David L. Frost – författare
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2 produkter
2 produkter
Häftad, Engelska, 2010
471 kr
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'The Jacobean dramatists make better sense if seen as working in Shakespeare's light'. This premise underlies Dr Frost's study of the influence of Shakespeare upon his contemporaries. Certain writers - Middleton especially - he shows to have been radically transformed, while Webster and Ford reacted against the dominant tragic mode, and yet exploited the master for their own purposes. Almost all Shakespeare's successors were happy to lift an idea, a phrase, a character or a scene. More important, Shakespeare's influence revolutionised two dramatic forms, the revenge play and the romance. In removing an artificial barrier that divided the isolated genius from 'the rest', this original 1968 publication illustrates Shakespeare's impact on his age, and produces supporting evidence from records of publication, play performance and contemporary comment to overthrow the long-held doctrine of relative neglect. Dr Frost's interest in literary indebtedness is critical as much as scholarly, while his discussion of the romance offers an approach to Shakespeare's final plays. His general thesis is challenging, and is likely to affect the readers' views on the history of drama and of taste, as well as their estimate of the writers themselves.
Häftad, Engelska, 1978
699 kr
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T. S. Eliot said of the Jacobean dramatist Thomas Middleton (1580-1627) that 'he wrote one tragedy which more than any other play except those of Shakespeare has a profound and permanent moral value and horror': Middleton has increasingly been recognised as one of the most important, if not the most important, Jacobean dramatist after Shakespeare himself. This volume contains The Changeling (of which Eliot gave so high an estimate), together with Middleton's other surviving tragedy, Women Beware Women, his best comedy, A Chaste Maid in Cheapside, and a more light-hearted early play, A Mad World, My Masters. Though Middleton is typical of many university-trained writers of the period who eked out a living in popular entertainment, his work has a cold satiric stance, a grimly determinist flavour and a savage economy which make it unique. He wrote plays for the boys' companies in the early 1600s and later for Shakespeare's own company, the King's Men, but seems never to have established himself as more than a jobbing dramatist.