David Sigler - Böcker

This is an seven-volume collection of primary texts, each selected and introduced by experts, reproducing in facsimile a wealth of materials related to the history of women and warfare in the English-speaking world. The editors are historians and literary scholars with a wealth of publications in women’s writing and war literature. The project focuses, for most of its historical range, on England (and Britain); it also includes volumes on the United States, Australia, and Canada. The collection documents women’s historical and literary participation in, and commentary on, war. It represents the first attempt to examine the variety of roles women have played in war, and as critics and commentators on war, across all of history into the twentieth century. The project makes a unique and powerful claim about the long history of women’s involvement in war in the English-speaking world

Women's writing was a crucial part of the history of sexuality in the Romantic period, yet has not often been seen as part of that history. This collection shows how women writers fit into a tradition of Romanticism that recognizes transgressive sexuality as a defining feature. Building on recent research on the period's sexual culture, it shows how women writers were theorizing perversions in their literary work and often leading transgressive sexual lives. In doing so, the collection also challenges current understandings of 'transgression' as a sexual category.

Women's writing was a crucial part of the history of sexuality in the Romantic period, yet has not often been seen as part of that history. This collection shows how women writers fit into a tradition of Romanticism that recognizes transgressive sexuality as a defining feature. Building on recent research on the period's sexual culture, it shows how women writers were theorizing perversions in their literary work and often leading transgressive sexual lives. In doing so, the collection also challenges current understandings of 'transgression' as a sexual category.

Draws from the work of Jacques Lacan to provide innovative readings of Romantic literature in the long nineteenth century.Lacan and Romanticism uses the work of psychoanalyst Jacques Lacan to deliver progressive readings of Romanticism by examining canonical Romantic authors such as William Wordsworth, Mary Shelley, John Keats, and Jane Austen, as well as lesser-known writers such as the graveyard poets and Sarah Scott. The contributors develop innovative approaches to Lacanian literary studies, focusing on neglected or emergent areas of Lacan's thought and approaching Lacan's best-known work in unexpected ways. The essay topics include the visible and seeable, war, the death drive, nonhuman sexualities, sublimation, loss and mourning, utopia, capitalism, fantasy, and topology, and they range from the mid-eighteenth through the early decades of the nineteenth centuries. The book reveals new ways of thinking about art and literature with psychoanalytic theory and suggests how theoretical approaches can contribute meaningfully to literary studies in general.

Draws from the work of Jacques Lacan to provide innovative readings of Romantic literature in the long nineteenth century.Lacan and Romanticism uses the work of psychoanalyst Jacques Lacan to deliver progressive readings of Romanticism by examining canonical Romantic authors such as William Wordsworth, Mary Shelley, John Keats, and Jane Austen, as well as lesser-known writers such as the graveyard poets and Sarah Scott. The contributors develop innovative approaches to Lacanian literary studies, focusing on neglected or emergent areas of Lacan's thought and approaching Lacan's best-known work in unexpected ways. The essay topics include the visible and seeable, war, the death drive, nonhuman sexualities, sublimation, loss and mourning, utopia, capitalism, fantasy, and topology, and they range from the mid-eighteenth through the early decades of the nineteenth centuries. The book reveals new ways of thinking about art and literature with psychoanalytic theory and suggests how theoretical approaches can contribute meaningfully to literary studies in general.

Shows how feminist writing in British Romanticism developed alternatives to linear time.Feminist writers in British Romanticism often developed alternatives to linear time. Viewing time as a system of social control, writers like Mary Wollstonecraft, Anna Barbauld, and Mary Shelley wrote about current events as if they possessed knowledge from the future. Fracture Feminism explores this tradition with a perspective informed by Lacanian psychoanalysis and Derridean deconstruction, showing how time can be imagined to contain a hidden fracture-and how that fracture, when claimed as a point of view, could be the basis for an emancipatory politics. Arguing that the period's most radical experiments in undoing time stemmed from the era's discourses of gender and women's rights, Fracture Feminism asks: to what extent could women "belong" to their historical moment, given their political and social marginalization? How would voices from the future interrupt the ordinary procedures of political debate? What if utopia were understood as a time rather than a place, and its time were already inside the present?