Eimear McBride – författare

ONE OF THE SUNDAY TIMES' '25 BEST NOVELS OF THE 21ST CENTURY'WINNER OF THE BAILEYS WOMEN'S PRIZE FOR FICTIONWINNER OF THE DESMOND ELLIOTT PRIZEKERRY GROUP IRISH NOVEL OF THE YEAR AWARDWINNER OF THE GOLDSMITHS PRIZEEimear McBride's award-winning debut novel tells the story of a young woman's relationship with her brother, and the long shadow cast by his childhood brain tumour. It is a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist. To read A Girl is a Half-formed Thing is to plunge inside its narrator's head, experiencing her world at first hand. This isn't always comfortable - but it is always a revelation.

A MUST-READ NOVEL OF 2025 IN THE GUARDIAN, FINANCIAL TIMES, IRISH TIMES, SUNDAY TIMES, STYLIST, AND MANY OTHERS'One of the finest writers at work today.' ANNE ENRIGHT'McBride is a cartographer of the secret self, guiding us towards hidden treasure.' CLAIRE KILROY'Eimear McBride does extraordinary things with language . . . she breaks every rule in the grammar book and gleefully gets away with it.' GUARDIAN'A typical McBride work. Praise doesn't come much higher.' FINANCIAL TIMESSo, all would be grand then, as far as the eye could see. Which it was, for a while. Up until the city, remembering its knives and forks, invited itself in to dine.It's 1995. Outside their grimy window, the city rushes by. But in the flat there is only Stephen and Eily. Their bodies, the tangled sheets. Unpacked boxes stacked in the kitchen and the total obsession of new love.Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken - emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud?Love rallies against life. Time tells truths. The city changes its face.

'Engaging, modern fables with a feminist tang' Sunday TimesDARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID.Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men.From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times'Sharp writing and cleverly done' Spectator

ONE OF THE SUNDAY TIMES' '25 BEST NOVELS OF THE 21ST CENTURY'WINNER OF THE BAILEYS WOMEN'S PRIZE FOR FICTIONWINNER OF THE DESMOND ELLIOTT PRIZEKERRY GROUP IRISH NOVEL OF THE YEAR AWARDWINNER OF THE GOLDSMITHS PRIZEEimear McBride's award-winning debut novel tells the story of a young woman's relationship with her brother, and the long shadow cast by his childhood brain tumour. It is a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist. To read A Girl is a Half-formed Thing is to plunge inside its narrator's head, experiencing her world at first hand. This isn't always comfortable - but it is always a revelation.

Winner of numerous literary awards including the Baileys Women's Prize for Fiction, the Geoffrey Faber Memorial Prize and the Goldsmiths Prize, Eimear McBride's debut novel A Girl is a Half-formed Thing plunges us into the psyche of a girl with breathtaking fury and intimacy.'Eimear McBride is a writer of remarkable power and originality.' Times Literary Supplement'An instant classic.' GuardianAdapted for the stage by Annie Ryan for The Corn Exchange, Eimear McBride's A Girl is a Half-formed Thing premiered at the Dublin Theatre Festival 2014.'Unflinching... magnificent... The narrative transposes effortlessly to the stage, as if this is where it belongs.' Guardian'One of the best stage adaptations of a novel you're likely to see.' Sunday Times

Winner of numerous literary awards including the Baileys Women's Prize for Fiction, the Geoffrey Faber Memorial Prize and the Goldsmiths Prize, Eimear McBride's debut novel A Girl is a Half-formed Thing plunges us into the psyche of a girl with breathtaking fury and intimacy.'Eimear McBride is a writer of remarkable power and originality.' Times Literary Supplement'An instant classic.' GuardianAdapted for the stage by Annie Ryan for The Corn Exchange, Eimear McBride's A Girl is a Half-formed Thing premiered at the Dublin Theatre Festival 2014.'Unflinching... magnificent... The narrative transposes effortlessly to the stage, as if this is where it belongs.' Guardian'One of the best stage adaptations of a novel you're likely to see.' Sunday Times

AN IRISH TIMES TOP 100 BEST IRISH BOOKS OF THE 21ST CENTURYWINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE SHORTLISTED FOR THE GOLDSMITHS PRIZEThe vibrant energy of 1990s London. A year of passion and discovery. The anxiety and intensity of new love.An eighteen-year-old Irish girl arrives in London to study drama and falls violently in love with an older actor. While she is naive and thrilled by life in the big city, he is haunted by demons. The clamorous relationship that ensues risks undoing them both. At once epic and exquisitely intimate, The Lesser Bohemians is a celebration of the dark and the light in love.

AN IRISH TIMES TOP 100 BEST IRISH BOOKS OF THE 21ST CENTURYWINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE SHORTLISTED FOR THE GOLDSMITHS PRIZE'It broke my heart several times over.' Evening Standard 'Dazzling.' Times Literary Supplement 'Extraordinary.' New Statesman' The life here radiates through the pages and illuminates ours.' Guardian The vibrant energy of 1990s London. A year of passion and discovery. The anxiety and intensity of new love.An eighteen-year-old Irish girl arrives in London to study drama and falls violently in love with an older actor. While she is naive and thrilled by life in the big city, he is haunted by demons. The clamorous relationship that ensues risks undoing them both. At once epic and exquisitely intimate, The Lesser Bohemians is a celebration of the dark and the light in love.

