D. Christopher Gabbard – författare

Care and Disability is an edited collection offering critical perspectives on representations of care and disability, by emerging and established scholars across multiple periods, regions, and genres of literary studies.The authors demonstrate the range of fields in which care ethics can elucidate alternative cultural and social dynamics, including Indigenous, African American, and Asian texts, and historical eras that predate the modern medical profession. This collection is committed to drawing out the changing racial, gendered, classed, and sexual elements of care, emphasizing how care communities develop as alternatives to the heteronormative couple and the nuclear family. Drawing from the care ethics and disability theory, the work in this volume demonstrates the possibilities inherent in this new cutting-edge field.It will be of interest to all scholars and students of disability studies, care ethics, sociology, narrative medicine, Romanticism, eighteenth-century studies, transatlantic nineteenth-century studies, film, and contemporary race studies.

Care and Disability is an edited collection offering critical perspectives on representations of care and disability, by emerging and established scholars across multiple periods, regions, and genres of literary studies.The authors demonstrate the range of fields in which care ethics can elucidate alternative cultural and social dynamics, including Indigenous, African American, and Asian texts, and historical eras that predate the modern medical profession. This collection is committed to drawing out the changing racial, gendered, classed, and sexual elements of care, emphasizing how care communities develop as alternatives to the heteronormative couple and the nuclear family. Drawing from the care ethics and disability theory, the work in this volume demonstrates the possibilities inherent in this new cutting-edge field.It will be of interest to all scholars and students of disability studies, care ethics, sociology, narrative medicine, Romanticism, eighteenth-century studies, transatlantic nineteenth-century studies, film, and contemporary race studies.

18th century philosopher Edmund Burke wrote, ‘deformity is opposed, not to beauty, but to the complete, common form. If one of the legs of a man be found shorter than the other, the man is deformed; because there is something wanting to complete the whole idea we form of a man’. During the long 18th century, new ideas from aesthetics and the emerging scientific disciplines of physics, biology and zoology contributed to changing fundamental notions about human form, function and ability. The interrelated concepts of the natural and the beautiful coalesced into a hegemonic ideology of form, one which defined communal standards regarding which aspects of human appearance and ability would be considered typical and socially acceptable and which would not.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Eighteenth Century explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.