Susannah B. Mintz - Böcker

Love Affair in the Garden of Milton interweaves the private story of a marriage coming apart with readings of John Milton's poetry and prose. Connected essays chart the chaos of loss and the discovery of how a writer can inhabit our emotional as well as our intellectual selves. Inflected by the principles of mindfulness, Susannah B. Mintz's memoir explores how we reconstruct ourselves and find our way back to meaning in the aftermath of trauma.Formally inventive and engaging dynamic philosophical ideas, Love Affair in the Garden of Milton raises questions of forgiveness, desire, identity, grief, and the counterintuitive relevance of literary tradition. This lyric memoir offers readers a sense of partnership, with the author and Milton as companionable guides through the wilds of love and loss.

The first critical study of personal narrative by women with disabilities, ""Unruly Bodies"" examines how contemporary writers use life writing to challenge cultural stereotypes about disability, gender, embodiment, and identity. Combining the analyses of disability and feminist theories, Susannah Mintz discusses the work of eight American autobiographers: Nancy Mairs, Lucy Grealy, Georgina Kleege, Connie Panzarino, Eli Clare, Anne Finger, Denise Sherer Jacobson, and May Sarton. Mintz shows that by refusing inspirational rhetoric or triumph-over-adversity narrative patterns, these authors insist on their disabilities as a core - but not diminishing - aspect of identity. They offer candid portrayals of shame and painful medical procedures, struggles for the right to work or to parent, the inventive joys of disabled sex, the support and the hostility of family, and the losses and rewards of aging. Mintz demonstrates how these unconventional stories challenge feminist idealizations of independence and self-control and expand the parameters of what counts as a life worthy of both narration and political activism. ""Unruly Bodies"" also suggests that atypical life stories can redefine the relation between embodiment and identity generally.

18th century philosopher Edmund Burke wrote, ‘deformity is opposed, not to beauty, but to the complete, common form. If one of the legs of a man be found shorter than the other, the man is deformed; because there is something wanting to complete the whole idea we form of a man’. During the long 18th century, new ideas from aesthetics and the emerging scientific disciplines of physics, biology and zoology contributed to changing fundamental notions about human form, function and ability. The interrelated concepts of the natural and the beautiful coalesced into a hegemonic ideology of form, one which defined communal standards regarding which aspects of human appearance and ability would be considered typical and socially acceptable and which would not.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Eighteenth Century explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

The first book of its kind, The Disabled Detective explores representations of disability in crime fiction, from the earliest days of the genre to contemporary television drama. Susannah B. Mintz examines detective heroes with such conditions as blindness, deafness, paralysis, Asperger’s, obsessive compulsive disorder, addiction, war trauma and many other impairments. Examining a wide range of texts, from Arthur Conan Doyle’s Sherlock Holmes stories and the works of Agatha Christie to contemporary crime writers such as Jeffrey Deaver and Michael Collins and television dramas such as Monk, this book highlights how often characters with disabilities have been the heroes of crime fiction and how rarely this has been discussed in contemporary criticism.

18th century philosopher Edmund Burke wrote, ‘deformity is opposed, not to beauty, but to the complete, common form. If one of the legs of a man be found shorter than the other, the man is deformed; because there is something wanting to complete the whole idea we form of a man’. During the long 18th century, new ideas from aesthetics and the emerging scientific disciplines of physics, biology and zoology contributed to changing fundamental notions about human form, function and ability. The interrelated concepts of the natural and the beautiful coalesced into a hegemonic ideology of form, one which defined communal standards regarding which aspects of human appearance and ability would be considered typical and socially acceptable and which would not.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Eighteenth Century explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

Hurt and Pain: Literature and the Suffering Body examines the strategies authors have used to portray bodies in pain, drawing on a diverse range of literary texts from the seventeenth century to the present day. Susannah B. Mintz provides readings of canonical writers including John Donne, Emily Dickinson, and Samuel Beckett, alongside contemporary writers such as Ana Castillo and Margaret Edson, focusing on how pain is shaped according to the conventions—and also experiments—of genre: poetry, memoir, drama, and fiction. With insights from disability theory and recent studies of the language of pain, Mintz delivers an important corrective to our most basic fears of physical suffering, revealing through literature that pain can be a source of connection, compassion, artistry, and knowledge. Not only an important investigation of authors’ formal and rhetorical choices, Hurt and Pain reveals how capturing pain in literature can become a fundamental component of crafting human experience.

The first book of its kind, The Disabled Detective explores representations of disability in crime fiction, from the earliest days of the genre to contemporary television drama. Susannah B. Mintz examines detective heroes with such conditions as blindness, deafness, paralysis, Asperger’s, obsessive compulsive disorder, addiction, war trauma and many other impairments. Examining a wide range of texts, from Arthur Conan Doyle’s Sherlock Holmes stories and the works of Agatha Christie to contemporary crime writers such as Jeffrey Deaver and Michael Collins and television dramas such as Monk, this book highlights how often characters with disabilities have been the heroes of crime fiction and how rarely this has been discussed in contemporary criticism.

Hurt and Pain: Literature and the Suffering Body examines the strategies authors have used to portray bodies in pain, drawing on a diverse range of literary texts from the seventeenth century to the present day. Susannah B. Mintz provides readings of canonical writers including John Donne, Emily Dickinson, and Samuel Beckett, alongside contemporary writers such as Ana Castillo and Margaret Edson, focusing on how pain is shaped according to the conventions—and also experiments—of genre: poetry, memoir, drama, and fiction. With insights from disability theory and recent studies of the language of pain, Mintz delivers an important corrective to our most basic fears of physical suffering, revealing through literature that pain can be a source of connection, compassion, artistry, and knowledge. Not only an important investigation of authors’ formal and rhetorical choices, Hurt and Pain reveals how capturing pain in literature can become a fundamental component of crafting human experience.

Threshold Poetics: Milton and Intersubjectivity is a study of the challenge intersubjective experience poses to doctrinal formulations of difference. Focusing on Paradise Lost and Samson Agonistes and using feminist and relational psychoanalytic theory, the project examines representations of looking, working, eating, conversing, and touching, to argue that encounters between selves in 'threshold space' dismantle the binary oppositions that support categorical thinking. A key term throughout the study is recognition, defined as the capacity to tolerate both sameness and difference between separate selves. Recognition of likeness-in-difference thus undermines the exclusionary logic of patriarchal and political hierarchies. Both Eve and Dalila demonstrate the ability to respect the borders of the other while seeking out similarity, but where Paradise Lost depicts the eventual achievement of intersubjective understanding between Adam and Eve after the fall, Samson Agonistes records its failure when Samson, maintaining the boundaries of difference, refuses Dalila's effort to make contact.

Hypochondria proposes a bold reimagining of a frequently dismissed condition. Susannah B. Mintz reframes health anxiety not as a pathology but as a site of creative potential – exploring hypochondria as a form of communication, a reorientation to time, a convergence of personal and communal identity, a declaration of bodymind needs and an embrace of ageing’s transformations. Far-ranging in its attention to historical periods, national literatures, philosophical thought and medical discourse, the book challenges the containment of suffering within narratives of professional authority. In doing so, it seeks to dispel shame and stigma, opening space for new forms of connection and understanding through a deeper attentiveness to the experience of illness.