From the winner of the Women's Prize for Fiction'Powerful . . . truly a living and breathing thing.' Financial Times'McBride is on blistering form.' Sinéad Gleeson'Nothing else feels so fresh, so radically new.' Garth Greenwell'An emotionally enchanting novel that gets deep under the skin.' DazedA woman enters an Avignon hotel room. She's been here once before - but while the room hasn't changed, she is a different person now.Forever caught between check-in and check-out, she will go on to occupy other hotel rooms, from Prague to Oslo, Auckland to Austin, each as anonymous as the last. There, amid the open suitcases, the matchbooks, cigarettes, keys and room-service wine, she will negotiate with memory, with the men she sometimes meets, and with what it might mean to return home.

'McBride is on blistering form.' Sinéad GleesonAt the mid-point of her life a woman enters an Avignon hotel room. She's been here once before - but while the room hasn't changed, she is a different person now. Forever caught between check-in and check-out, she will go on to occupy other hotel rooms, from Prague to Oslo, Auckland to Austin, each as anonymous as the last, but bound by rules of her choosing. There, amid the detritus of her travels, the matchbooks, cigarettes, keys and room-service wine, she will negotiate with memory, with the men she sometimes meets, and with what it might mean to return home.'Nothing else feels so fresh, so radically new. Strange Hotel challenges and expands my sense of what art can do.' Garth Greenwell

Written during her time as the inaugural fellow in the Beckett archive last year, Eimear McBride's three short, characteristically brilliant plays - collected in one work, Mouthpieces.Each play depicts a fragment of female experience, all of them told in in Eimear's vivid, original and sharp-witted style. In 'The Adminicle Exists', we hear the inner voice of a woman who saves her troubled, dangerous partner; in 'An Act of Violence', a woman is quizzed about her reaction to a man's death; in 'The Eye Machine', the character 'Eye' tells of her imprisonment, flickering through a slideshow of female stereotypes.

Written during her time as the inaugural fellow in the Beckett archive last year, Eimear McBride's three short, characteristically brilliant texts - collected in one work, Mouthpieces.Each text depicts a fragment of female experience, all of them told in in Eimear's vivid, original and sharp-witted style. In 'The Adminicle Exists', we hear the inner voice of a woman who saves her troubled, dangerous partner; in 'An Act of Violence', a woman is quizzed about her reaction to a man's death; in 'The Eye Machine', the character 'Eye' tells of her imprisonment, flickering through a slideshow of female stereotypes.

A MUST-READ NOVEL OF 2025 IN THE GUARDIAN, FINANCIAL TIMES, IRISH TIMES, SUNDAY TIMES, STYLIST, AND MANY OTHERS'One of the finest writers at work today.' ANNE ENRIGHT'McBride is a cartographer of the secret self, guiding us towards hidden treasure.' CLAIRE KILROY'Eimear McBride does extraordinary things with language . . . she breaks every rule in the grammar book and gleefully gets away with it.' GUARDIAN'A typical McBride work. Praise doesn't come much higher.' FINANCIAL TIMESSo, all would be grand then, as far as the eye could see. Which it was, for a while. Up until the city, remembering its knives and forks, invited itself in to dine.It's 1995. Outside their grimy window, the city rushes by. But in the flat there is only Stephen and Eily. Their bodies, the tangled sheets. Unpacked boxes stacked in the kitchen and the total obsession of new love.Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken - emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud?Love rallies against life. Time tells truths. The city changes its face.

A MUST-READ NOVEL OF 2025 IN THE GUARDIAN, FINANCIAL TIMES, IRISH TIMES, SUNDAY TIMES, STYLIST, AND MANY OTHERS'One of the finest writers at work today.' ANNE ENRIGHT'McBride is a cartographer of the secret self, guiding us towards hidden treasure.' CLAIRE KILROY'Eimear McBride does extraordinary things with language . . . she breaks every rule in the grammar book and gleefully gets away with it.' GUARDIAN'A typical McBride work. Praise doesn't come much higher.' FINANCIAL TIMESSo, all would be grand then, as far as the eye could see. Which it was, for a while. Up until the city, remembering its knives and forks, invited itself in to dine.It's 1995. Outside their grimy window, the city rushes by. But in the flat there is only Stephen and Eily. Their bodies, the tangled sheets. Unpacked boxes stacked in the kitchen and the total obsession of new love.Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken - emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud?Love rallies against life. Time tells truths. The city changes its face.

The searing, must-read feminist essay from the author of A Girl is a Half-formed Thing''Fearless ... A fierce and fascinating manifesto in McBride''s persuasive prose'' Sinéad Gleeson''Formidable'' VogueIn this galvanizing essay, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of ''only sluts do it'' but ''virgins are frigid'', to ladette culture, and the arrival of ''ironic'' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surrounds us today. McBride asks - are women still damned if we do, damned if we don''t? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward?''A satisfying feminist polemic'' Susie Orbach''Remarkable'' Scotsman''Eimear McBride is that old fashioned thing, a genius'' Guardian

The searing, must-read feminist essay from the author of A Girl is a Half-formed Thing'Fearless ... A fierce and fascinating manifesto in McBride's persuasive prose' Sinéad Gleeson'Formidable' VogueIn this galvanizing essay, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture, and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surrounds us today. McBride asks - are women still damned if we do, damned if we don't? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward?'A satisfying feminist polemic' Susie Orbach'Remarkable' Scotsman'Eimear McBride is that old fashioned thing, a genius' Guardian