Dana Becker – författare

The wear and tear of American life has been a topic of public concern ever since the mid-nineteenth century when middle-class men faced pressures to succeed in a newly industrialized society. But although stress is often associated with conditions over which people have little control--workplace policies unfavorable to family life, increasing economic inequality, war in the age of terrorism--the stress concept focuses most of our attention on the ways individuals react to stress. Several decades ago when the stress concept began to gain popularity, it would have been inconceivable that in only a matter of decades we'd be applying it to such divergent conditions as a soldier's nighttime terrors and a manager's tense work day. In this book, Becker argues that our national infatuation with neurobiology and our immersion in the therapeutic culture have created a middle-class moral imperative to manage the tensions of daily life by boosting our coping abilities, our self-esteem or our immune systems, turning our gaze inward and obscuring our view of the social and political conditions that underlie those tensions. The stress concept has come of age in a period of tectonic social and political shifts. Nonetheless, we persist in the all-American belief that we can meet these changes by re-engineering ourselves. Analyzing and interpreting both research and popular representations of stress in cultural terms, Becker follows the evolution of the social uses of the stress concept as it has been transformed into an important vehicle for defining, expressing and containing middle-class anxieties about upheavals in American society.

Stress. Everyone is talking about it, suffering from it, trying desperately to manage it-now more than ever. From 1970 to 1980, 2,326 academic articles appeared with the word "stress" in the title. In the decade between 2000 and 2010 that number jumped to 21,750. Has life become ten times more stressful, or is it the stress concept itself that has grown exponentially over the past 40 years?In One Nation Under Stress, Dana Becker argues that our national infatuation with the therapeutic culture has created a middle-class moral imperative to manage the tensions of daily life by turning inward, ignoring the social and political realities that underlie those tensions. Becker shows that although stress is often associated with conditions over which people have little control-workplace policies unfavorable to family life, increasing economic inequality, war in the age of terrorism-the stress concept focuses most of our attention on how individuals react to stress. A proliferation of self-help books and dire medical warnings about the negative effects of stress on our physical and emotional health all place the responsibility for alleviating stress-though yoga, deep breathing, better diet, etc.-squarely on the individual. The stress concept has come of age in a period of tectonic social and political shifts. Nevertheless, we persist in the all-American belief that we can meet these changes by re-engineering ourselves rather than tackling the root causes of stress.Examining both research and popular representations of stress in cultural terms, Becker traces the evolution of the social uses of the stress concept as it has been transformed into an all-purpose vehicle for defining, expressing, and containing middle-class anxieties about upheavals in American society.

Stress. Everyone is talking about it, suffering from it, trying desperately to manage it-now more than ever. From 1970 to 1980, 2,326 academic articles appeared with the word "stress" in the title. In the decade between 2000 and 2010 that number jumped to 21,750. Has life become ten times more stressful, or is it the stress concept itself that has grown exponentially over the past 40 years?In One Nation Under Stress, Dana Becker argues that our national infatuation with the therapeutic culture has created a middle-class moral imperative to manage the tensions of daily life by turning inward, ignoring the social and political realities that underlie those tensions. Becker shows that although stress is often associated with conditions over which people have little control-workplace policies unfavorable to family life, increasing economic inequality, war in the age of terrorism-the stress concept focuses most of our attention on how individuals react to stress. A proliferation of self-help books and dire medical warnings about the negative effects of stress on our physical and emotional health all place the responsibility for alleviating stress-though yoga, deep breathing, better diet, etc.-squarely on the individual. The stress concept has come of age in a period of tectonic social and political shifts. Nevertheless, we persist in the all-American belief that we can meet these changes by re-engineering ourselves rather than tackling the root causes of stress.Examining both research and popular representations of stress in cultural terms, Becker traces the evolution of the social uses of the stress concept as it has been transformed into an all-purpose vehicle for defining, expressing, and containing middle-class anxieties about upheavals in American society.

