Daisy Johnson – författare

A hypnotic and haunting story of longing and survival, losing yourself and finding your family'Daisy Johnson's best novel... a multi-generational story of secrets, obsessions, and love' Jeff VanderMeer'Astonishingly beautiful' Kaliane BradleyClose to the shore is the island: uninhabited, wild, with only a storm-beaten lighthouse for shelter. Ori was found there as a small child with a handful of stones, no memories and no mother. When she has a baby of her own, the job of motherhood feels immense and sleepless nights begin to shatter her grip on reality. Her head fills with the sound of stones knocking against each other and the mystery of her past begins to unravel, opening up a path to the mother she lost, and the mother she could become.Years earlier, on a sweltering summer day, ten-year-old Ruth sees a woman and her baby walk into the river and disappear. But she is the only witness, and the water yields no trace. Ruth’s mother, Edith, locks her daughter away – first to restrain these wild imaginings, and later, when she falls pregnant, to hide the shame. Ruth longs to escape and dreams of the nearby island, where she and her baby can finally be free.'A novel of startling force' C Pam Zhang'An unflinchingly observed treatise on the maelstrom of motherhood. Masterful' Kiran Millwood Hargrave'A fierce and magical writer' Liz Berry'At once devastating and heartening' Helen Phillips

Revisit the haunting debut short story collection from the Booker-shortlisted author of Everything Under.'Full of unabashedly, refreshingly angry women... In a year that made me furious, Daisy Johnson’s Fen was a howl I didn’t know I needed' Celeste NgThe Fen is a liminal land. Real people live their lives here. They wrestle with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt.This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a, well, what? 'Instant classic...a bold, take-no-prisoners collection situated somewhere between Angela Carter and Deborah Levy' Jeff VanderMeer

'Engaging, modern fables with a feminist tang' Sunday TimesDARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID.Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men.From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times'Sharp writing and cleverly done' Spectator

'Engaging, modern fables with a feminist tang' Sunday TimesDARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID.Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men.From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times'Sharp writing and cleverly done' Spectator

Revisit the haunting debut short story collection from the Booker-shortlisted author of Everything Under.'Full of unabashedly, refreshingly angry women... In a year that made me furious, Daisy Johnson’s Fen was a howl I didn’t know I needed' Celeste NgThe Fen is a liminal land. Real people live their lives here. They wrestle with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt.This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a, well, what? 'Instant classic...a bold, take-no-prisoners collection situated somewhere between Angela Carter and Deborah Levy' Jeff VanderMeer

'Weird and wild and wonderfully unsettling... Dive in for just a moment and you'll emerge gasping and haunted' Celeste Ng, bestselling author of Little Fires EverywhereIt's been sixteen years since Gretel last saw her mother, half a lifetime to forget her childhood on the canals. But a phone call will soon reunite them, and bring those wild years flooding back: the secret language that Gretel and her mother invented; the strange boy, Marcus, living on the boat that final winter; the creature said to be underwater, swimming ever closer.In the end there will be nothing for Gretel to do but to wade deeper into their past, where family secrets and aged prophesies will all come tragically alive again.'As readable as it is dazzling, full of unsettling twists and dark revelations' Observer**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018**

*Now a major film SEPTEMBER SAYS*The electrifying novel from the Booker shortlisted author of Everything Under.'A short sharp explosion of a gothic thriller' ObserverSomething unspeakable has happened to sisters July and September.Desperate for a fresh start, they move across the country to an old family house that has a troubled life of its own. Noises come from behind the walls. Lights flicker of their own accord. Sleep feels impossible, dreams are endless.In their new, unsettling surroundings, July finds that the fierce bond she's always had with September - forged with a blood promise when they were children - is beginning to change in ways she cannot understand.

*Now a major film SEPTEMBER SAYS*The electrifying novel from the Booker shortlisted author of Everything Under.'A short sharp explosion of a gothic thriller' ObserverSomething unspeakable has happened to sisters July and September.Desperate for a fresh start, they move across the country to an old family house that has a troubled life of its own. Noises come from behind the walls. Lights flicker of their own accord. Sleep feels impossible, dreams are endless.In their new, unsettling surroundings, July finds that the fierce bond she's always had with September - forged with a blood promise when they were children - is beginning to change in ways she cannot understand.

