David George Haskell – författare

An awe-inspiring exploration of the sounds of the living Earth, and the joys and threats of human music, language and noise. 'A symphony, filled with the music of life . . . fascinating, heartbreaking, and beautifully written.'ELIZABETH KOLBERT, author of The Sixth Extinction'Sounds Wild and Broken affirms Haskell as a laureate for the earth, his finely tuned scientific observations made more potent by his deep love for the wild he hopes to save.'NEW YORK TIMES'Wonderful . . . a reminder that the narrow aural spectrum on which most of us operate, and the ways in which human life is led, blocks out the planet's great, orchestral richness.'GUARDIANWe live on a planet alive with song, music, and speech. David George Haskell explores how these wonders came to be. In rainforests shimmering with insect sounds and swamps pulsing with frog calls we learn about evolution's creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animals and their movements around the world, and the quirks of aesthetic evolution.Starting with the origins of animal song and traversing the whole arc of Earth's history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets to show that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, less beautiful.Sounds Wild and Broken is an invitation to listen, wonder, act.'Absolutely fascinating.'MARIELLA FROSTRUP, TIMES RADIO'Enlightening and sobering.'JINI REDDY, METRO

Beginning with an ascent of a 200-foot-tall Douglas-fir with a bird biologist, author Marina Richie leads us from her home in Central Oregon into the ancient forests of Cascadia, a bioregion which rivals the Amazonian rainforest in significance for climate and biodiversity. Birds are guides to intricate and imperiled communities thriving at every level, from understory to midstory to overstory. They steer us to cool havens within multilayered, centuries-old groves that are critical refugia in a time of climate crisis. Their songs and flights show us what we must protect for the future of threatened birds, forests, and humankind.

'My favourite book of the year' - Kate Humble, Radio Times'This is a book for literary connoisseurs, fact-lovers and environmentalists. In short, it is a book about trees and people, for everyone.' - BBC Countryfile'Eclectic, brilliant and beautifully written, David Haskell reboots our aromatic memory reminding us of how our lives are intertwined with the wonder of trees. A treat not to be sneezed at.' - Sir Peter Crane, FRS'Thirteen Ways to Smell a Tree is a transportive olfactory journey through the forest that sets the sense tingling. Every chapter summons a new aroma: leaf litter and woodsmoke, pine resin and tannin, quinine and bay leaf - life in all its glorious complexity. David George Haskell is a knowledgeable, witty and erudite companion, who takes us by the hand and leads us through the world, reminding us to breathe it all in. This book is a breath of fresh air.' - Cal Flyn, author of Islands of AbandonmentThirteen Ways to Smell a Tree takes you on a journey to connect with trees through the sense most aligned to our emotions and memories. Thirteen essays are included that explore the evocative scents of trees, from the smell of a book just printed as you first open its pages, to the calming scent of Linden blossom, to the ingredients of a particularly good gin & tonic:In your hand: a highball glass, beaded with cool moisture.In your nose: the aromatic embodiment of globalized trade. The spikey, herbal odour of European juniper berries. A tang of lime juice from a tree descended from wild progenitors in the foothills of the Himalayas. Bitter quinine, from the bark of the South American cinchona tree, spritzed into your nostrils by the pop of sparkling tonic water.Take a sip, feel the aroma and taste three continents converge.Each essay also contains a practice the reader is invited to experience. For example, taking a tree inventory of your own home, appreciating just how many things around us came from trees. And if you've ever hugged a tree when no one was looking, try breathing in the scents of different trees that live near you, the smell of pine after the rain, the refreshing, mind-clearing scent of a eucalyptus leaf crushed in your hand.Thirteen Ways to Smell a Tree also contains everyday practices the reader is invited to experience. For example, taking a tree inventory of your own home, appreciating just how many things around us came from trees. And if you've ever hugged a tree when no one was looking, try breathing in the scents of different trees that live near you, the smell of pine after the rain, the refreshing, mind-clearing scent of a eucalyptus leaf crushed in your hand.

A NEW SCIENTIST BEST NEW POPULAR SCIENCE BOOK MARCH 2026 In How Flowers Made Our World, biologist David George Haskell redefines our understanding of flowers, casting them as powerful revolutionaries at the heart of Earth's story.'Flowering plants as you've never seen them before ... Science writing with sensuality, sensitivity and soul.' — Cal Flyn, author of Islands of Abandonment 'Vividly written. David George Haskell shows how the most trivialized part of the natural world is among its most powerful and essential.' — Rebecca Solnit, author of Orwell’s Roses'David George Haskell's great strength as a writer is that he is open to surprise. He regards the planet as a strange and beautiful place. How Flowers Made Our World is at once closely observed, richly reported, and mind-blowing.' — Elizabeth Kolbert, author of The Sixth ExtinctionFar from being mere ornaments, flowers have shaped the very fabric of life on our planet. Their evolution triggered a cascade of biodiversity, transforming oceans, creating new habitats, and even altering the climate. Their beauty turned adversaries into allies, and their adaptability turned environmental upheavals into opportunities for renewal.Weaving together vivid storytelling, lyrical writing, and cutting-edge science, Haskell illuminates flowers as portals into deep time and essential players in our ecological future. He reveals how flowers built and sustained ecosystems from rainforests to prairies and have been pivotal in the evolution of species like butterflies, bees, and birds. He also uncovers their crucial role in human history, as cultural emblems, keys to scientific leaps, and evolutionary catalysts, with flowering grasses calling our ancestors to leave the trees, laying the foundation for agriculture and modern civilization.From lessons in resilience and creativity found among gardeners’ favourites, such as magnolias, orchids, and roses, to rediscovering lesser-known wonders, like our uncelebrated underwater meadows that sustain life and the secrets of our most humble wildflowers, How Flowers Made Our World invites readers to see these blooms in a whole new light—as the dynamic and influential forces they truly are.'In this dazzling book, scintillating with wonder and scholarship, Haskell shows us how flowers – so often belittled and misunderstood, have shaped ecology, and so shaped us. Flowers are tectonic, and here is a book worthy of them.' — Charles Foster, author of The Edges of the World'Joyful ... brimming with curiosity, humour, and crystal-clear scientific delights. How Flowers Made Our World is a celebration of the inventiveness of floral life.' — Zoë Schlanger, author of The Light Eaters