D. Wallace – författare

This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.

The historical novel has been one of the most important forms of women's reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.

This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.

The historical novel has been one of the most important forms of women''s reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers'' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.

What happens when two women love the same man? This is the first book to examine female rivalry as a distinctive theme in women''s fiction and to analyze the female-identified erotic triangle, where two women are rivals for the same man, as a narrative pattern which has a special resonance for inter-war women writers. Focusing on five key writers, Diana Wallace offers a reconsideration of inter-war women''s writing and an examination of the links and rivalries between women writers themselves.

What happens when two women love the same man? This is the first book to examine female rivalry as a distinctive theme in women's fiction and to analyze the female-identified erotic triangle, where two women are rivals for the same man, as a narrative pattern which has a special resonance for inter-war women writers. Focusing on five key writers, Diana Wallace offers a reconsideration of inter-war women's writing and an examination of the links and rivalries between women writers themselves.

This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.

The historical novel has been one of the most important forms of women's reading and writing in the twentieth century, yet it has been consistently under-rated and critically neglected. In the first major study of British women writers' use of the genre, Diana Wallace tracks its development across the century. She combines a comprehensive survey with detailed readings of key writers, including Naomi Mitchison, Georgette Heyer, Sylvia Townsend Warner, Margaret Irwin, Jean Plaidy, Mary Renault, Philippa Gregory and Pat Barker.