M. Wynn Thomas – författare

Walt Whitman stands freshly illuminated in this powerful portrait of the poet responding to his times.Whitman’s idealistic expectations of democracy were painfully eroded by the rapidly expanding urban capitalism that, before the Civil War, increasingly threatened the economic and political power of the ordinary American. His poetry during this, his most fruitful period, became the indispensable medium allowing him to adjust to these developments. He succeeded in portraying this modern society as an invigorating natural extension of the artisanal order. After the war, however, American capitalism advanced at a pace that made it impossible for Whitman to redeem it through his poetry. His imagination defeated by realities, he invested more and more in dreams of the future, while his poetry turned to the past, Memory emerging as a central figure.In this many-sided analysis M. Wynn Thomas relates Whitman’s work to American painting of the period; examines the poet’s evocation of nature, which he sometimes saw as a challenge to man’s confidence in himself; documents the revisions and additions Whitman made to Leaves of Grass in order to demonstrate that “my Book and the War are One”; and pays sympathetic attention to the postwar poetry, usually slighted.

This volume contains essays by eight different authors, discussing the relationship between literature in Welsh and literature in English in Wales. This is the first in a series looking at the Welsh mind and imagination, edited by John Rowlands.

This biography and study covers the life and work of Anglo-Welsh poet John Ormond (1923-1990).

Although it is often thought that English language writing from Wales dates only from the twentieth century, it has an older tradition than many other national literatures. Welsh Writing in English is the first authoritative critical survey of this body of writing in its entirety, from the Middle Ages to the present day. The work of leading scholars, critics and writers in the field, it explores the many different and complex ways in which Wales has been written into existence, considering in detail writers from Henry Vaughan and John Dyer to Gillian Clarke and Christopher Meredith. Opening with a broad survey of the historical background that helped give the Anglophone literature of Wales its distinctive characteristics, Welsh Writing in English offers new readings of familiar, major writers (Dylan Thomas, R. S. Thomas, Raymond Williams, Emyr Humphreys), setting them in the context of their times and their contemporaries. It also discusses the industrial fictions of Wales, as well as reconsidering significant neglected figures, from Rhys Davies, Lynette Roberts and Geraint Goodwin to Brenda Chamberlain and John Ormond. Welsh Writing in English is a pioneering re-evaluation of a literature that appears to many to begin with Dylan Thomas and end with How Green Was My Valley. It demonstrates that Welsh identity is experienced as constantly changing, depending on how - and from where - it is viewed, and that Wales has produced a highly-varied and internationally important literature in English.

A fascinating collection of thirteen articles dealing with various aspects of the cultural relationship between Wales and the United States of America in the 20th century, in the fields of literature and architecture, music and art, language and politics, and personal recollections by renowned scholars. 9 black-and-white photographs.

This literary biography interweaves the life and writings of James Kitchener Davies, a Welsh writer whose talents encompassed poetry, drama and the essay.

This work aims at presenting Kitchener Davies as a pioneering, versatile author whose literary output continues to be of value. The selection also contains two introductory essays - the first introduces the man and his work and the second is a semi-personal view of Davis by his daughter Manon Rhys.

This volume offers a section of the most important essays published by Emyr Humphreys over a 30-year period. The essays are prefaced by a series of discusssions which explore some of the intellectual concerns and motifs that have recurred throughout Humphreys' work.

Welsh Writing in English: A Yearbook of Critical Essays is the first academic journal devoted solely to the study of the English-language writing of Wales. It is the principal forum for critical discussion of the whole chronological range of Welsh writing in English. This issue's featured writer is Dylan Thomas, whose politics are discussed in essays by Victor Golightly and Victor Paananen. James A. Davies looks at how Thomas's marriage is represented in his poetry of the 1940s, while the work of Thomas's contemporary, Vernon Watkins, is re-evaluated by the Archbishop of Canterbury, Dr Rowan Williams. Further essays look at T. J. Llewelyn Prichard's Twm Shon Catti, and R. S. Thomas's reading of William Carlos Williams and Lewis Jones. In addition, Jeremy Hooker writes on poetry and place, and the work of Alun Lewis is debated by John Pikoulis, Tony Brown and M. Wynn Thomas. This issue of Welsh Writing in English will be essential reading for anyone interested in the latest critical perspectives on the English-language literature of Wales.

Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.

The study places the work of a major religious poet of the late twentieth century in a number of striking new perspectives that allow him to be viewed for the first time as an 'alternative' war poet, a conscience-stricken pacifist, a jealously opportunistic student of art, and an experimental biographer of the modern soul. Published to mark the centenary of the ‘ogre of Wales’, this volume deals with the idées fixes that serially possessed the fiercely intense imagination of R. S. Thomas: Iago Prytherch, Wales, his family and, of course, a vexingly elusive deity. Here, these familiar obsessions are set in several unusual contexts that bring Thomas’s poetry into startling new relief. The war poetry is considered alongside the poet’s early relationship to the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of the poetry’s concerns; the intriguing ‘secret code’ of some of Thomas’s Welsh-language references is cracked; and his painting-poems (including several hitherto unpublished) are brought centre-stage from the peripheries to which they have been routinely relegated.

The study places the work of a major religious poet of the late twentieth century in a number of striking new perspectives that allow him to be viewed for the first time as an 'alternative' war poet, a conscience-stricken pacifist, a jealously opportunistic student of art, and an experimental biographer of the modern soul. Published to mark the centenary of the ‘ogre of Wales’, this volume deals with the idées fixes that serially possessed the fiercely intense imagination of R. S. Thomas: Iago Prytherch, Wales, his family and, of course, a vexingly elusive deity. Here, these familiar obsessions are set in several unusual contexts that bring Thomas’s poetry into startling new relief. The war poetry is considered alongside the poet’s early relationship to the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of the poetry’s concerns; the intriguing ‘secret code’ of some of Thomas’s Welsh-language references is cracked; and his painting-poems (including several hitherto unpublished) are brought centre-stage from the peripheries to which they have been routinely relegated.

Certain simple and stereotypical images of Wales strike an immediate chord with the public, both in Wales itself and beyond its borders. For much of the twentieth century, the country was thought of as ‘The Valleys’, a land of miners and choirs and rugby clubs. This image of a ‘Proletarian Wales’ (with its attendant Socialist politics) dominated popular imagination, just as the image of ‘Nonconformist Wales’ – a Wales of chapels and of a grimly puritan society – had gripped the imagination of the High Victorian era. But what of the Wales of the late Victorian and Edwardian decades? What image of Wales prevailed at that time of revolutionary social, economic, cultural, religious and political change? This book argues that several competing images of Welshness were put in circulation during that time, and proceeds to examine several of the most influential of these as they took the form of literary texts.

Certain simple and stereotypical images of Wales strike an immediate chord with the public, both in Wales itself and beyond its borders. For much of the twentieth century, the country was thought of as ‘The Valleys’, a land of miners and choirs and rugby clubs. This image of a ‘Proletarian Wales’ (with its attendant Socialist politics) dominated popular imagination, just as the image of ‘Nonconformist Wales’ – a Wales of chapels and of a grimly puritan society – had gripped the imagination of the High Victorian era. But what of the Wales of the late Victorian and Edwardian decades? What image of Wales prevailed at that time of revolutionary social, economic, cultural, religious and political change? This book argues that several competing images of Welshness were put in circulation during that time, and proceeds to examine several of the most influential of these as they took the form of literary texts.

