Daniel Dufournaud - Böcker
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In 1992, John Singleton became the first Black filmmaker, as well as the youngest, to be nominated for the Best Director award at the Oscars. In the following decade, Singleton cemented his reputation as a Hollywood auteur who could move across genres while making critically acclaimed films that share a preoccupation with the triumphs and tribulations of Black life in America. And yet, Singleton's films have received relatively little academic attention.ReFocus: The Films of John Singleton fills this scholarly vacuum. This collection of original chapters addresses Singleton's treatment of gender and racial difference, the family, urban space, and traumatic histories; it also identifies sources of inspiration in both Hollywood and world cinema, as well as draws connections between his films and the work of Black American literary figures. This collection is an invaluable resource for the future of Singleton studies.
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Failure and Ethics in Contemporary American Literature contends that failure is both a response to the social and economic conditions of neoliberalism and a site of ethical imagining where alternative modes of being and being together are proposed. Daniel Dufournaud capaciously construes failure to include performing badly, unhappiness and dysphoria, family dysfunction, and formal discontinuity. He contends that the function of failure in contemporary American literature resonates with the ethical philosophy of Emmanuel Levinas. For Levinas, the self emerges as a conscious subject only through the imposition of the Other, a preconscious sequence that installs responsibility for others at the heart of selfhood. Levinas frames the suspension of egoism and the self’s concomitant awareness of its constitutive responsibility as an ethical interruption. Similarly, this study’s primary texts treat failure as an interruption that forces the self to acknowledge its foundational sociality, an acknowledgement that contests neoliberalism’s individualist protocols.