To what extent is borderline personality disorder (BPD) a truly ?female? affliction given how women are socialized? This and other questions are addressed within the context of the historical relationship between women and madness, as well as women's often-strained relationship with the psychiatric profession.In a refreshing look at the facts behin

This book offers a comprehensive exploration of the relationship between gender, the experience of psychological distress that we currently call borderline personality disorder, and the borderline diagnosis as a classification of psychiatric disorder. It offers a new emphasis on elements of female socialization as critical to the understanding of

This book offers a comprehensive exploration of the relationship between gender, the experience of psychological distress that we currently call borderline personality disorder, and the borderline diagnosis as a classification of psychiatric disorder. It offers a new emphasis on elements of female socialization as critical to the understanding of

To what extent is borderline personality disorder (BPD) a truly ?female? affliction given how women are socialized? This and other questions are addressed within the context of the historical relationship between women and madness, as well as women's often-strained relationship with the psychiatric profession.In a refreshing look at the facts behind why a preponderance of women are diagnosed with BPD, Dana Becker provides evidence that the struggles of these ?borderline? women are extreme versions of the day-to-day struggles many women face. Examining the relationship between gender, psychological distress, and the classification of BPD as a psychiatric disorder, the author offers a new emphasis on elements of female socialization as keys to understanding the development of borderline symptoms.The book should appeal to psychotherapists in all professional groups?psychologists, psychiatrists, social workers, and other mental health professionals?as well as graduate students in these disciplines. It should also be valuable to those involved in the fields of women's studies, psychology of women, sociology, and the history of medicine.

The Myth of Empowerment surveys the ways in which women have been represented and influenced by the rapidly growing therapeutic culture—both popular and professional—from the mid-nineteenth century to the present. The middle-class woman concerned about her health and her ability to care for others in an uncertain world is not as different from her late nineteenth-century white middle-class predecessors as we might imagine. In the nineteenth century she was told that her moral virtue was her power; today, her power is said to reside in her ability to "relate" to others or to take better care of herself so that she can take care of others. Dana Becker argues that ideas like empowerment perpetuate the myth that many of the problems women have are medical rather than societal; personal rather than political.From mesmerism to psychotherapy to the Oprah Winfrey Show, women have gleaned ideas about who they are as psychological beings. Becker questions what women have had to gain from these ideas as she recounts the story of where they have been led and where the therapeutic culture is taking them.

The Myth of Empowerment surveys the ways in which women have been represented and influenced by the rapidly growing therapeutic culture—both popular and professional—from the mid-nineteenth century to the present. The middle-class woman concerned about her health and her ability to care for others in an uncertain world is not as different from her late nineteenth-century white middle-class predecessors as we might imagine. In the nineteenth century she was told that her moral virtue was her power; today, her power is said to reside in her ability to "relate" to others or to take better care of herself so that she can take care of others. Dana Becker argues that ideas like empowerment perpetuate the myth that many of the problems women have are medical rather than societal; personal rather than political.From mesmerism to psychotherapy to the Oprah Winfrey Show, women have gleaned ideas about who they are as psychological beings. Becker questions what women have had to gain from these ideas as she recounts the story of where they have been led and where the therapeutic culture is taking them.

Courageous and vulnerable, April has survived Philadelphia’s tough city streets. But when her sister disappears, April’s search will lead her to the Pennsylvania Amish countryside—where the peaceful setting belies a brand of danger all its own . . .  With a childhood shattered by alcoholism and abandonment, April learned the hard way to trust only herself and her younger sister, Rose. But suddenly, Rose is gone without a word—and April’s purpose in life is to find her. She has only one ally: Joseph Young, a handsome Amish man with whom she’s struck up an unlikely flirtation in the bakery where she works. He’s knowledgeable, steadfast—and when they join forces, April’s life takes a radical turn . . .   In the heart of Amish farm country, April and Joseph grow closer. Yet April fears there’s no future for them. Especially when vicious, too-personal warnings and strange attacks make her wonder just whom Joseph is really trying to protect. And as her unconventional investigation roils a community with much to conceal, April will find some secrets are killer—and some dreams may be too lethal to trust . . .