Wales may be small, but culturally it is richly varied. The aim in this collection of essays on a number of English-language authors from Wales is to offer a sample of the country’s internal diversity. To that end, the author’s examined range – from the exotic Lynette Roberts (Argentinean by birth, but of Welsh descent) and the English-born Peggy Ann Whistler who opted for new, Welsh identity as ‘Margiad Evans’, to Nigel Heseltine, whose bizarre stories of the antics of the decaying squierarchy of the Welsh border country remain largely unknown, and the Utah-based poet Leslie Norris, who brings out the bicultural character of Wales in his Welsh-English translations. The result is a portrait of Wales as a ‘micro-cosmopolitan country’, and the volume is prefaced with an autobiographical essay by one of the leading specialists in the field, authoritatively tracing the steady growth over recent decades of serious, informed and sustained study of what is a major achievement of Welsh culture.

Wales may be small, but culturally it is richly varied. The aim in this collection of essays on a number of English-language authors from Wales is to offer a sample of the country’s internal diversity. To that end, the author’s examined range – from the exotic Lynette Roberts (Argentinean by birth, but of Welsh descent) and the English-born Peggy Ann Whistler who opted for new, Welsh identity as ‘Margiad Evans’, to Nigel Heseltine, whose bizarre stories of the antics of the decaying squierarchy of the Welsh border country remain largely unknown, and the Utah-based poet Leslie Norris, who brings out the bicultural character of Wales in his Welsh-English translations. The result is a portrait of Wales as a ‘micro-cosmopolitan country’, and the volume is prefaced with an autobiographical essay by one of the leading specialists in the field, authoritatively tracing the steady growth over recent decades of serious, informed and sustained study of what is a major achievement of Welsh culture.

Dyma gasgliad o ysgrifau sy’n archwilio rhai o’r dolennau cyswllt cymhleth a chyfoethog rhwng diwylliannau llên Cymraeg a llên Saesneg Cymru dros ganrif a mwy. Mae’r testunau a drafodir yn amrywio o bynciau cyffredinol (tarddiad y syniad fod y Cymry yn genedl gapelog; delweddau Cymru o Ewrop; ei hagwedd at y Taleithiau) i ddadansoddiadau manwl o weithiau unigol (Gwaed yr Uchelwyr; Ymadawiad Arthur); ac astudiaeth o awduron sydd wedi eu hanwybyddu i raddau helaeth (Pennar Davies; Alun Llywelyn-Williams).

Published to mark the centenary of his birth in 2019, this is the first comprehensive and authoritative study of the life and work (excluding only work for television) of the major Welsh writer Emyr Humphreys. During the course of a career spanning half a century, and dating back to the 1950s when he collaborated with the likes of Graham Greene, Patrick Heron, Saunders Lewis, Richard Burton, Siân Phillips and Peter O’Toole, Humphreys has published some two dozen works of fiction (including Outside the House of Baal, the greatest novel of anglophone Welsh literature) as well as highly distinctive poetry, seminal essays, and a visionary cultural history of Wales. In addition to offering a critical and interpretative survey of this remarkable, distinguished body of work, the present volume also sets Humphreys’s output in the context of the dramatic, transformative decades in recent Welsh history during which it was produced.

The Brexit debates confirmed how Wales’s relationship to Europe has for too long been discussed exclusively, narrowly and suffocatingly in terms of its social, political and economic aspects. As a contrast, this volume sets out to explore the rich, inventive and exhilarating spectrum of pro-European sentiment evident from 1848 to 1980 in the writings of Welsh intellectuals and creative writers. It ranges from the era of O. M. Edwards, through the interwar period when both right wing (Saunders Lewis) and left wing (Cyril Cule) ideologies clashed, to the post-war age when major writers such as Emyr Humphreys and Raymond Williams became influential. This study clearly demonstrates that far from being insular and parochial, Welsh culture has long been hospitably internationalist. As the very title Eutopia concedes, there have of course been frequently utopian aspects to Wales’s dreams of Europe. However, while some may choose to dismiss them as examples of mere wishful thinking, others may fruitfully appreciate their aspirational and inspirational aspects.

