Edgar Allen Poe – författare

The most consistent of all series in terms of language control, length, and quality of story.David R. Hill, Director of the Edinburgh Project on Extensive Reading.

Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism.McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.

Although best known for his tales, Edgar Allan Poe himself thirsted for fame primarily as a poet. This volume, assembled by the eminent Poe scholar Thomas Ollive Mabbott, is the single most authoritative edition of Poe's poems ever published: 101 poems and their variants, including such gems as "The Raven," "The Bells," and "Annabel Lee," as well as previously uncollected poems, fragments, verses he published in reviews he wrote, and poems attributed to him.In this exhaustive collection, Mabbott takes a fresh look at these texts, aiming "to present what [Poe] wrote, to explain why he wrote it, to tell what he meant when he wrote it (if that be in any way obscure), and to give a history of its publication." Containing the definitive poems as well as pertinent biographical background, full annotations, and a meticulous enumeration of successive texts and variants, Mabbott's edition stands as a firm foundation for Poe scholarship as well as for more general appreciation.

Esteemed as a literary critic and poet, Edgar Allan Poe was most highly acclaimed for his tales and sketches. He transformed the short story from anecdote to art, virtually created the detective story, and perfected the psychological thriller. This volume is the first of two, edited by the consummate Poe scholar Thomas Ollive Mabbott, collecting all the tales of this master of the uncanny, the unnerving, and the terrifying.  Poe's stories reflect his professed method of "writing as if the author were firmly impressed with the truth, yet astonished at the immensity of the wonders he related." Marrying grotesque inventiveness with superb plot construction, Poe's strikingly original tales often use only one main character and one main incident. In many of them, horror and suspense, revenge and torture, are laced with hilarious satire. Each volume is enriched with Mabbott's detailed and authoritative notes on sources, the history and collation of all known texts authorized by Poe, and variants of Poe's "final" version.  Volume 1 includes Poe's earliest parodies, beginning in 1831, and gathers his gothic tales written through 1842. The stories collected in this volume include "Ms. Found in a Bottle," the horrific "Berenice," "Ligeia" (which Poe considered his finest tale), "The Murders in the Rue Morgue," and one of his most famous stories, "The Fall of the House of Usher."  Promising spine-tingling delights and sleepless nights, this annotated edition of Tales and Sketches is a treasure trove for scholars and general readers alike, confirming Poe's status as one of literary art's "most brilliant but erratic stars."

Esteemed as a literary critic and poet, Edgar Allan Poe was most highly acclaimed for his tales and sketches. He transformed the short story from anecdote to art, virtually created the detective story, and perfected the psychological thriller. This volume is the second of two, edited by the consummate Poe scholar Thomas Ollive Mabbott, collecting all the tales of this master of the uncanny, the unnerving, and the terrifying.  Poe's stories reflect his professed method of "writing as if the author were firmly impressed with the truth, yet astonished at the immensity of the wonders he related." Marrying grotesque inventiveness with superb plot construction, Poe's strikingly original tales often use only one main character and one main incident. In many of them, horror and suspense, revenge and torture, are laced with hilarious satire. Each volume is enriched with Mabbott's detailed and authoritative notes on sources, the history and collation of all known texts authorized by Poe, and variants of Poe's "final" version.  Volume 2 contains stories written between 1843 and Poe's death, including "The Tell-Tale Heart," "The Purloined Letter," and "The Cask of Amontillado."  Promising spine-tingling delights and sleepless nights, this annotated edition of Tales and Sketches is a treasure trove for scholars and general readers alike, confirming Poe's status as one of literary art's "most brilliant but erratic stars."

Although best known for his tales, Edgar Allan Poe himself thirsted for fame primarily as a poet. This volume, assembled by the eminent Poe scholar Thomas Ollive Mabbott, is the single most authoritative edition of Poe's poems ever published: 101 poems and their variants, including such gems as "The Raven," "The Bells," and "Annabel Lee," as well as previously uncollected poems, fragments, verses he published in reviews he wrote, and poems attributed to him.In this exhaustive collection, Mabbott takes a fresh look at these texts, aiming "to present what [Poe] wrote, to explain why he wrote it, to tell what he meant when he wrote it (if that be in any way obscure), and to give a history of its publication." Containing the definitive poems as well as pertinent biographical background, full annotations, and a meticulous enumeration of successive texts and variants, Mabbott's edition stands as a firm foundation for Poe scholarship as well as for more general appreciation.