Elena Backhausen – författare
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3 produkter
3 produkter
2 189 kr
Skickas inom 10-15 vardagar
Out of Time? has many different meanings, amongst them outmoded, out of step, under time pressure, no time left, or simply delayed. In the disability context, it may also refer to resistant attitudes of living in “crip time” that contradict time as a linear process with a more or less predictable future. According to Alison Kafer, “crip time bends the clock to meet disabled bodies and minds.” What does this mean in the disability arts? What new concepts of accessibility, crip futures, and crip resistance can be staged or created by disability performance? And how does the notion of “out of time” connect crip time with pandemic time in disability performance?The collective volume seeks to respond to these questions by exploring crip time in disability performance as both a concept and a phenomenon. The book tackles the topic from two angles: on the one hand from a theoretical point of view that connects performance analysis with crip and performance theory, on the other hand from a practice-based perspective of disability artists who develop new concepts and dramaturgies of crip time based on their own lived experiences and observations in the field of the performing and disability arts.The book gathers different types of text genres, forms, and styles that mirror the diversity of their authors. Besides theoretical and academic chapters on disability performance, the book also includes essays, poems, dramatic texts, and choreographic concepts that ref lect upon the alternative knowledge in the disability arts.
795 kr
Skickas inom 10-15 vardagar
Out of Time? has many different meanings, amongst them outmoded, out of step, under time pressure, no time left, or simply delayed. In the disability context, it may also refer to resistant attitudes of living in “crip time” that contradict time as a linear process with a more or less predictable future. According to Alison Kafer, “crip time bends the clock to meet disabled bodies and minds.” What does this mean in the disability arts? What new concepts of accessibility, crip futures, and crip resistance can be staged or created by disability performance? And how does the notion of “out of time” connect crip time with pandemic time in disability performance?The collective volume seeks to respond to these questions by exploring crip time in disability performance as both a concept and a phenomenon. The book tackles the topic from two angles: on the one hand from a theoretical point of view that connects performance analysis with crip and performance theory, on the other hand from a practice-based perspective of disability artists who develop new concepts and dramaturgies of crip time based on their own lived experiences and observations in the field of the performing and disability arts.The book gathers different types of text genres, forms, and styles that mirror the diversity of their authors. Besides theoretical and academic chapters on disability performance, the book also includes essays, poems, dramatic texts, and choreographic concepts that ref lect upon the alternative knowledge in the disability arts.
2 312 kr
Kommande
What do independence and collectivity have to do with dis/ability performance? This book offers a groundbreaking interdisciplinary exploration of how these two concepts intersect, challenge, and reshape our understanding of performance within disability contexts.Inside, readers will find a rich collection of essays that examine dis/ability performance both as artistic and activist practice and as a concept tied to capacity, ableism, and cultural resistance. The book interrogates the tension between individual and collective approaches to performance through four distinct lenses: crip and disability theory, which emphasizes interdependence in everyday life and disability arts; performance studies, which unpack ableist imperatives and dis/abled practices; (auto)ethnographic perspectives, revealing contradictions and negotiations around independence and identity; and practical strategies for navigating these dynamics within disability communities. Together, these contributions invite readers to rethink independence and collectivity as fluid, interconnected forces shaping cultural and political resistance.This volume is essential reading for students and scholars in disability studies, theatre and performance, film and media studies, sociology, cultural anthropology, American studies, and queer and gender studies. Anyone interested in disability arts, activism, and the politics of performance will find this book an invaluable resource.