Down the centuries, poets have provided Wales with a window onto its own distinctive world. This book gives the general reader a sense of the view to be seen through that special window in twelve illustrated poems, each bringing very different periods and aspects of the Welsh past into focus. Together, the poems give the flavour of a poetic tradition, both ancient and modern, that is internationally renowned for its distinction, demonstrating how Wales boast one of the oldest and yet continuing vibrant poetic traditions, the former in the Welsh language and the latter in English and bilingually.

The great religious poetry of R. S. Thomas and the poetry of the former Archbishop of Canterbury Rowan Williams is rooted in a remarkable late-twentieth-century tradition of spiritual poetry in Wales that includes figures as different as Saunders Lewis and Vernon Watkins, Waldo Williams and Bobi Jones. Examining this body of work in detail, the present study demonstrates how the different theological outlooks of the poets was reflected in their choice of form, style and vocabulary, highlighting a literary culture that was highly unusual in its rejection of a prevailing secularisation in the UK, Western Europe and the USA.

Even as many in the modern world draw away from organised religion, the great hymns of our time persist: we turn to them at weddings and funerals, at rugby matches and in pubs.Bringing together twelve of Wales’s best-loved hymns, from the eighteenth to the twentieth century, Poems from the Soul reveals the heart and soul of a people’s poetry. These are the poems of ordinary folk – blacksmiths, farmers and preachers – and they played a vital role in the creation of the Welsh people.Ranging from the visionary intensity of Ann Griffiths to the striking biblical imagery of Wales’s unofficial national anthem, ‘Guide Me, O Thou Great Redeemer’, in every hymn a single, singular voice sings out, loud and strong with fear, hope, ecstasy or anxiety.With original illustrations by Ruth Jên Evans throughout, this collection offers insights into the making of a modern nation and demonstrates the transformative power of voices raised in song.

Grief faces all of us in the end. This collection explores how poets have expressed and attempted to come to some kind of understanding of this universal but often under-discussed emotion.   M. Wynn Thomas explores how each poet gives full, unbridled expression of their pain, before moving towards a resolution that places the experience of grief in a consolingly meaningful context.  Covering subjects from the loss of a loved one to the death of a language, from the medieval period to the present day, this powerful collection sheds light on the pain of loss and the search for meaning and even hope in it. To those of us walking through grief and loss, these poems offer a guiding hand.

An edited collection of essays, interviews, and book reviews by M. Wynn Thomas.For more than half a century, M. Wynn Thomas has been Wales’s foremost literary critic. His ground-breaking work – on subjects ranging from Welsh Puritanism to Walt Whitman, from religious Dissent to contemporary poetry – has opened up new vistas and literary correspondences for his readers. Thomas’s writings combine a deep historical knowledge, a commitment to pluralism and a relationship to the literary text that is both sympathetic in approach and detailed in analysis.Made up of previously unpublished and uncollected essays, interviews, and reviews on Welsh and American writers, the writings in Transatlantic Vistas engage with some of the abiding interests of Thomas’s career: Walt Whitman, Dylan Thomas, R. S. Thomas, and American authors such as Charles Bukowski, Rita Dove, Anne Stevenson and more. Including a foreword by Helen Vendler and essays by Daniel G. Williams and Kirsti Bohata, this volume celebrates M. Wynn Thomas’s immense contribution as a literary and intellectual historian, critic, translator, lecturer, institution builder, editor, broadcaster and literary executor as he enters his eightieth year.

This study ranges R. S. Thomas’s career, and includes a study of unpublished early notebooks; a comparison of his Manafon poems with a contemporary sociological account of a similar region; reflections on his interest in Native American history; an exploration of his poetic relationship with Geoffrey Hill; and a survey of his enduring image in Welsh poetic culture. One of the book’s recurrent themes is Thomas’s role as cultural warrior representing a marginalised nation – a crucial aspect often overlooked, not least because readers may lack the relevant historical, cultural and political context to appreciate it. With a consideration of his influence on one major Welsh contemporary religious poet, the volume concludes with a reflection on the revealing light thrown on his poetry by Thomas’s lifelong interest in Miguel de Unamuno’s The Tragic Sense of Life.