A hypnotic and haunting story of longing and survival, losing yourself and finding your family'Daisy Johnson's best novel... a multi-generational story of secrets, obsessions, and love' Jeff VanderMeer'Astonishingly beautiful' Kaliane BradleyClose to the shore is the island: uninhabited, wild, with only a storm-beaten lighthouse for shelter. Ori was found there as a small child with a handful of stones, no memories and no mother. When she has a baby of her own, the job of motherhood feels immense and sleepless nights begin to shatter her grip on reality. Her head fills with the sound of stones knocking against each other and the mystery of her past begins to unravel, opening up a path to the mother she lost, and the mother she could become.Years earlier, on a sweltering summer day, ten-year-old Ruth sees a woman and her baby walk into the river and disappear. But she is the only witness, and the water yields no trace. Ruth’s mother, Edith, locks her daughter away – first to restrain these wild imaginings, and later, when she falls pregnant, to hide the shame. Ruth longs to escape and dreams of the nearby island, where she and her baby can finally be free.'A novel of startling force' C Pam Zhang'An unflinchingly observed treatise on the maelstrom of motherhood. Masterful' Kiran Millwood Hargrave'A fierce and magical writer' Liz Berry'At once devastating and heartening' Helen Phillips

‘Read at night, with the lights low, in one sitting’ ObserverA triumph of contemporary horror from the Booker Prize-shortlisted author, this collection of short stories will haunt you long after you turn the final page.A place of myths, rumours and secrets, The Hotel looms over the dark fens, tall and grey in its Gothic splendour. Built on cursed land, a history of violent death suffuses its very foundations – yet it has a magnetism that is impossible to ignore.On entering The Hotel, different people react in different ways. Many come out refreshed, longing to return. But a few are changed for ever, haunted by their time there. And almost all those affected are women…‘A new goddamn swaggering monster of fiction’ Lauren Groff, bestselling author of MATRIX‘Chilling tales of ghosts and witches, monsters and manifestations’ Guardian‘Spend an eerie night at this haunted literary hotel’ Sunday Telegraph‘The British literary heir to Stephen King’ Sunday Times‘Haunting’ Vogue

‘Read at night, with the lights low, in one sitting’ ObserverA triumph of contemporary horror from the Booker Prize-shortlisted author, this collection of short stories will haunt you long after you turn the final page.A place of myths, rumours and secrets, The Hotel looms over the dark fens, tall and grey in its Gothic splendour. Built on cursed land, a history of violent death suffuses its very foundations – yet it has a magnetism that is impossible to ignore.On entering The Hotel, different people react in different ways. Many come out refreshed, longing to return. But a few are changed for ever, haunted by their time there. And almost all those affected are women…‘A new goddamn swaggering monster of fiction’ Lauren Groff, bestselling author of MATRIX‘Chilling tales of ghosts and witches, monsters and manifestations’ Guardian‘Spend an eerie night at this haunted literary hotel’ Sunday Telegraph‘The British literary heir to Stephen King’ Sunday Times‘Haunting’ Vogue

‘The British literary heir to Stephen King’ Sunday Times'Striking: it should be read at night, with the lights low, in one sitting' Observer'As splendidly written as it is haunting' i'The contemporary literary scene would be a poorer place without Daisy Johnson around' Financial TimesA triumph of contemporary horror from the Booker Prize-shortlisted author, this collection of short stories will haunt you long after you turn the final pageA place of myths, rumours and secrets, The Hotel looms over the dark Fens, tall and grey in its Gothic splendour. Built on cursed land, a history of violent death suffuses its very foundations –yet it has a magnetism that is impossible to ignore.On entering The Hotel, different people react in different ways. To some it is familiar, to others a stranger. Many come out refreshed, longing to return. But a few are changed forever, haunted by their time there. And almost all those affected are women...They are children and mothers, monsters, cult film-makers, thrill-seekers and workers on the night shift, all with their own tales of its strange power, of the horrors of Room 63, and of desperate but failed attempts to escape its seductive pull.*** PRAISE FOR SISTERS ***'[A] gothic masterpiece... You can't stop reading' i news'Daisy Johnson is one of the best writers in this country' Max Porter, author of Grief Is The Thing With Feathers'A short, sharp virtuoso tale of literary horror' BOOKSELLER'Deeply unnerving and unnervingly prescient.' VOGUE'Poetic, haunting prose to be savoured slowly' EVENING STANDARD'I LOVE THIS BOOK! Explosive, dark, weird and utterly compelling... After reading Sisters, I binged on Fen and Everything Under and am now obsessed - Elizabeth Macneal, author of The Doll Factory

