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The Royal Festival Hall (RFH) - an important example of modernism in architecture and one of London's best-loved buildings - was built as a beacon of hope and renewal after the Second World War, and quickly became popular. In this new book, a selection of contributors - architects, technicians, musicians, historians and cultural programmers - tell the varied stories of the building and the people who use it. The book is illustrated with photography specially commissioned from renowned architectural photographer Edmund Sumner, and contains 21 written contributions on different aspects of the RFH, from its history as a piece of architecture to the story of the famous organ, from the approach to literature and spoken word to the life of the production team. The building's emergence as a destination for all, whether to enjoy a performance by a world-famous symphony orchestra, a dance class, a poetry reading or just a cup of coffee, is considered in the context of the intentions of its original planners and those who have led, maintained and refurbished it since. This book offers an invaluable record of the history of this celebrated building in the first 75 years of its life, and looks to the future as a centre of cultural programming - both weathering and shaping change - for many more decades to come. Published to coincide with the 75th anniversary celebrations of the Royal Festival HallWritten by architects musicians, historians and cultural programmers who have been closely involved with the building and its renovationA fascinating and thought-provoking book for anyone interested in the development of London's cultural life
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The architect’s role is constantly adapting. Throughout history it has shifted significantly, shaped by social, cultural, technological and economic forces. The very definition of what an architect is and does has evolved over time from lead builder or master mason to principal designer. A collaborative and reactive profession, it is inextricably linked to the power of the patron, whether the client is an influential and affluent individual or a political, commercial, civic or religious organisation.From Ancient Egypt, where architects were members of the ruling class, tied into the running of the empire, to the 21st century when questions are being raised about the future of the profession, this book, with its engaging narrative, explores the constant threads that remain as the profession adapts.While architects are no longer deified, their ability to imagine a new impending reality in built form implies a visionary dimensionto their work. By focusing on both the practicalities of the profession and the more intangible motivations behind design – humans’ need to make a mark upon their surroundings – this volume provides a critical overview of over 3000 years of practice and education. Looking at the key questions of where the architectural profession originated in the Western tradition, why it is, how it is today and where it might be going next, the authors postulate that architects’ ability to adapt and reinvent themselves in the past will stand them in good stead for the uncertainties of the future.