the curious, the absurd, and the peculiar, and the ways in which they can haunt our daily lives. The prose poems in this collection mold our everyday into something extraordinary and unsettling. Edson’s poems are surreal fables in which his characters experience all that life throws at them— marriage, parenthood, technological advances, aging, dying, the afterlife— through irreverent dialogue and vivid imagery in turns both humorous and grotesque. Russell Edson is a vital and ever-contemporary poet with a unique moral and comedic vision, whose literary career quietly yet definitively shaped the prose poetry subgenre as we know it now.

August, September, October is a deep, vulnerable meditation on fatherhood, time passing, and survival in a world reshaped by crisis. In two long, diaristic poems and a constellation of lyrical reflections that accrue into a day book of sorts, this collection traces the daily experiences of a poet—someone very much, though not exactly, like Craig Morgan Teicher—through the emotional and existential terrain of caregiving during the COVID-19 lockdown.In the title poem, “August September October,” the speaker tends to his medically fragile son during a harrowing stretch of illness and hospitalization while pondering the deathbed book of Irish poet Ciaran Carson. The second extended poem, "Midsummer Days,” takes off from Bernadette Mayer’s classic Midwinter Day, following the speaker as he fails to write a memoir and climbs his way back to poetry and toward faith in a world overwhelmed by upheaval. Surrounding these central poems are shorter poems that meditate on grim games, the music of Sonny Rollins, memories of being a young writer, the tyranny of TV screens, and the insane politics of our time. August, September, October offers a profoundly human snapshot of a family navigating disability, grief, and fleeting hope, all while trying to keep the imagination alive in an age of catastrophe.