Gretel, la protagonista treintañera de esta fascinante y a ratos perturbadora novela, se reúne con su madre, Sarah, que ahora sufre de alzhéimer, dieciséis años después de que ésta la abandonara. Gretel es lexicógrafa y se gana la vida actualizando entradas de diccionarios, así que sabe bien que las palabras no son inmutables: tampoco lo son los recuerdos ni la vida que se ha construido sobre ellos. Hasta el momento, Sarah ha sido para su hija "como un fantasma sentado a su mesa que devora toda la comida", pero cuando, después de una incansable búsqueda, por fin tiene la oportunidad de formular las preguntas que la atenazan desde que era una adolescente, la memoria de su madre ya no es una línea recta, sino sólo una confusa serie de círculos deflectores que se trazan para luego desdibujarse.Antes de la separación, madre e hija vivieron juntas en una casa flotante en los canales de Oxford, un entorno de aislamiento salvaje, plagado de supersticiones y de gente a la que no le gusta estar en tierra firme mucho tiempo. Un escurridizo territorio remiso a la ley y a la geografía donde viven libres y soberanas, pero acechadas por el Bonak, una criatura mítica, que sea en forma de tormenta que amenaza su barco o de incendio que arrasa el bosque, es la encarnación de todos sus temores. Su "normalidad" queda trastocada con la aparición de Marcus, un joven vagabundo al que dan acogida en su barco y que llega de manera tan misteriosa como desaparece. ¿Qué secreto se oculta en la figura de Marcus?, ¿qué pasó realmente aquel último invierno en el río?En una suerte de reelaboración del mito de Edipo en clave transgénero, y con una maestría insospechada en una escritora de tan sólo 28 años, la finalista más joven del premio Booker, Daisy Johnson aborda asuntos como la complejidad de las relaciones entre madres e hijas, los prejuicios de género o la construcción de la propia identidad sobre los cimientos de vivencias poco convencionales. Johnson nos invita, con una escritura intensa, calma, como una nota sostenida, y el encantamiento propio de los cuentos infantiles, a atravesar un intrincado laberinto de emociones turbias, atmósferas sobrecogedoras y destinos inevitables. "Daisy Johnson es la heredera maligna de Shirley Jackson y Stephen King." The Guardian"La primera novela de Johnson confirma no sólo su talento, sino también su ambición. Bajo la superficie vibra peligrosamente con la carga eléctrica de una torre de alta tensión, y en sus frases brillan una y otra vez expresiones de nuevo cuño tan sorprendentes como viscerales." Daily Mail"Entretenido y deslumbrante, repleto de giros perturbadores y oscuras revelaciones." The Observer"Un libro extraño, salvaje y de lo más inquietante. Johnson escribe con un torrente de palabras tan implacables, turbulentas y oscuras como ese río que es el meollo del libro. Al sumergirnos en él un momento salimos jadeantes y atormentados." Celeste Ng

Julio y Septiembre son dos hermanas adolescentes que viven en su propio mundo. Septiembre es dominante y temeraria, en ocasiones, cruel, mientras que Julio es mansa y temerosa, introvertida, ingenua y complaciente. Son uña y carne: el estrecho vínculo que las une, su devoción, las extrañas pruebas a las que se someten para demostrar su lealtad y la forma en que se completan mutuamente impiden saber dónde empieza una y termina la otra.La fragilidad de Julio ha llamado la atención de las chicas malas del instituto, desencadenante de un macabro suceso –apenas insinuado– que las obligará a mudarse con su madre, escritora de literatura infantil, desde Oxford a una casa destartalada propiedad de su tía paterna, situada en medio de la nada, donde reina una atmósfera opresiva y desasosegante.Daisy Johnson, gran estilista y sabedora de que lo que no se dice ni se describe puede ser tan perturbador como lo que se desvela, vuelve a dosificar, con maestría y elegancia, las revelaciones y las elipsis en una absorbente novela de suspense a medio camino entre el género gótico y la fábula mitológica, en la que explora las relaciones entre hermanas y nos advierte de los peligros de amar demasiado.