Daniel Vitkus - Böcker

During the sixteenth and seventeenth centuries, the Ottoman empire posed a clear and present danger to Christian rule in Europe. While English commerce with the Mediterranean world expanded, Ottoman forces invaded Greece, Hungary, and Austria. At the same time, "Turkish" pirates and renegades from North Africa roamed the Atlantic and raided the coast of England. The threat was ideological as well: English sailors captured by Barbary pirates sometimes renounced their faith and converted to Islam. Here, three important early modern "Turk" plays-Robert Greene's Selimus, Emperor of the Turks (1594); Robert Daborne's A Christian Turned Turk (1612); and Philip Massinger's The Renegado (1623)-are available for the first time. These texts represent Islamic power and wealth in scenes of piracy on the high seas, on-stage execution by strangulation, and rites of religious conversion. The plays are set in historical and cultural context by Daniel J. Vitkus's clear and thoughtful introduction. These carefully edited, annotated, modern-spelling editions are particularly valuable for understanding the cultural production of English identity in relation to the Islamic Other.

During the sixteenth and seventeenth centuries, the Ottoman empire posed a clear and present danger to Christian rule in Europe. While English commerce with the Mediterranean world expanded, Ottoman forces invaded Greece, Hungary, and Austria. At the same time, "Turkish" pirates and renegades from North Africa roamed the Atlantic and raided the coast of England. The threat was ideological as well: English sailors captured by Barbary pirates sometimes renounced their faith and converted to Islam. Here, three important early modern "Turk" plays-Robert Greene's Selimus, Emperor of the Turks (1594); Robert Daborne's A Christian Turned Turk (1612); and Philip Massinger's The Renegado (1623)-are available for the first time. These texts represent Islamic power and wealth in scenes of piracy on the high seas, on-stage execution by strangulation, and rites of religious conversion. The plays are set in historical and cultural context by Daniel J. Vitkus's clear and thoughtful introduction. These carefully edited, annotated, modern-spelling editions are particularly valuable for understanding the cultural production of English identity in relation to the Islamic Other.

These narratives recount the harrowing experiences of Englishmen abducted by the Barbary pirates of North Africa. After being sold into slavery, the narrators succeeded in returning to their homeland where their stories were printed. Never before available in a modern, annotated edition, these tales describe combat at sea, extraordinary escapes, and religious conversion, but they also illustrate the power, prosperity, and piety of Muslims in the early modern Mediterranean. Each narrative is preceded by a brief introduction, and Nabil Matar's genera introduction provides important new information about the historical context of captivity and slavery in North Africa.

These narratives recount the harrowing experiences of Englishmen abducted by the Barbary pirates of North Africa. After being sold into slavery, the narrators succeeded in returning to their homeland where their stories were printed. Never before available in a modern, annotated edition, these tales describe combat at sea, extraordinary escapes, and religious conversion, but they also illustrate the power, prosperity, and piety of Muslims in the early modern Mediterranean. Each narrative is preceded by a brief introduction, and Nabil Matar's genera introduction provides important new information about the historical context of captivity and slavery in North Africa.