Daniel G. Williams – författare

In Wales Unchained Daniel G. Williams explores how Welsh writers, politicians and intellectuals have defined themselves – and have been defined by others – since the early twentieth century. Whether by exploring ideas of race in the 1930s or reflecting on the metaphoric uses of boxing, asking what it means to inhabit the ‘American century’ or probing the linguistic bases of cultural identity, Williams writes with a rare blend of theoretical sophistication and accessible clarity. This book discusses Rhys Davies in relation to D. H. Lawrence, explores the simultaneous impact that Dylan Thomas and saxophonist Charlie Parker had on the Beat Generation in 1950s America, and juxtaposes the uses made of class and ethnicity in the thought of Aneurin Bevan and Paul Robeson. Transatlantic in scope and comparative in method, this book will engage readers interested in literature, politics, history and contemporary cultural debate.

Williams analyses and compares the ways in which African Americans and the Welsh have defined themselves as minorities within larger nation states (the UK and US). The study is grounded in examples of actual friendships and cultural exchanges between African Americans and the Welsh, such as Paul Robeson s connections with the socialists of the Welsh mining communities, and novelist Ralph Ellison s stories about his experiences as a GI stationed in wartime Swansea. This wide ranging book draws on literary, historical, visual and musical sources to open up new avenues of research in Welsh and African American studies.

In the words of the philosopher Cornel West, Raymond Williams was ‘the last of the great European male revolutionary socialist intellectuals’. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? (2003) was the first collection of Raymond Williams’s writings on Welsh culture, literature, history and politics. It appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This new edition, marking the centenary of Williams’s birth, appears at a very different moment. After the Brexit referendum of 2016, it remains to be seen whether the writings collected in this volume document a vision of a ‘Europe of the peoples and nations’ that was never to be realised, or whether they become foundational texts in the rejuvenation and future fulfilment of that ‘Welsh-European’ vision. Raymond Williams noted that Welsh history testifies to a ‘quite extraordinary process of self-generation and regeneration, from what seemed impossible conditions.’ This Centenary edition was compiled with these words in mind.

In the words of the philosopher Cornel West, Raymond Williams was ‘the last of the great European male revolutionary socialist intellectuals’. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? (2003) was the first collection of Raymond Williams’s writings on Welsh culture, literature, history and politics. It appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This new edition, marking the centenary of Williams’s birth, appears at a very different moment. After the Brexit referendum of 2016, it remains to be seen whether the writings collected in this volume document a vision of a ‘Europe of the peoples and nations’ that was never to be realised, or whether they become foundational texts in the rejuvenation and future fulfilment of that ‘Welsh-European’ vision. Raymond Williams noted that Welsh history testifies to a ‘quite extraordinary process of self-generation and regeneration, from what seemed impossible conditions.’ This Centenary edition was compiled with these words in mind.

In the words of the philosopher Cornel West, Raymond Williams was ‘the last of the great European male revolutionary socialist intellectuals’. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? (2003) was the first collection of Raymond Williams’s writings on Welsh culture, literature, history and politics. It appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This new edition, marking the centenary of Williams’s birth, appears at a very different moment. After the Brexit referendum of 2016, it remains to be seen whether the writings collected in this volume document a vision of a ‘Europe of the peoples and nations’ that was never to be realised, or whether they become foundational texts in the rejuvenation and future fulfilment of that ‘Welsh-European’ vision. Raymond Williams noted that Welsh history testifies to a ‘quite extraordinary process of self-generation and regeneration, from what seemed impossible conditions.’ This Centenary edition was compiled with these words in mind.

An edited collection of essays, interviews, and book reviews by M. Wynn Thomas.

For more than half a century, M. Wynn Thomas has been Wales’s foremost literary critic. His ground-breaking work – on subjects ranging from Welsh Puritanism to Walt Whitman, from religious Dissent to contemporary poetry – has opened up new vistas and literary correspondences for his readers. Thomas’s writings combine a deep historical knowledge, a commitment to pluralism and a relationship to the literary text that is both sympathetic in approach and detailed in analysis.

Made up of previously unpublished and uncollected essays, interviews, and reviews on Welsh and American writers, the writings in Transatlantic Vistas engage with some of the abiding interests of Thomas’s career: Walt Whitman, Dylan Thomas, R. S. Thomas, and American authors such as Charles Bukowski, Rita Dove, Anne Stevenson and more. Including a foreword by Helen Vendler and essays by Daniel G. Williams and Kirsti Bohata, this volume celebrates M. Wynn Thomas’s immense contribution as a literary and intellectual historian, critic, translator, lecturer, institution builder, editor, broadcaster and literary executor as he enters his eightieth year.

An edited collection of essays, interviews, and book reviews by M. Wynn Thomas.

For more than half a century, M. Wynn Thomas has been Wales’s foremost literary critic. His ground-breaking work – on subjects ranging from Welsh Puritanism to Walt Whitman, from religious Dissent to contemporary poetry – has opened up new vistas and literary correspondences for his readers. Thomas’s writings combine a deep historical knowledge, a commitment to pluralism and a relationship to the literary text that is both sympathetic in approach and detailed in analysis.

Made up of previously unpublished and uncollected essays, interviews, and reviews on Welsh and American writers, the writings in Transatlantic Vistas engage with some of the abiding interests of Thomas’s career: Walt Whitman, Dylan Thomas, R. S. Thomas, and American authors such as Charles Bukowski, Rita Dove, Anne Stevenson and more. Including a foreword by Helen Vendler and essays by Daniel G. Williams and Kirsti Bohata, this volume celebrates M. Wynn Thomas’s immense contribution as a literary and intellectual historian, critic, translator, lecturer, institution builder, editor, broadcaster and literary executor as he enters his eightieth year.