Murder at Wrotham Hill takes the killing in October 1946 of Dagmar Petrzywalski as the catalyst for a compelling and unique meditation on murder and fate. Dagmar, a gentle, eccentric spinster, was the embodiment of Austerity Britain''s prudence and thrift. Her murderer Harold Hagger''s litany of petty crimes, abandoned wives, sloughed-off identities and desertion was its opposite. The texture of their lives and the impression their experiences made on their characters fated their meeting on that bleak autumn morning - and determined the manner in which both would meet their death. Featuring England''s first celebrity policeman, Fabian of the Yard, the celebrated forensic scientist, Keith Simpson, and history''s most famous and dedicated hangman, Albert Pierrepoint, this is a gripping and deeply moving book.

"A bold feat of imagination . . . . Intriguing and moving: a fictional recovery of the woman''s interior experience . . . and a powerful meditation upon the nature of creativity. Both an arresting interpretation of George Eliot''s work and a compelling fiction in its own right." —Rebecca Mead, author of My Life in MiddlemarchIn an astonishing unsent love letter, a 19th-century Englishwoman looks back at her formative years, when she fell in love with one man but married another—the richest bidder—to save her familyGwendolen Harleth, an exceptionally beautiful upper-class Englishwoman, is gambling boldly at a resort when she catches the eye of a handsome, pensive gentleman. His gaze unnerves her, and she loses her winnings. The next day, she learns that her widowed mother and younger sisters, for whom she is financially responsible, have lost their family''s fortune. As a young woman in the 1860s with only her looks to serve her, Gwendolen''s options are few, so when Henleigh Grandcourt, a wealthy aristocrat, proposes to her, she accepts, despite her discovery of an alarming secret about his past.During their marriage, Grandcourt is psychologically and physically brutal to her, shattering her confidence. Gwendolen begins to encounter the alluring gentleman from the resort—Daniel Deronda—in her social circles, but Grandcourt, cold and calculating, takes pains to isolate her from everything she loves. Gwendolen''s desperation nearly overcomes her, until an unexpected turn of events suddenly liberates her from Grandcourt''s tyranny and leaves her financially independent. Newly free, but riddled with insecurity and desire, Gwendolen must take painful steps to shape a life that has not gone according to plan.Gwendolen and her world, originally creations of George Eliot, are inhabited and brought to sympathetic and nuanced life in this irresistible debut novel by Diana Souhami, an award-winning British biographer.

Alice Keppel, lover of Queen Victoria''s son Edward VII and great-grandmother of Camilla Parker-Bowles, was the acceptable face of Edwardian adultery. It was her art to be the King''s mistress yet to laud the Royal Family and the institution of marriage. She partnered the King for yachting at Cowes and helped him choose presents for his wife Queen Alexandra while remaining calmly married to her complaisant husband George. But for her daughter Violet, passionately in love with Vita Sackville-West, romance proved tragic and destructive. Mrs Keppel used all the force at her command to repress the relationship. This fascinating and intense mother-daughter relationship highlights Edwardian and contemporary duplicity and double standards. It goes to the heart of questions about the monarchy, family values and sexual freedoms.

Gertrude Stein and Alice B. Tokas were the talk of pre-war Paris. Photographed by Cecil Beaton and Man Ray, painted by Picasso and written about by Hemingway, they were at the heart of Parisian cultural and literary life. Alice, convinced that Gertrude was a genius, cooked for her, typed her manuscripts and fought to obtain the fame she was convinced Gertrude was due. Alice said Gertrude was the happiest person she had ever known, and was besotted with her for the many years they were together. They were indomitable, charismatic, and wildly eccentric, driving around in ‘Auntie'', their Ford, with Basket, their cherished poodle. In Gertrude and Alice, award-winning writer Diana Souhami brings these two extraordinary women, and the fascinating world in which they moved, to vivid life.

I was winning until I met your gaze... Gambling at the roulette tables of the Kursaal, Gwendolen Harleth glances up to meet Daniel Deronda''s arresting stare. Striking, selfish and wilful, she is at that moment the mistress of her destiny. Years later, the flawed heroine and true protagonist of Eliot''s last great novel writes her confessional to the man whose ever-imagined gaze has prevailed throughout her life. The egotism, naiveté and sensitivity of her blazing youth is evoked with bittersweet wisdom; a passionate remembrance of the events leading up to the marriage that broke her spirit, and the loss of the man who broke her heart. Moving, original and elegant, this is a bravura re-imagining of the life of one of English literature''s most multi-faceted and contradictory heroines.

