Daniel Ehrlich – författare
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2 produkter
2 produkter
150 kr
Kommande
Cycling Myanmar, Mandalay, and the Nylon Hotel over three decades, Daniel Ehrlich opens a series of windows onto people and places held captive in time. Through beautifully crafted vignettes of coming and going, meeting and waiting, we are invited to get to know a prince among sidecar drivers, and anglophile living on the banks on the Irrawaddy, a long-haired freedom fighting musician, an octogenarian English teacher who might have been a princess, and the inventor who built a helicopter out of teak. Each story, in its own way, reflects the tragedy of a country trapped under military rule. But each contains human possibilities, fragile hope for the future, and the connections to deeper traditions in which darkness is a necessary counterpart to the light.“Ehrlich writes with warmth, insight, and a good deal of humour. This book should be required reading for all who are friends of Burma and who wish a better and free future for the Burmese people”. Richard Axelby, SOAS, University of London
317 kr
Skickas inom 7-10 vardagar
Myanmar (Burma) exists in a timewarp and since recent political changes is becoming one of the most visited countries in the world. The country is eighty-seven per cent buddhist, studded with monastries, pagodas, dirt-track roads, oxcarts and elegant villages much as they were when the West intruded little more than 100 years ago. The country is still farmed by water buffalo, and its rituals remain true to their old-Asia form. Although tourism has increased significantly in the past 12 months there are many regions still off-limits. This book, in the form of a photo essay, captures an insider's view of a fragile and mystical aspect of Burmese culture. The curtain is drawn to reveal the backstage of the Burmese theatre; a world populated by animist spirit media (nakadaws), monsters from the Ramayana Buddhist texts, princesses (minthami) and princes (mintha). We go behind the scenes to see the preparations of these performers as they travel around the towns and countryside between temporary bamboo stages constructed for all-night festivals. With contributing essays from Professor Ward Keeler and U Ohn Maung, this book is both a visual and informative testament to Burmese performing arts.