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14 produkter

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14 produkter

Film and Television Genres of the Late Soviet Era
AvAlexander Prokhorov,Elena Prokhorova
Häftad, Engelska, 2016
450 kr
Skickas inom 10-15 vardagar
Most histories of Soviet cinema portray the 1970s as a period of stagnation with the gradual decline of the film industry. This book, however, examines Soviet film and television of the era as mature industries articulating diverse cultural values via new genre models. During the 1970s, Soviet cinema and television developed a parallel system of genres where television texts celebrated conservative consensus while films manifested symptoms of ideological and social crises. The book examines the genres of state-sponsored epic films, police procedural, comedy and melodrama, and outlines how television gradually emerged as the major form of Russo-Soviet popular culture. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this groundbreaking work helps to deconstruct the myth of this era as a time of cultural and economic stagnation and also helps us to understand the persistence of this myth in the collective memory of Putin-era Russia. This monograph is the first book-length English-language study of film and television genres of the late Soviet era.
Film and Television Genres of the Late Soviet Era
AvAlexander Prokhorov,Elena Prokhorova
Inbunden, Engelska, 2016
2 219 kr
Skickas inom 10-15 vardagar
Most histories of Soviet cinema portray the 1970s as a period of stagnation with the gradual decline of the film industry. This book, however, examines Soviet film and television of the era as mature industries articulating diverse cultural values via new genre models. During the 1970s, Soviet cinema and television developed a parallel system of genres where television texts celebrated conservative consensus while films manifested symptoms of ideological and social crises. The book examines the genres of state-sponsored epic films, police procedural, comedy and melodrama, and outlines how television gradually emerged as the major form of Russo-Soviet popular culture. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this groundbreaking work helps to deconstruct the myth of this era as a time of cultural and economic stagnation and also helps us to understand the persistence of this myth in the collective memory of Putin-era Russia. This monograph is the first book-length English-language study of film and television genres of the late Soviet era.
Film and Television Genres of the Late Soviet Era
AvAlexander Prokhorov,Elena Prokhorova
E-bok
PDF, Engelska, 2016
481 kr
Läs direkt efter köp
Most histories of Soviet cinema portray the 1970s as a period of stagnation with the gradual decline of the film industry. This book, however, examines Soviet film and television of the era as mature industries articulating diverse cultural values via new genre models. During the 1970s, Soviet cinema and television developed a parallel system of genres where television texts celebrated conservative consensus while films manifested symptoms of ideological and social crises. The book examines the genres of state-sponsored epic films, police procedural, comedy and melodrama, and outlines how television gradually emerged as the major form of Russo-Soviet popular culture. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this groundbreaking work helps to deconstruct the myth of this era as a time of cultural and economic stagnation and also helps us to understand the persistence of this myth in the collective memory of Putin-era Russia. This monograph is the first book-length English-language study of film and television genres of the late Soviet era.
Film and Television Genres of the Late Soviet Era
AvAlexander Prokhorov,Elena Prokhorova
E-bok
Engelska, 2016
481 kr
Läs direkt efter köp
Most histories of Soviet cinema portray the 1970s as a period of stagnation with the gradual decline of the film industry. This book, however, examines Soviet film and television of the era as mature industries articulating diverse cultural values via new genre models. During the 1970s, Soviet cinema and television developed a parallel system of genres where television texts celebrated conservative consensus while films manifested symptoms of ideological and social crises. The book examines the genres of state-sponsored epic films, police procedural, comedy and melodrama, and outlines how television gradually emerged as the major form of Russo-Soviet popular culture. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this groundbreaking work helps to deconstruct the myth of this era as a time of cultural and economic stagnation and also helps us to understand the persistence of this myth in the collective memory of Putin-era Russia. This monograph is the first book-length English-language study of film and television genres of the late Soviet era.
Cinemasaurus
Russian Film in Contemporary Context
AvNancy Condee,Alexander Prokhorovm. fl.
Inbunden, Engelska, 2020
1 276 kr
Skickas
Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia’s uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Cinemasaurus
Russian Film in Contemporary Context
AvNancy Condee,Alexander Prokhorovm. fl.
Häftad, Engelska, 2020
328 kr
Skickas
Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition: Its imperial legacy The emergence of a film market and its new genres Russia’s uneven integration into European values and hierarchies The renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Cinemasaurus
Russian Film in Contemporary Context
AvElena Prokhorova,Alexander Prokhorovm. fl.
E-bok
PDF, Engelska, 2020
2 590 kr
Läs direkt efter köp
Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia’s uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Cinemasaurus
Russian Film in Contemporary Context
AvElena Prokhorova,Alexander Prokhorovm. fl.
E-bok
Engelska, 2020
606 kr
Läs direkt efter köp
Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia’s uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
Russian TV Series in the Era of Transition
Genres, Technologies, Identities
AvAlexander Prokhorov,Elena Prokhorovam. fl.
Inbunden, Engelska, 2021
1 276 kr
Skickas
Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.
Russian TV Series in the Era of Transition
Genres, Technologies, Identities
AvAlexander Prokhorov,Elena Prokhorovam. fl.
Häftad, Engelska, 2021
328 kr
Skickas
Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.
Russian TV Series in the Era of Transition
Genres, Technologies, Identities
AvRimgaila Salys,Elena Prokhorovam. fl.
E-bok
PDF, Engelska, 2021
2 515 kr
Läs direkt efter köp
Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.
Russian TV Series in the Era of Transition
Genres, Technologies, Identities
AvRimgaila Salys,Elena Prokhorovam. fl.
E-bok
Engelska, 2021
589 kr
Läs direkt efter köp
Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.
Haunted Present
Slavic Neo-Noir Cinema and Television
AvElena Prokhorova,Alexander Prokhorovm. fl.
Inbunden, Engelska, 2026
1 169 kr
Skickas inom 5-8 vardagar
Emerging from the shadows of empire and memory, this groundbreaking study reveals how contemporary Eastern European film and television use neo-noir to confront unresolved trauma, power, and injustice in the post-Soviet world.This collection explores for the first time the pervasive presence of neo-noir film and TV series (including releases on widely popular streaming channels) in recent Balkan, Czech, Polish, Russian, and Ukrainian cinema and television. Classic western noir’s structural pessimism was driven by a utopian desire for a just society, a quality which made it attractive to all eastern European countries. The films and series in the collection present modern iterations of a still-relevant colonial past, such as the repression of dissent and of sexual minorities, culpability in World War II, and the activities of the security services. Contemporary narratives reveal the effects of the violence released after the collapse of the Soviet Union—the continuing trauma and scars of an unprocessed past, social dysfunction, organized crime, ecological degradation, exploitation of indigenous populations, and restorative nostalgia for previous systems of governance.
Haunted Present
Slavic Neo-Noir Cinema and Television
AvRimgaila Salys,Alexander Prokhorovm. fl.
E-bok
PDF, Engelska, 2026
1 710 kr
Läs direkt efter köp
Emerging from the shadows of empire and memory, this groundbreaking study reveals how contemporary Eastern European film and television use neo-noir to confront unresolved trauma, power, and injustice in the post-Soviet world.This collection explores for the first time the pervasive presence of neo-noir film and TV series (including releases on widely popular streaming channels) in recent Balkan, Czech, Polish, Russian, and Ukrainian cinema and television. Classic western noirs structural pessimism was driven by a utopian desire for a just society, a quality which made it attractive to all eastern European countries. The films and series in the collection present modern iterations of a still-relevant colonial past, such as the repression of dissent and of sexual minorities, culpability in World War II, and the activities of the security services. Contemporary narratives reveal the effects of the violence released after the collapse of the Soviet Unionthe continuing trauma and scars of an unprocessed past, social dysfunction, organized crime, ecological degradation, exploitation of indigenous populations, and restorative nostalgia for previous systems of governance.

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Elena Prokhorova – författare

Film and Television Genres of the Late Soviet Era

Film and Television Genres of the Late Soviet Era

Film and Television Genres of the Late Soviet Era

Film and Television Genres of the Late Soviet Era

Cinemasaurus

Cinemasaurus

Cinemasaurus

Cinemasaurus

Russian TV Series in the Era of Transition

Russian TV Series in the Era of Transition

Russian TV Series in the Era of Transition

Russian TV Series in the Era of Transition

Haunted Present

Haunted Present

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