Murder at Wrotham Hill takes the killing in October 1946 of Dagmar Petrzywalski as the catalyst for a compelling and unique meditation on murder and fate. Dagmar, a gentle, eccentric spinster, was the embodiment of Austerity Britain''s prudence and thrift. Her murderer Harold Hagger''s litany of petty crimes, abandoned wives, sloughed-off identities and desertion was its opposite. The texture of their lives and the impression their experiences made on their characters fated their meeting on that bleak autumn morning - and determined the manner in which both would meet their death. Featuring England''s first celebrity policeman, Fabian of the Yard, the celebrated forensic scientist, Keith Simpson, and history''s most famous and dedicated hangman, Albert Pierrepoint, this is a gripping and deeply moving book.

"A bold feat of imagination . . . . Intriguing and moving: a fictional recovery of the woman''s interior experience . . . and a powerful meditation upon the nature of creativity. Both an arresting interpretation of George Eliot''s work and a compelling fiction in its own right." —Rebecca Mead, author of My Life in MiddlemarchIn an astonishing unsent love letter, a 19th-century Englishwoman looks back at her formative years, when she fell in love with one man but married another—the richest bidder—to save her familyGwendolen Harleth, an exceptionally beautiful upper-class Englishwoman, is gambling boldly at a resort when she catches the eye of a handsome, pensive gentleman. His gaze unnerves her, and she loses her winnings. The next day, she learns that her widowed mother and younger sisters, for whom she is financially responsible, have lost their family''s fortune. As a young woman in the 1860s with only her looks to serve her, Gwendolen''s options are few, so when Henleigh Grandcourt, a wealthy aristocrat, proposes to her, she accepts, despite her discovery of an alarming secret about his past.During their marriage, Grandcourt is psychologically and physically brutal to her, shattering her confidence. Gwendolen begins to encounter the alluring gentleman from the resort—Daniel Deronda—in her social circles, but Grandcourt, cold and calculating, takes pains to isolate her from everything she loves. Gwendolen''s desperation nearly overcomes her, until an unexpected turn of events suddenly liberates her from Grandcourt''s tyranny and leaves her financially independent. Newly free, but riddled with insecurity and desire, Gwendolen must take painful steps to shape a life that has not gone according to plan.Gwendolen and her world, originally creations of George Eliot, are inhabited and brought to sympathetic and nuanced life in this irresistible debut novel by Diana Souhami, an award-winning British biographer.

Alice Keppel, lover of Queen Victoria''s son Edward VII and great-grandmother of Camilla Parker-Bowles, was the acceptable face of Edwardian adultery. It was her art to be the King''s mistress yet to laud the Royal Family and the institution of marriage. She partnered the King for yachting at Cowes and helped him choose presents for his wife Queen Alexandra while remaining calmly married to her complaisant husband George. But for her daughter Violet, passionately in love with Vita Sackville-West, romance proved tragic and destructive. Mrs Keppel used all the force at her command to repress the relationship. This fascinating and intense mother-daughter relationship highlights Edwardian and contemporary duplicity and double standards. It goes to the heart of questions about the monarchy, family values and sexual freedoms.

Gertrude Stein and Alice B. Tokas were the talk of pre-war Paris. Photographed by Cecil Beaton and Man Ray, painted by Picasso and written about by Hemingway, they were at the heart of Parisian cultural and literary life. Alice, convinced that Gertrude was a genius, cooked for her, typed her manuscripts and fought to obtain the fame she was convinced Gertrude was due. Alice said Gertrude was the happiest person she had ever known, and was besotted with her for the many years they were together. They were indomitable, charismatic, and wildly eccentric, driving around in ‘Auntie'', their Ford, with Basket, their cherished poodle. In Gertrude and Alice, award-winning writer Diana Souhami brings these two extraordinary women, and the fascinating world in which they moved, to vivid life.

I was winning until I met your gaze... Gambling at the roulette tables of the Kursaal, Gwendolen Harleth glances up to meet Daniel Deronda''s arresting stare. Striking, selfish and wilful, she is at that moment the mistress of her destiny. Years later, the flawed heroine and true protagonist of Eliot''s last great novel writes her confessional to the man whose ever-imagined gaze has prevailed throughout her life. The egotism, naiveté and sensitivity of her blazing youth is evoked with bittersweet wisdom; a passionate remembrance of the events leading up to the marriage that broke her spirit, and the loss of the man who broke her heart. Moving, original and elegant, this is a bravura re-imagining of the life of one of English literature''s most multi-faceted and contradictory heroines.