Don Watson – författare

Britain in 1946 witnessed extraordinary episodes of direct action. Tens of thousands of families walked into empty army camps and took them over as places to live. A nationwide squatters' movement was born and it was the first challenge to the 1945 Labour government to come 'from below'. The book examines how these squatters built communities and campaigned for improvements; how local and national government reacted; the spread of squatting to empty mansions and hotels, and the roles of political activists. Further, it discusses what these events reveal about the attitude of the 1945 government to popular initiatives.This book describes how those most affected by inadequate housing conditions and shortages responded to them and how their actions helped to shape policies and events. It examines and records something summed up in the recollection of one of the organisers of the London hotel squats of 1946: "...The thing I'll never forget is that if I'd ever had doubts about the problems of working people taking on and managing their own affairs, I lost them forever during this squatting thing.Because without any hassle, fuss, argument, they found what they could do, and collectively decided that it should be done, and then went off and did it."

This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation.Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since.Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life.Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre.

This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation.Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since.Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life.Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre. This edition is published in association with the Society of Theatre Research.

'A magnificent achievement.' Peter Carey, author of Oscar and LucindaThe story of a fifty-year relationship between a Vietnam veteran and a remote Aboriginal tribe: a miniature epic of human adaptation, suffering and resilience.The Passion of Private White describes the meeting of two worlds: the world of the fiercely driven biologist and anthropologist Neville White, and the world of the hunter-gatherer clans of remote northern Australia he studied and lived with. As White tried to understand the world as it was understood on the other side of the vast cultural divide, he was also trying to transcend the mental scars he suffered on the battlefields of Vietnam. The clans had their own injuries to deal with, as they tried to adapt to modernity, live down their losses and yet hold onto their ancient lands, customs, laws and language.Over five decades, White mapped in astonishing detail the culture and history of the Yolgnu clans at Donydji in north-east Arnhem Land. But eventually presence meant involvement, and White became advocate more than anthropologist in the clan’s struggle to survive when everything – from the ambitions of mining companies and a zombie bureaucracy, to feuds, sorcery and magic, despair and dysfunction – conspired to destroy them.And the fifty-year endeavour served another purpose for White and the members of his old platoon he took there. Working to help the community at Donydji became a kind of antidote for the psychic wounds of Vietnam. While for the clans, from the old warriors to the children, their fanatical benefactor offered a few rays of meaning and hope. There was no cure in this meeting of two worlds, both suffering their own form of PTSD, but they helped each other survive.This is a miniature epic of human adaptation, suffering and resilience, an astonishing window into both our recent and our deep history, the coloniser and colonised – indeed into the human condition itself.

The story of a fifty-year relationship between a Vietnam veteran and a remote Aboriginal tribe: a miniature epic of human adaptation, suffering and resilience.The Passion of Private White describes the meeting of two worlds: the world of the fiercely driven biologist and anthropologist Neville White, and the world of the hunter-gatherer clans of remote northern Australia he studied and lived with. As White tried to understand the world as it was understood on the other side of the vast cultural divide, he was also trying to transcend the mental scars he suffered on the battlefields of Vietnam. The clans had their own injuries to deal with, as they tried to adapt to modernity, live down their losses and yet hold onto their ancient lands, customs, laws and language.Over five decades, White mapped in astonishing detail the culture and history of the Yolgnu clans at Donydji in north-east Arnhem Land. But eventually presence meant involvement, and White became advocate more than anthropologist in the clan’s struggle to survive when everything – from the ambitions of mining companies and a zombie bureaucracy, to feuds, sorcery and magic, despair and dysfunction – conspired to destroy them.And the fifty-year endeavour served another purpose for White and the members of his old platoon he took there. Working to help the community at Donydji became a kind of antidote for the psychic wounds of Vietnam. While for the clans, from the old warriors to the children, their fanatical benefactor offered a few rays of meaning and hope. There was no cure in this meeting of two worlds, both suffering their own form of PTSD, but they helped each other survive.This is a miniature epic of human adaptation, suffering and resilience, an astonishing window into both our recent and our deep history, the coloniser and colonised – indeed into the human condition itself.