Declan Quigley - Böcker

The urban civilization of the Newars of the Kathmandu Valley provides a paradigm for the study of caste and Hindu kingship. In this book, six anthropologists, in a genuinely collaborative international endeavour, pool their knowledge of the three ancient Newar cities of Kathmandu, Lalitpur, and Bhaktapur, and settlements nearby. The social institutions of all the main case groups - priests, patrons, artisans, farmers, and low castes - are given extended consideration, and the study is framed by a historical introduction and a comparative conclusion. In addition, it is well illustrated with fascinating black and white photos which have been specially taken to illustrate aspects of the society under study.The result is the most complete description and analysis yet of a regional caste system. Located within wider theoretical debates surrounding the nature of caste, the book should appeal not only to students of Hinduism and South Asia, but to all anthropologists and comparative sociologists interested in the interrelations of politics, ritual, kinship, economy, and ideology in complex, pre-industrial societies.

Why has monarchy been such a prevalent institution throughout history and in such a diverse range of societies? Kingship is at the heart of both ritual and politics and has major implications for the theory of social and cultural anthropology. Yet, despite the contemporary fascination with royalty, anthropologists have sorely neglected the subject in recent decades. This book combines a strong theoretical argument with a wealth of ethnography from kingships in Africa, Asia and the Pacific. Quigley gives a timely and much-needed overview of the anthropology of kingship and a crucial reassessment of the contributions of Frazer and Hocart to debates about the nature and function of royal ritual. From diverse fieldwork sites, a number of eminent anthropologists demonstrate how ritual and power intertwine to produce a series of variations around myth, tragedy and historical realities. However, underneath this diversity, two common themes invariably emerge: the attempt to portray kingship as timeless and perfect, and the dual nature of the king as sacred being and scapegoat.